Смотри главу восьмую и приложение II.
К примеру: Jeremy Dronfield, 'Migraine, Light and Hallucinations: The Neurocognitive Basis of Irish Megalithic Art', Oxford Journal of Archaeology 14 (3), 1995, p. 261–275. Прежде всего смотри страницы 265, 271, 272; Peter Lamborn Wilson, Ploughing the Clouds: The Search for Irish Soma, City Lights, San Francisco, 1999, p. 30–33; Richard Bradley, 'Deaths and Entrances: A Contextual Analysis of Megalithic Art', Current Anthropology Vol. 30, No. 1, February 1989; Jeremy Dronfield, 'Ways of Seeing, Ways of Telling', in M. Lorblanchet and P. Bahn (Eds), Rock Art Studies, Oxbow Books, Oxford, 1993, p. 179ff; Jeremy Dronfield, 'The Vision Thing', Current Anthropolog\ Vol. 37, No. 2, April 1996, p. 373 ff; Jeremy Dronfield, 'Entering Alternative Realities: Cognition, Art and Architecture in Irish Passage Tombs', Cambridge Archaeological Journal 6:1 (1996), p. 37–72; J. D. Lewis- Williams and ТА. Dowson, 'On Vision and Power in the Neolithic', Current Anthropology, Vol. 34, No. 1, February 1993, p. 55 ff; Mark Patton, 'On Ento— ptic Images in Context: Art, Monuments and Society in Neolithic Brittany', Current Anthropology), Vol. 31, No. 5, December 1990, p. 554 ff; Jeremy Dronfield, 'Subjective Vision and the Source of Irish Megalithic ArtAntiquity, 69 (1995), p. 539–549.
Peter Narvez (Ed.), The Good People: Neiv Fairylore Essays, The University Press of Kentucky, (1991) 1997, p. 29–30, 119, 199, 201; W. Y. Evans-Wentz, The Fairy) Faith in Celtic Countries, New Page Books, Franklin Lakes, NJ, 2004 (репринтное издание оригинала 1911 года с современным введением Карла Мак-Колемана), р. 19, 36, 67, 166–167, 202–203, 205, 409, 413; Diane Purkiss, Troublesome Things: A History of Fairies and Fairy Stories, Penguin, London, 2000, p. 6–7, 151 204.
Биографию Бана можно найти в Интернете на сайте Американского археологического института (http://www.archaeolo— gical.org/webinfo. php? page= 1 ОД 28&leader=9).
Paul Bahn, Images of the Ice Age, Facts on File, 1988 (jacket text).
Paul Bahn, Journey Through The Ice Age, Weidenfeld and Nicol— son, London, 1997.
P. Bahn, P. Pettit, S. Ripoll, 'Discovery of Palaeolithic Cave Art in Britain', Antiquity, 2003, 77 (296), p. 227– 231.
John Pickrell, National Geographic News, 18 August 2004.
Комментарий Бана на следующую работу: J. D. Lewis-Williams and Т. А. Dowson, 'The Signs of All Times', Current Anthropology, Vol. 29, No. 2, April 1988, p. 217.
Bahn,Images of the Ice Age, p. 190.
Bahn, Journey Through The Ice Age, p. 182. В частности, Льюис — Вильямс обвиняется в этом отрывке в 'крайней избирательности образов и интерпретаций'.
Bahn, in Henry-Paul Francfort and Roberte Hamayon (Eds), The Concept of Shamanism: Uses and Abuses, p. 52.
Paul Bahn, Rock Art Research, 1997, Vol. 14, No. 1, p. 62–67.
11. Patricia A. Helvenston and Paul Bahn, Desperately Seeking Trance Plants: Testing the Three Stages of
