Ibid, p. 166.
Ibid, p. 159.
Lewis-Williams and Dowson, 'The Signs of All Times', Current Anthropology, Vol. 29, No. 2, April 1988, p. 201 ff.
Ibid, p. 201.
Joelle Robert-Lambling Writing in Jean Clottes, Return to Chauvet Cave Excavating the Birthplace of Art: The First Full Report, Thames and Hudson, London, 2003, p. 201.
Clottes, Return to Chauvet Cave, p. 65–68.
Ibid, p. 82.
Ibid, p. 81.
Ibid, p. 81–82.
Anne Sieveking, The Cave Artists, Thames and Hudson, London, 1979, p. 209.
Thomas A. Dowson and Martin Porr, 'Special Objects — Special Creatures: Shamanistic imagery and the Aurignacian art of southwest Germany', in Neil Price (Ed.), The Archaeology of Shamanism, Routledge, London, 2001, p. 169.
Ibid, p. 32.
Ibid, p. 33.
Sieveking, The Cave Artists, op. cit, p. 110.
Paul Bahn Journey through the Ice Age, Weidenfeld and Nicolson, London, 1997, p. 197; Jean Clottes, 'Thematic Changes in Upper Palaeolithic Art: a view from the Grotte Chauvet', Antiquity, 70 (1996), p 285.
