now as one character, now as another, as circumstance demanded. I would be
There were, besides, practical considerations. In making enquiries concerning my true self, carrying the name of Glyver might be disadvantageous to my cause. Concerning the plot hatched by Lady Tansor, there were undoubtedly many aspects of which I was as yet unaware; and to use my mother’s married name would immediately reveal my interest and connexion to the protagonists. No, for the time being, it was better to work in the shadows.
I therefore wrote to Signor Gallini as Edward Glapthorn – the name by which I now became generally known in my new life. The following week, after receiving a satisfactory reply, I took coach from Southampton to make arrangements with my new landlord, whom I found to be exactly as Le Grice’s friend had described him: tall, courteous, and quietly spoken, but with a melancholy patrician bearing, like an exiled Roman emperor.
The village of Camberwell – despite the growing proximity of the metropolis – was charming, with open fields and market gardens all around, and pleasant walks through woods and lanes to nearby Dulwich and its picture gallery. Signor Gallini’s house stood in a quiet street close to the Green – not far, as I later discovered, from the birthplace of Mr Browning, the poet.* I was offered two rooms on the first floor – a good-sized sitting-room with a small bedchamber adjoining – at a most reasonable rent, which I instantly agreed to take.
Just as I was leaving, our business having been concluded satisfactorily with a glass of wine and a cigar, both of excellent quality, the front door opened and in walked the most beautiful girl I thought I had ever seen. Already, I liked to fancy myself as a pretty hard-nosed young dog when it came to the female sex; but I confess that I felt like a callow schoolboy when I saw those lustrous black eyes, and the voluptuous figure that her light-blue morning dress and short lace-collared cape did little to conceal.
‘May I introduce my daughter, Isabella?’ said Signor Gallini. ‘This, my dear, is the gentleman who has been recommended to us. I am glad to say that he has consented to take the rooms.’
His English was perfect, though spoken with the still-detectable accent of his native country. Miss Gallini smiled, held out her hand, and said that she hoped I would like Camberwell, to which I could only reply that I believed I would like it very well indeed. So began my connexion with Isabella Gallini, my beautiful Bella.
The time had now come to leave Sandchurch behind me. I set about packing my mother’s journals and papers into three sturdy trunks, and instructing Mr Gosling, her former lawyer, to sell the house. It was hard to let Beth go, for she had been part of the household for as long as I could remember, and had continued to cook and clean for me since my return from the Continent; but it had been agreed that she would perform the same domestic duties for Tom, which eased my conscience a little. Billick took the news of my departure in his usual taciturn fashion: he pursed his lips, nodded his head slowly, as if in silent recognition of the inevitable, and shook me by the hand, most vigorously. ‘Thankee, sir,’ he said, receiving the small bag of coins that I had held out; whereupon he spat out a piece of tobacco, and walked off down the path to the village, whistling as he went. That was the last I ever saw of him.
I was not embarking on my new life entirely without some plan as to what I should do with myself. Ever since the moment that I had gazed upon the photogenic drawing of the great stone king in Professor S—’s rooms in Oxford, the idea had been growing in me that the production of such images might perhaps furnish a means of making a living, or at least of supplementing my income. I had not mentioned this to Tom, fearing that it would produce another disagreement between us, but I had quietly taken steps to acquaint myself more fully with the possibilities and techniques of this wonderful new medium. I flatter myself that I was amongst its pioneers and, but for the subsequent course of my life, I think I might have made my name in the field, and have been remembered by posterity for it, along with Mr Talbot and Monsieur Daguerre.*
I had always been fascinated by the camera obscura and its ability to throw fleeting images onto paper, the creations of an instant, which then, just as rapidly, faded away when the camera was removed. Tom – to my utter delight – possessed one, and as a boy I would often harangue him, once our lessons were done on a fine summer evening, to go out into his little garden and let me look into ‘the magic mirror’. Those memories had been instantly revived by the photogenic drawing displayed in the Professor’s rooms, and I now determined to learn for myself how to catch and hold light and shadow in perpetuity.
To this end, a few weeks earlier, I had written to Mr Talbot, and he had kindly agreed to receive me at his house at Lacock,* where I was inducted into the wonderful art of producing photogenic drawings of the kind I had seen in New College, and into all the mysteries of sciagraphs,† developers, and exposure. I was even given one of Mr Talbot’s own cameras, dozens of which had lain all about the house and grounds. They were perfect little miracles: simply small wooden boxes – some of them no more than two or three inches square (Mrs Talbot called them ‘mousetraps’) – made to Mr Talbot’s design by a local carpenter, with a brass lens affixed to the front; and yet what wonders they produced! I had returned home to Sandchurch, afire with enthusiasm for my new hobby, and eager to begin taking my own photographs as soon as possible.
Then came the hot July day when I closed behind me the front door of the house on the cliff-top for what I thought would be the last time. I paused for a moment, beneath the chestnut-tree by the gate, to look back at the place that I had formerly called home. The memories could not be restrained. I saw myself playing in the front garden, eagerly climbing the tree above me to look out from my crow’s-nest across the ever-changing waters of the Channel, and trudging up and down the path, in every season and all weathers, to and from Tom’s school. I recalled how I would stand watching my mother through the parlour window, doubled over her work for hour after hour, never looking up. And I remembered the sound of wind off the sea, the cry of sea birds as I woke every morning, the ever-present descant of waves breaking on the shore below the cliff, thundering in rough weather like the sound of distant cannon. But they were Edward Glyver’s memories, not mine. I had merely borrowed them, and now he could have them back. It was time for my new self to begin making memories of its own.
During my first few weeks in Camberwell, I made several trips to town in search of employment. All proved fruitless, and, soon, with my little store of money diminishing fast, I began to fear that I should have to fall back on tutoring again – a most uncongenial prospect. Perhaps if I had possessed a degree, my way might have been made easier; but I did not. Phoebus Daunt had put paid to that.
The summer began to pass, and, determined I would not subside into idleness, I turned again to my mother’s journals. It was then that I made a great discovery.
My eye had happened to fall on an entry dated ‘31.vii.19’: ‘To Mr AT yesterday: L not present, but he kindly put me at my ease & explained what was required.’ ‘L’ was, of course, Laura Tansor; but the identity of ‘Mr AT’ was unknown to me. On an impulse, I searched out a tied bundle of miscellaneous documents, all of which dated from 1819. It did not take long to extract a receipt for a night’s stay, on the 30th of July of that year, at Fendalls Hotel, Palace Yard. Adhering to the back was a card:
‘Mr AT’, I thought, could now be identified, tentatively, as Mr Anson Tredgold, solicitor. This now explained an earlier entry: ‘L has agreed to my request & will speak to her legal man. She understands that I fear discovery & require an instrument that will absolve me of blame, if such a thing can be contrived.’ It seemed clear from this that some form of legal document or agreement had been drawn up, to which both women had been
