The Legend of Broken

But a mere instant later, the Horn roars to life again.

“Six calls?” Korsar says, attempting to toy with the already terrified men of Lord Baster-kin’s Guard. “Rare to hear it sound even half so many times,” he muses. “The Bane have always feared that it will aid us in finding their stronghold. Damn me, what do they call the thing, Arnem? Your memory hasn’t been muddled by age, I very much hope.”

Korsar turns to find that Arnem’s eyes have opened much wider than is their habit, and that he has not heard his commander’s question; and the yantek moves closer to his trusted subordinate. “Sixt?” Korsar says, with genuine concern. “Blast it, man, what ails you tonight?”

Arnem shakes his head. “It’s nothing, Yantek,” he replies. “And I remember the name. They call it ‘the Voice of the Moon.’ Unless I am much mistaken …” Arnem glances at Niksar, who, to judge by his aspect, is coming to much the same realization as his commander, concerning events earlier in the evening. Seeing this, Arnem shakes his head just perceptibly, indicating silence, and Niksar nods quickly.

As he notes the peculiar looks that pass between his officers, Korsar scrutinizes Arnem yet again, and steps over to Niksar. “Something is eating at the pair of you,” he determines, as the latest blast of the Horn fades. But before the yantek can press his inquiry—

A seventh droning of the Horn rises from the Wood, this one the loudest and most desperate of all. Yantek Korsar returns to the edge of the Temple forecourt. “Seven?” he says, with genuine incredulity. “What in the name of all that’s holy … I don’t know that anyone has ever heard the Bane Horn speak seven times.”

“No one has, Yantek,” Arnem says, glad that his commander’s attention has been drawn away. “We heard four calls on the night of which you’ve spoken — when you dispatched my full khotor to pursue a party of Outragers into the Wood. That is the largest number of blasts recorded.”

“So,” Korsar muses. “Something affects the Bane so mightily that they risk seven soundings of their Horn — even as they are trying to kill our God-King. A remarkable collection of outcasts — eh?”

But Arnem’s thoughts are fixed, not on what may be behind the calls of the Horn, nor even on the council inside the Sacristy, nor on any other immediate affairs. Rather, the sentek is thinking — and so, plainly, is Niksar — of the earlier warning issued by that aged, seeming madman in the street:

“Wait for another voice to sound, this same night — to sound more times than it ever has before …”

As the Bane Horn’s seventh and final call begins to grow faint, Korsar approaches Arnem, seizes his shoulder, and shakes the younger man. “Arnem!” he murmurs. “Forget the bloody blaring, and listen to me — we’ve far more important matters to attend to, right now.”

Arnem rouses himself, and gives his commander’s words the attention their urgency warrants. “Yantek — I’m not sure I understand.”

Indicating silence and lowering his voice to a whisper, Korsar leads Arnem aside, and puts his head close to the younger man’s. “All this activity deepens my suspicions. And so, remember what I told you earlier: whatever happens, whatever you may hear or see, you must not take my part — in anything. Do you understand?” Before Arnem can question this command, which is even stranger than those the yantek issued in the Fourth Quarter, Korsar goes on: “I would prepare you, if I thought it would do any good. Simply understand and obey — and by the Moon, get rid of young Niksar. The Horn helps us there — we can dispatch him to learn if the soldiers of the watch have seen any signs of Bane activity, or been able to approximate its location.” Korsar raises his head, his voice regaining its usual gruff power. “Niksar! With us, son — quickly!”

A few long strides, and the conspiratorial council numbers three. “Back to the wall, Linnet. See what they’ve determined, if anything.”

Niksar’s face betrays both relief and doubt. “With all respect, Yantek — the orders were specific. I must report to the Sacristy with you.”

“The responsibility is mine,” Korsar says. “The sounding of the Horn changes the matter; the Layzin and Baster-kin will understand.”

Niksar looks to Arnem and receives confirmation: “He’s right, Reyne. Get back there and take charge. I’ll join you when the council is adjourned.”

