reality they were far less anarchic in their dealings than the classic Five Points bands of an earlier generation (the Whyos, Plug Uglies, Dead Rabbits, and the rest), remnants of which still haunted their old neighborhood like violent, disaffected ghosts. Kelly himself was reflective of this change in style: his sartorial acumen was matched by polished speech and manners. He also possessed a thorough knowledge of art and politics, his taste in the former running toward modern and in the latter toward socialism. But Kelly knew his customers, too; and tasteful was not the word to describe the New Brighton Dance Hall, the Five Pointers’ headquarters on Great Jones Street. Overseen by a singular giant known as Eat-’Em-Up Jack McManus, the New Brighton was a garish mass of mirrors, crystal chandeliers, brass railings, and scantily clad “dancers,” a flash palace unequaled even in the Tenderloin, which, before Kelly’s rise, had been the unquestioned center of outlaw opulence.

James T. “Biff” Ellison, on the other hand, represented the more traditional sort of New York thug. He had begun his career as a particularly unsavory saloon bouncer, and had first gained notoriety by beating and stomping a police officer nearly to death. Though he aspired to his boss’s polish, on Ellison—ignorant, sexually depraved, and drug-ridden as he was—the attempt became grotesquely ostentatious. Kelly had murderous lieutenants whose doings were infamous and even daring, but none save Ellison would have dared to open Paresis Hall, one of the mere three or four saloons in New York that openly—indeed, exuberantly—catered to that segment of society which Jake Riis so assiduously refused to believe existed.

“Well, now,” Kelly said amiably, the stud in his cravat gleaming as he approached, “it’s Mr. Moore of the Times—along with one of the lovely new ladies of the Police Department.” Taking Sara’s hand, Kelly lowered his chiseled, Black Irish features and kissed it. “It certainly is more enjoyable getting summoned to headquarters these days.” His smile as he stared at Sara was well practiced and confident; none of which changed the fact that the air in the staircase had suddenly become charged with oppressive threat.

“Mr. Kelly,” Sara answered with a brave nod, though I could see that she was quite nervous. “A pity your charm isn’t matched by the company you choose to keep.”

Kelly laughed, but Ellison, who already towered over Sara and me, rose up even higher, his fleshy face and ferret’s eyes darkening. “It’d be best to watch your mouth, missy—it’s a long walk from headquarters to Gramercy Park. A lot of unpleasant things could happen to a girl all alone.”

“You’re a real rabbit, aren’t you, Ellison?” I said, although the man could have broken me in half without much thought. “What’s the matter—run out of little boys to push around, you need to start on women?”

Ellison’s face went positively red. “Why, you miserable piece of scribbling shit—sure, Gloria was trouble, a whole bundle of trouble, but I wouldn’t a cooked her for it, and I’ll kill any man says I—”

“Now, now, Biff.” Kelly’s tone was pleasant, but his meaning was unmistakable: Knock it off. “There’s no cause for any of that.” And then to me: “Biff had nothing to do with the boy’s murder, Moore. And I don’t want to see my name connected with it, either.”

“Hell of a time to think of that, Kelly,” I answered. “I saw his body—it was worthy of Biff, all right.” In fact, not even Ellison had ever done anything so horrendous, but there was no reason to acknowledge that to them. “He was just a boy.”

Kelly chuckled as he took a few steps farther down the stairs. “Yes, and a boy playing a dangerous game. Come on, Moore, boys like that die every day in this town—why the interest? Did he have a secret relative somewhere? A bastard kid of Morgan’s or Frick’s?”

“Do you think that’s the only reason the case would be investigated?” Sara asked, somewhat offended—she hadn’t been working at headquarters very long.

“My dear girl,” Kelly answered, “both Mr. Moore and I know that’s the only reason. But have it your way—Roosevelt is championing the benighted!” Kelly continued down the stairs, and Ellison pushed by me to follow. They paused a little farther down and then Kelly turned, his voice for the first time hinting at his occupation. “But I warn you, Moore—I do not want to see my name connected with this.”

