“No. Here.” He pointed down the dark road.
“Where? Can I walk?”
“Sure. I go you.”
“No! No thanks. You stay here. Thank you. I can go all right. Where is it? How far?”
“O.K.”
“What is it? A bar? What’s the name?”
“They got music. La Gloria. You go. You hear music. You look for two ladies. They drinking.”
She went inside again and checked the bags with an airline employee who insisted on accompanying her. They strode in silence along the back road. The walls of vegetation on each side sheltered insects that made an occasional violent, dry noise like a wooden ratchet being whirled. Soon there was the sound of drums and trumpets playing Cuban dance music.
“La Gloria,” said her escort triumphantly.
La Gloria was a brilliantly lighted mud hut with a thatch-covered veranda giving onto the road. The juke box was outside, where a few drunken Negroes sprawled.
“Are they here?” she said out loud, but to herself.
“La Gloria,” he answered, pointing.
As they came opposite the front of the building, she caught a glimpse of a woman in blue jeans, and although instantaneously she knew it was Prue, her mind for some reason failed to accept the fact, and she continued to ask herself, “Are they here or not?”
She turned to go toward the veranda. The record had finished playing. The ditch lay in the dark between the road and the porch. She fell forward into it and heard herself cry out. The man behind her said,
“I’m all right,” she said, when she had been eased into a chair.
“But darling, where’ve you been? We’ve been waiting for you since eight, and we’d just about given up. Poor Prue’s ill.”
“Nonsense, I’ll recover,” said Prue, still seated at the bar. “Been having a touch of the trots, that’s all.”
“But darling, are you all right? This is absurd, landing here this way.”
She looked down at Aileen’s ankle.
“Is it all right?”
Prue came over from the bar to shake her hand.
“A dramatic entrance, gal,” she said.
Aileen sat there and smiled. She had a curious mental habit. As a child she had convinced herself that her head was transparent, that the thoughts there could be perceived immediately by others. Accordingly, when she found herself in uncomfortable situations, rather than risk the danger of being suspected of harboring uncomplimentary or rebellious thoughts, she had developed a system of refraining from thinking at all. For a while during her childhood this fear of having no mental privacy had been extended to anyone; even persons existing at a distance could have access to her mind. Now she felt open only to those present. And so it was that, finding herself face to face with Prue, she was conscious of no particular emotion save the familiar vague sense of boredom. There was not a thought in her head, and her face made the fact apparent.
Mornings were hard to believe. The primeval freshness, spilled down out of the jungle above the house, was held close to the earth by the mist. Outside and in, it was damp and smelled like a florist’s shop, but the dampness was dispelled each day when the stinging sun burned through the thin cape of moisture that clung to the mountain’s back. Living there was like living sideways, with the land stretching up on one side and down on the other at the same angle. Only the gorge gave a feeling of perpendicularity; the vertical walls of rock on the opposite side of the great amphitheatre were a reminder that the center of gravity lay below and not obliquely to one side. Constant vapor rose from the invisible pool at the bottom, and the distant, indeterminate calling of water was like the sound of sleep itself.
For a few days Aileen lay in bed listening to the water and the birds, and to the nearby, unfamiliar, domestic sounds. Her mother and Prue both had breakfast in bed, and generally appeared just before the midday meal for a few minutes of conversation until Concha brought the invalid’s lunch tray. In the afternoons she thumbed through old magazines and read at murder mysteries. Usually it began to rain about three; the sound at first would be like an augmentation of the waterfall in the distance, and then as its violence increased it came unmistakably nearer—a great roar all around the house that covered every other sound. The black clouds would close in tightly around the mountain, so that it seemed that night would soon arrive. She would ring a small bell for Concha to come and light the oil lamp on the table by the bed. Lying there looking at the wet banana leaves outside the window, with the rain’s din everywhere, she felt completely comfortable for the precarious moment. There was no necessity to question the feeling, no need to think—only the subsiding of the rain, the triumphant emergence of the sun into the steaming twilight and an early dinner to look forward to. Each evening after dinner her mother came for a lengthy chat, usually about the servants. The first three nights Prue had come too, carrying a highball, but after that her mother came alone.
Aileen had asked to be put into the old part of the house, rather than into a more comfortable room in the new wing. Her window looked onto the garden, which was a small square of lawn with young banana trees on either side. At the far end was a fountain; behind it was the disordered terrain of the mountainside with its recently cut underbrush and charred stumps, and still further beyond was the high jungle whose frontier had been sliced in a straight line across the slopes many years ago to make the plantation. Here in her room she felt at least that the earth was somewhere beneath her.
When her ankle ceased to pain her, she began going downstairs for lunch, which was served out on the terrace at a table with a beach umbrella stuck in its center. Prue was regularly late in coming from her studio, and she arrived in her blue jeans, which were caked with clay, with smears of dirt across her face. Because Aileen could not bring herself to think what she really felt, which was that Prue was ungracious, ugly and something of an interloper, she remained emotionally unconscious of Prue’s presence, which is to say that she was polite but bored, scarcely present in the mealtime conversations. Then, too, Aileen was definitely uncomfortable on the terrace. The emptiness was too near and the balustrade seemed altogether too low for safety. She liked the meals to be as brief as possible, with no unnecessary time spent sipping coffee afterward, but it never would have occurred to her to divulge her reasons. With Prue around she felt constrained to behave with the utmost decorum. Fortunately her ankle provided her with a convenient excuse to get back upstairs to her room.
She soon discovered a tiny patio next to the kitchen where heavy vines with sweet-smelling flowers grew up an arbor that had been placed at one side. The air was full of the humming of hundreds of bees that clung heavily to the petals and moved slowly about in the air. After lunch she would pull a deck chair into the arbor’s shade and read until the rain began. It was a stifling, airless spot, but the sound of the bees covered that of the waterfall. One afternoon Prue followed her there and stood with her hands in her hip pockets looking at her.
“How can you take this heat?” she asked Aileen.
“Oh, I love it.”
“You do?” She paused. “Tell me, do you really like it here, or do you think it’s a bloody bore?”
“Why, I think it’s absolutely wonderful.”
“Mm. It is.”
“Don’t you like it?”
Prue yawned. “Oh, I’m all for it. But I keep busy. Wherever I can work, I get on, you know.”
“Yes, I suppose so,” said Aileen. Then she added, “Are you planning on staying long?”
“What the hell do you mean?” said Prue, leaning backward against the house, her hands still behind her. “I live here.”
Aileen laughed shortly. To anyone but Prue it would have sounded like a merry, tinkling laugh, but Prue narrowed her eyes and thrust her jaw forward a bit.
“What’s so funny?” she demanded.
“I think you’re funny. You’re so tied up in knots. You get upset so easily. Perhaps you work too hard out there in your little house.”