A few final moments of silent uncertainty, and Niksar puts his fist to his chest. “Sentek. Yantek.” He starts down the Temple steps, finally bringing the members of Lord Baster-kin’s Guard out of their fearful daze. “Linnet!” calls the man who is equal in rank to Niksar, but far different in appearance — to say nothing of experience. “Stop! We were charged—”

“Your charge has changed, boy,” Yantek Korsar declares. “And, speaking of that, you’d best resume it. Your master has no patience for men who dally gossiping.”

The men of the Guard mumble among themselves for a moment, before they take up their positions around the commanders once more; and their momentary distraction provides Korsar with enough opportunity to give Arnem a meaningful glare, one that again underlines his last order. The sentek has no time to reply before the Guard have surrounded them, and then set a quick pace into the well-ordered forest of columns that support the portico of the Temple. The linnet of the Guard draws his short-sword and hammers its pommel against one of the massive brass doors, and a system of locks are undone from within. The door begins to open, pulled back by a pair of straining priests whose heads are shaved smooth.

Both of the priests wear simple, elegant robes of black silk edged in silver and red, and in unison they beckon the soldiers to follow them down the nave toward the enormous altar that stands in the northern apse of the cavernous Temple.† The forty-foot-high interior of the structure is lit only by torches at the entrance, oil lamps along the innermost columns, and, in the apse, dozens of beeswax candles. Dominating this serene yet imposing scene is the distant sound of chanting: over a large chorus of bass and tenor men are layered smaller numbers of children and but a few women, singing, unaccompanied, in the classic Oxian style, which is named for its innovator: Broken’s first king, Oxmontrot. In his later years, the Mad King turned to music — among other pursuits — to pass the ever more idle hours of his life; and not a few members of his household were surprised to find that he had a sophisticated understanding of the art, gained how, when, or where, Oxmontrot never said. But the mode of composition he devised was one of his proudest legacies.

Arnem falls in next to Korsar, the better to hear any further explanation of his commander’s extraordinary instructions; but the yantek evidently intends no such clarification. Instead, as the men walk between the long inner colonnades, Korsar silently enjoys the chanting, which grows in volume as the men move northward toward the altar, and begins to pull at his beard, puzzling with something playfully.

“Seven blasts of the Horn,” he suddenly murmurs, as much to himself as to Arnem. “A pity, really. I would have enjoyed being the one to discover their meaning …” He walks further behind the priests, and then pauses as they reach the Temple’s apse. “But the golden god has other plans for me,” the yantek adds, maintaining his strangely detached tone.

The most ornate feature among many such in the Temple, the altar is the most obvious statement of Kafra’s love of wealth, of indulgence — and of those among his followers who worship him in a corresponding manner. A finely carved platform of various exotic woods supports an octagonal slab of granite, the eight sides of which are carved into reliefs depicting key episodes from the history of Broken. Each of these scenes is laminated in gold. The surface of the altar, by way of contrast, is composed of an almost faultless slab of black marble, quarried in a distant region of Davon Wood by the Bane.† To obtain it, the God-King Izairn (father of Saylal, the present ruler) and the Merchants Council of his time were forced to offer the Bane not only goods, but something even more precious: knowledge. In particular, the Bane demanded — and Izairn’s increasingly powerful Second Minister, Caliphestros, recommended giving them — building secrets that at least a few of Broken’s merchant leaders and military commanders did not believe the exiles should possess: techniques of leverage and buttressing, of counterweighting and joining.

But those who sponsored the creation of the altar had not believed the trade dangerous: the Bane would never, they argued, be able to make use of such sophisticated techniques — a prediction that has thus far proved true, so far as anyone in Broken can determine. And few citizens of the kingdom, upon viewing the magnificent new locus of the most important rites of Kafra, would assert that the exchange was not worth the risk. Above the altar, seeming to confirm that the bargain was indeed an appropriate one, has been suspended a most arresting representation of Kafra: a statue, also laminated in gold and suspended in such a manner as to make its supports (a web of delicately wrought iron, painted darkest black) effectively invisible in the candlelight. This apparently