“Don’t worry, Kelly. My editors would never run the story.”

He smiled again. “Very sensible of them, too. There are momentous things going on in the world, Moore— why waste energy on a trifle?”

With that they were gone, and Sara and I collected ourselves. Kelly may have been a new breed of gangster, but he was a gangster all the same, and our encounter had been genuinely unsettling.

“Do you know,” Sara said thoughtfully as we started upstairs again, “that my friend Emily Cort went slumming one night specifically to meet Paul Kelly—and that she found him the most entertaining man? But then, Emily always was an empty-headed little fool.” She took hold of my arm. “By the way, John, why in the world did you call Mr. Ellison a rabbit? He’s more like an ape.”

“In the language he speaks, a rabbit is a tough customer.”

“Oh. I must remember to write that down. I want my knowledge of the criminal class to be as thorough as possible.”

I could only laugh. “Sara—with all the professions open to women these days, why do you insist on this one? Smart as you are, you could be a scientist, a doctor, even—”

“So could you, John,” she answered sharply. “Except that you don’t happen to want to. And, by way of coincidence, neither do I. Honestly, sometimes you are the most idiotic man. You know perfectly well what I want.” And so did every other friend of Sara’s: to be the city’s first female police officer.

“But, Sara, are you any closer to your goal? You’re only a secretary, after all.”

She smiled wisely, with a hint of that same tense sharpness behind the smile. “Yes, John—but I’m in the building, aren’t I? Ten years ago that would have been impossible.”

I nodded with a shrug, aware that it was useless to argue with her, and then looked around the second-floor hallway in an attempt to find a familiar face. But the detectives and officers that came from and went to the various rooms were all new to me. “Hell’s bells,” I said quietly, “I don’t recognize anyone up here today.”

“Yes, it’s gotten worse. We lost a dozen more last month. They’d all rather resign or retire than face investigation.”

“But Theodore can’t staff the whole force with googoos.” Such being the colloquial term for new officers.

“So everyone says. But if the choice is between corruption and inexperience, you know which way he’ll go.” Sara gave me a firm push in the back. “Oh, do stop dawdling, John, he wanted you right away.” We wove through uniformed leatherheads and “fly cops” (officers dressed in civilian clothing) until we were at the end of the hall. “And later,” Sara added, “you must explain to me exactly why it is that cases like this one are not usually investigated.” Then, in a flurry, she rapped on the door of Theodore’s office, opened it, and kept on shoving me till I was through. “Mr. Moore, Commissioner,” she announced, closing the door and leaving me inside.

Voluminous reader and writer that he was, Theodore had a penchant for massive desks, and his office at headquarters was dominated by one. A few armchairs were crowded around it uncomfortably. A tall clock sat atop the white mantel of the fireplace, and there was a shiny brass telephone on a small side table; otherwise the only items in the room were stacks of books and papers, some resting on the floor and going halfway up to the ceiling. The shades on the windows, which faced out onto Mulberry Street, were drawn halfway down and Theodore stood before one of them, wearing a very conservative gray suit for the business day.

“Ah, John, excellent,” he said, hustling around the desk and then mangling my hand. “Kreizler’s downstairs?”

“Yes. You wanted to see me alone?”

Theodore paced about in a mix of serious yet merry anticipation. “What’s his mood? How will he respond, do you think? He’s such a tempestuous fellow—I want to make sure I take the right tack with him.”

I shrugged. “He’s all right, I suppose. We were up at Bellevue seeing this Wolff character, the one who shot the little girl, and he was in a hell of a mood after that. But he worked it out during the ride down—on my ears. However, Roosevelt, since I have no idea what it is you want him for—”

Just then there was another quick, light knock on the door, and then Sara reappeared. She was followed by Kreizler: they had evidently been chatting, and as their conversation faded away inside the office I noticed that Laszlo was studying her intently. At the time this didn’t seem particularly remarkable; it was how most people reacted to finding a woman employed at headquarters.

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