God of War: The Epic Story of Alexander the Great

Macedonians aren’t big on gentle.

He froze as if I’d stuck a dagger into him.

His breath shuddered in and out a few times. Then it steadied down.

I went to sleep.

In the morning, nothing more was said. Except that the man who vaulted into the saddle was the man who led the cavalry charge at Chaeronea.

EIGHT

We passed most of the winter in Epirus, at a court so barbarous that Pella seemed like Athens, and suddenly Olympias seemed a great deal less alien than before. She was a child of this world at the edge of chaos.

I tell this out of order, but I remember once when she came to visit us – she had her own court at Epirus, and as a princess of the blood she had the sort of loyalty there that she probably missed at home – men who would die for her. At any rate, Alexander had his own rooms, and we were having – that is, I was throwing – an Athenian-style symposium. We were lying on couches, and the subject of the debate was love, and I was thinking of Thais – not that I loved her, but that she was worthy of love.

Alexander smiled at Hephaestion. ‘I love Hephaestion, because he is me, and I am he,’ he said.

Truth to tell, we groaned aloud then threw things at him. Which was a good sign, because it meant we were starting to heal. Going into exile is like losing a battle, or taking a beating, or failing, or losing a loved one. It hurts, and the hurt can last a long time.

At any rate, we were lying on our couches philosophising, and she swept in without warning. So perfect was her intelligence net – it always was – that she got past our sentries with all her women – she knew when the guards changed, and when the sentries were lax, and when men went off for a quick fumble – perhaps with one of her maids.

The women entered first – a dozen of them, in beautiful wools, and their arrival froze our talk. Her arrival – her beauty, even her perfume – trapped us like bars of adamantine. No one moved.

She stood in the middle of the room – in fact, in my memory, she is always at the centre of the room – and she looked around slowly. When her eyes met mine, she smiled.

‘Son of Lagus,’ she said warmly. ‘You do my son good service.’

Lovely words, but they chilled me to the bone. And despite that, as I’ve said before, I desired her.

She went and sat on Alexander’s couch. ‘You are safe here,’ she said.

He grimaced.

She slapped his side. ‘Don’t play your foolish boys’ Athenian games with me,’ she said. ‘This is Epirus, not Athens, and I can go where I want. Don’t pretend that I cannot.’

Alexander was not happier for that.

She smiled at him, a little motherly superiority etched between her brows. ‘You so want to be men. But you are boys. It was well done, getting here, but now you need me. We will raise an army, and Philip will see reason. You will see. And everything will be as it was.’

Alexander looked at his mother, and for once he told her the truth. ‘I do not want it as it was.’

She laughed. But her laugh got no echo.

‘He will relent. As he gets older, it is harder and harder for him to see—’

‘I will kill him, if I must,’ Alexander said.

And she met his eye, and something passed between them. And she smiled. ‘If it comes to that,’ she said.

And he grinned, like a grateful son.

She ruled Epirus. Not exactly ruled, but she did as she liked there, and we saw clearly what she came from, and what had made her so sure of herself, so like a goddess come to earth – I mean one of the less human, more vengeful sorts of goddesses.

Beyond Epirus, men wore skins and tattoos, and no one knew the rule of law. At the ‘court’ of Epirus, most of the warriors had never heard of Aristotle. Or Plato. Or the Iliad. There were men like rhapsodes, and they sang songs – endless tales of the borders, where one man killed another in a litany of violence. I admit that the Iliad can sound that way, but it is the Iliad. These songs were long and dull and had no story beyond the blood, the infidelity of women, the perfidiousness of the cowardly, the greatness of the men of pure blood – come to think of it, this does sound like the Iliad, but the difference is that the Iliad is beautiful and powerful and these were dull. And monotonous.

There were Keltoi at Epirus – tribal barbarians from the north and west, with red hair, tattoos and superb swords and metalwork, and tall tales – better tales than the Epirote singers sang, about gods in chariots and beautiful women. One of the Keltoi mercenaries there made up a song that slighted Olympias, and she had him killed.

Remarkably, the other Keltoi took no offence.

It was there, at the ‘court’ of Epirus, that my lifelong love of writing really started. I had very little to do – for the first time in my life. We organised the companions and the grooms into a rotation of watches on the prince – but with fifty men at arms and a hundred grooms, we each only had a watch every ten days.

I took them out for drills every day. That gave the day structure. I had learned some very fancy riding tricks in Athens – team tricks, the way the Athenian Hippeis did them for the religious festivals – and I taught them to the royal companions. And I put all my fighters on to the grooms and trained them hard, too.

But you can only do so much drill. And I lacked the experience to know that I should have kept them all busy all the time. I had enough trouble keeping myself entertained.

I rode, wrestled – in a town so barbaric that they didn’t have a gymnasium or a palaestra, which is funny – when you think of what Pyrrhus has built there now! But at the time, it was hard to train, hard to keep weight off.

At any rate, I started to write. The first thing I wrote was about the Keltoi – what they wore, what they carried, and their marvellous stories. They had beautiful women with them – back-talking, witty, marvellous women with bright hair, slanted eyes and a boldness seldom seen in Macedon. They weren’t available – I tried – but they flirted as if they were.

Men who didn’t understand found themselves matching swords with the Keltoi men. I understood, because in this way the Keltoi were like Athenians. Subtler, but not weaker.

And I wrote about the mountains, which, despite the lack of culture, were breathtakingly beautiful and full of game.

One of my favourite memories came from that winter.

After a snow, the royal huntsman – who was himself of royal birth and carried the portentous name of the hero himself, Lord Achilles – took us on a bear hunt. I had never been out for bear. I’d seen the fur, seen the animal once or twice, but until then I’d never seen one stand on its back feet and rip dogs to pieces.

It was in a thicket at the edge of a clearing in a high oak forest, well up the mountainside, and that bear had a better eye for terrain than most Greek generals. His flanks were covered by ravines and he had an escape route out the back of the thicket and into the deep trees, and our dogs, loyal and well trained, made hopeless leaps at the monster and died, so that that roar of the baying pack became quieter and quieter. The dogs could reach the bear only two at a time.

Old Achilles leaned on his spear. ‘Well, boys?’ he said. I was there with Alexander and half of his court in exile, and for a moment it occurred to me that this was some deep Macedonian intrigue to kill the prince.

Alexander raised an eyebrow. And winked at me.

‘You and Hephaestion up the ravines,’ he said. ‘Horn-call when you are within a spear-cast of the bear. Philip and Nearchus and I will go right up the hill into him. All we need is a few seconds – thrown spears will do it if you hit him.’

That was our plan.

I spent half an hour climbing the ravine. You try climbing wet rocks in a scale thorax and smooth-soled boots. With a pair of spears and a sword.