'Yes, damned then, but living, breathing!' the young man cried, rising in a last spasmodic movement. And the Lord, who had remained still until that instant, bent to drink.
The kiss again, the lethal kiss, the blood drawn out of the dying body, and then the Lord lifting the heavy head of the young man to take the blood back again from the body of the Lord himself.
I was screaming again,
Do not, do not drink. He turned and looked at me. His face was now so perfectly the visage of death that I couldn't believe there was animation left in him, yet he asked: What would you do? Would you go back to Knorwood, would you open those doors one after another, would you ring the bell in the empty church, and if you did would the dead rise?
He didn't wait for my answer. And I had none now to give. He had turned again to the Lord who waited for him, locked his innocent mouth to that vein that pulsed with every semblance of life beneath the Lord's cold and translucent flesh. And the blood jetted into the young body, vanquishing in one great burst the fever and the sickness that had wracked it, driving it out with the mortal life.
He stood now in the hall of the Lord alone. Immortality was his and the blood thirst he would need to sustain it, and that thirst I could feel with my whole soul. He stared at the broken walls around him, at the fire licking the blackened stones of the giant fireplace, at the night sky over the broken roof, throwing out its endless net of stars.
And each and every thing was transfigured in his vision, and in my vision-the vision he gave now to me-to the exquisite essence of itself. A wordless and eternal voice spoke from the starry veil of heaven, it sang in the wind that rushed through the broken timbers; it sighed in the flames that ate the sooted stones of the hearth.
It was the fathomless rhythm of the universe that played beneath every surface, as the last living creature-that tiny child-feel silent in the village below.
A soft wind sifted and scattered the soil from the new-turned furrows in the empty fields. The rain fell from the black and endless sky.
Years and years passed. And all that had been Knorwood melted into the very earth. The forest sent out its silent sentinels, and mighty trunks rose where there had been huts and houses, where there had been monastery walls.
Finally nothing of Knorwood remained: not the little cemetery, not the little church, not even the name of Knorwood lived still in the world. And it seemed the horror beyond all horrors that no one anymore should know of a thousand souls who had lived and died in that small and insignificant village, that not anywhere in the great archives in which all history is recorded should a mention of that town remain.
Yet one being remained who knew, one being who had witnessed, and stood now looking down upon the very spot where his mortal life had ended, he who had scrambled up on his hands and knees from the pit of Hell that had been that disaster; it was the young man who stood beside me, the master of Rampling Gate.
And all through the walls of his old house were the stones of the ruined castle, and all through the ceilings and floors the branches of those ancient trees.
What was solid and majestic here, and safe within the minds of those who slept tonight in the village of Rampling, was only the most fragile citadel against horror, the house to which he clung now.
A great sorrow swept over me. Somewhere in the drift of images I had relinquished myself, lost all sense of the point in space from which I saw. And in a great rush of lights and noise I was enlivened now and made whole as I had been when we rode together through the forest, only it was into the world of now, this hour, that we passed. We were flying it seemed through the rural darkness along the railway towards the London where the nighttime city burst like an enormous bubble in a shower of laughter, and motion, and glaring light. He was walking with me under the gas lamps, his face all but shimmering with that same dark innocence, that same irresistible warmth. And it seemed we were holding tight to one another in the very midst of a crowd. And the crowd was a living thing, a writhing thing, and everywhere there came a dark rich aroma from it, the aroma of fresh blood. Women in white fur and gentlemen in opera capes swept into the brightly lighted doors of the theatre; the blare of the music hall inundated us, then faded away. Only a thin soprano voice was left, singing a high, plaintive song. I was in his arms, and his lips were covering mine, and there came that dull zinging sensation again, that great uncontrollable opening within myself. Thirst, and the promise of satiation measured only by the intensity of that thirst. Up stairs we fled together, into high-ceilinged bedrooms papered in red damask where the loveliest women reclined on brass bedsteads, and the aroma was so strong now I could not bear it, and before me they offered themselves, they opened their arms. 'Drink,' he whispered, yes, drink. And I felt the warmth filling me, charging me, blurring my vision, until we broke again, free and light and invisible it seemed as we moved over the rooftops and down again through rain-drenched streets. But the rain did not touch us; the falling snow did not chill us; we had within ourselves a great and indissoluble heat. And together in the carriage, we talked to each other in low, exuberant rushes of language; we were lovers; we were constant; we were immortal. We were as enduring as Rampling Gate.
I tried to speak; I tried to end the spell. I felt his arms around me and I knew we were in the tower room together, and some terrible miscalculation had been made.
