Bentley, 1846.

Rambles in the Romantic Regions of the Hartz Mountains. Translated by Charles Beckwith Lohmeyer. London: Richard Bentley, 1848.

Seven PoemsSyv digte. Translated by R. P. Keigwin. Odense: Hans Christian Andersen’s House, 1955.

The Story of My Life. Translated by Horace E. Scudder. Boston: Houghton Mifflin, 1871.

To Be, or Not to Be? Translated by Mrs. Bushby. London: Richard Bentley, 1857.

The True Story of My Life. Translated by Mary Howitt. London: Longman, Brown, Green, and Longmans, 1847.

The Two Baronesses. 2 vols. Translated by Charles Beckwith Lohmeyer. London: Richard Bentley, 1848.

A Visit to Portugal 1866. Translated and edited by Grace Thornton. London: Peter Owen, 1972.

A Visit to Spain and North Africa. Translated and edited by Grace Thornton. London: Peter Owen, 1975.

CRITICAL WORKS

Andersen, Jens. Hans Christian Andersen: A New Life. Translated by Tiina Nunnally. Woodstock: Overlook Press, 2006.

Atkins, A. M. “The Triumph of Criticism: Levels of Meaning in Hans Christian Andersen’s The Steadfast Tin Soldier.” Scholia Satyrica 1 (1975), pp. 25-28.

Bain, R. Nisbet. Hans Christian Andersen: A Biography. New York: Dodd, Mead, 1895.

Bell, Elizabeth, Lynda Haas, and Laura Sells, eds. From Mouse to Mermaid: The Politics of Film, Gender, and Culture. Bloomington: Indiana University Press, 1995.

Book, Fredrik. Hans Christian Andersen: A Biography. Translated by G. Schoolfield. Norman: University of Oklahoma Press, 1962.

Born, Ann. “Hans Christian Andersen: An Infectious Genius.” Anderseniana 2 (1976), pp. 248-260.

Brandes, Georg. “Hans Christian Andersen.” In Eminent Authors of the Nineteenth Century. Translated by R. B. Anderson. New York: Crowell, 1886.

Braude, L. Y “Hans Christian Andersen and Russia.” Scandinavica 14 (1975), pp. 1- 15.

Bredsdorff, Elias. Hans Andersen and Charles Dickens: A Friendship and Its Dissolution. Copenhagen: Rosenkilde and Bagger, 1956.

—. Hans Christian Andersen: The Story of His Life and Work, 1805-75. London: Phaidon, 1975.

Bredsforff, Thomas. Deconstructing Hans Christian Andersen: Some of His Fairy Tales in the Light of Literary Theoryand Vice versa. Minneapolis: Center for Nordic Studies, University of Minnesota, 1993.

Browning, George. A Few Personal Recollections of Hans Christian Andersen. London: Unwin, 1875.

Burnett, Constance B. The Shoemaker’s Son: The Life of Hans Christian Andersen. New York: Random House, 1941.

Dahlerup, Pil. “Splash! Six Views of “The Little Mermaid.” Scandinavian Studies 63:2 (1991), pp. 141-163.

Dal, Erik. “Hans Christian Andersen’s Tales and America.” Scandinavian Studies 40 (1968), pp. 1-25.

Duffy, Maureen. “The Brothers Grimm and Sister Andersen.” In The Erotic World of Faery. London: Hodder and Stoughton, 1972, pp. 263-284.

Frank, Diane Crone, and Jeffrey Frank. “A Melancholy Dane.” The New Yorker (January 8, 2001), pp. 78-84.

. “The Real Hans Christian Andersen.” In The Stories of Hans Christian Andersen, translated by Diane Crone Frank and Jeffrey Frank. Boston: Houghton Mifflin, 2003, pp. 1-36.

Godden, Rumer. Hans Christian Andersen: A Great Life in Brief. New York: Alfred A. Knopf, 1954.

Gronbech, Bo. Hans Christian Andersen. Boston: Twayne, 1980.

Haugaard, Erik C. “Hans Christian Andersen: A Twentieth-Century View.” Scandinavian Review 14 (1975), pp. 1-15.

Hees, Annelies van. “The Little Mermaid.” In H. C. Andersen: Old Problems and New Readings, edited by Steven Sondrup. Provo, UT: Brigham Young University, 2004, pp. 259-270.

Heltoft, Kjeld. Hans Christian Andersen as an Artist. Translated by Reginald Spink. Copenhagen: Royal Danish Ministry of Foreign Affairs, 1977.

Holbek, Bengt. “Hans Christian Andersen’s Use of Folktales.” In A Companion to the Fairy Tale, edited by Hilda Ellis David-son and Anna Chaudri. Cambridge: D. S. Brewer, 2003, pp. 149- 158.

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