'Do not leave me,' he whispered. 'Don't you understand what I am offering you; I have told you everything; and all the rest is but the weariness, the fever and the fret, those old words from the poem. Kiss me, Julie, open to me. Against your will I will not take you…' Again I heard my own scream. My hands were on his cool white skin, his lips were gentle yet hungry, his eyes yielding and ever young. Father turned in the rain-drenched London street and cried out: 'Julie!' I saw Richard lost in the crowd as if searching for some one, his hat shadowing his dark eyes, his face haggard, old. Old!
I moved away. I was free. And I was crying softly and we were in this strange and cluttered tower room. He stood against the backdrop of the window, against the distant drift of pale clouds. The candle-light glimmered in his eyes. Immense and sad and wise they seemed, and oh, yes, innocent as I have said again and again. 'I revealed myself to them,' he said. 'Yes, I told my secret. In rage or bitterness, I know not which, I made them my dark co-conspirators and always I won. They could not move against me, and neither will you. But they would triumph still. For they torment me now with their fairest flower. Don't turn away from me, Julie. You are mine, Julie, as Rampling Gate is mine. Let me gather the flower to my heart.'
Nights of argument. But finally Richard had come round. He would sign over to me his share of Rampling Gate, and I should absolutely refuse to allow the place torn down. There would be nothing he could do then to obey Father's command. I had given him the legal impediment he needed, and of course I should leave the house to him and his children. It should always be in Rampling hands.
A clever solution, it seemed to me, as Father had not told me to destroy the place, and I had no scruples in the matter now at all.
And what remained was for him to take me to the little train station and see me off for London, and not worry about me going home to Mayfair on my own.
'You stay here as long as you wish, and do not worry,' I said. I felt more tenderly towards him than I could ever express. 'You knew as soon as you set foot in the place that Father was all wrong. Uncle Baxter put it in his mind, undoubtedly, and Mrs. Blessington has always been right. There is nothing to harm there, Richard. Stay, and work or study as you please.'
The great black engine was roaring past us, the carriages slowing to a stop. 'Must go now, darling, kiss me,' I said.
'But what came over you, Julie, what convinced you so quickly…'
'We've been through all, Richard,' I said. 'What matters is that we are all happy, my dear.' And we held each other close.
I waved until I couldn't see him anymore. The flickering lamps of the town were lost in the deep lavender light of the early evening, and the dark hulk of Rampling Gate appeared for one uncertain moment like the ghost of itself on the nearby rise.
I sat back and closed my eyes. Then I opened them slowly, savouring this moment for which I had waited too long.
He was smiling, seated there as he had been all along, in the far corner of the leather seat opposite, and now he rose with a swift, almost delicate movement and sat beside me and enfolded me in his arms.
'It's five hours to London,' he whispered in my ear.
'I can wait,' I said, feeling the thirst like a fever as I held tight to him, feeling his lips against my eyelids and my hair. 'I want to hunt the London streets tonight,' I confessed, a little shyly, but I saw only approbation in his eyes.
'Beautiful Julie, my Julie…' he whispered.
'You'll love the house in Mayfair,' I said.
'Yes…' he said.
'And when Richard finally tires of Rampling Gate, we shall go home.'
Under St. Peter's by Harry Turtledove
Harry Turtledove-who is often referred to as the 'master of alternate history'-is the Hugo Award-winning author of more than 80 novels and 100 short stories. His most recent novels are The Man with the Iron Heart, After the Downfall, Give Me Back My Legions!, and Hitler's War. In addition to his SF, fantasy, and alternate history works, he's also published several straight historical novels under the name H. N. Turteltaub. Turtledove obtained a Ph.D. in Byzantine history from UCLA in 1977.
Turtledove says that part of the appeal of vampire fiction is that we humans like to think we're at the top of the food chain. 'But what if we're not?' he said. 'Vampire stories also often involve immortality-as this one does-and sex-which this one doesn't-and both of those are abiding themes to which vampires give a different slant.'
This story takes place in St. Peter's Basilica in Vatican City -one of Christianity's holiest sites-and tells the tale of the vampire living underneath it. It's a difficult story to talk about without giving away the good parts. Let it suffice to say that it's oh-so blasphemous. Say three Hail Marys and an Our Father after reading.
Incense in the air, even down here behind the doors. Frankincense and myrrh, the scents he remembered from days gone by, days when he could face the sun. Somber Latin chants. He recognized them even now, though the chanters didn't pronounce Latin the way the legionaries had back in those bright days.
And the hunger. Always the hunger.
Would he finally feed? It had been a long time, such a very long time. He could hardly remember the last time he'd had to wait so long.
He wouldn't die of starvation. He couldn't die of starvation. His laughter sent wild echoes chasing one another in his chamber. No, he couldn't very well die, not
