miraculous figure depicts the generous god as a victorious young athlete; and on his face, as always, is the smile, that gentle, seductive curl of the full lips, which has ever sparked in his followers sensations that Arnem knows he and Yantek Korsar are intended to feel tonight: benevolence, love, and the delight in life available to the righteous.
On this occasion, the statue’s serene expression prompts another of the yantek’s grunting, humorless laughs, this one particularly strange: for it is Korsar’s usual custom, at such moments in the Temple, to drink deeply of the beautiful chanting that drifts up from below the altar. So much is this the case that, for an instant, Arnem believes that he
The pair of silent priests touch Korsar’s and Arnem’s shoulders gently, urging them down the left side of a transept that crosses the nave before the altar and leads to a black marble archway that is the entrance to the Sacristy of the High Temple. The beechwood door below the archway — guarded by still more priests — opens; and in an instant, Arnem and Korsar find themselves within the Sacristy, the penultimate seat of power in the kingdom of Broken.
The sumptuous main room, off of which are located more intimate chambers, is a repository for those holy instruments — chalices, bowls, plates and icons — as well as the various knives, axes, halberds, arrows, and spears, that came into use when Oxmontrot’s pragmatic goal of banishing unfit and infirm citizens of Broken to Davon Wood was legitimized by the liturgy of the Kafran faith. The practical then became the sacred, and the tenets that resulted quickly became the unquestioned social and spiritual laws of Broken. Since then the Sacristy has provided at least a nominally accessible location from which religious and civic wisdom can be dispensed to various representatives of the populace. In addition, appeals to Broken’s ever-remote royalty may be made through the Sacristy, provided there is no expectationof gratificationor even reply.
The Sacristy’s trappings reflect this portentous unity of spiritual and secular purpose. The stone walls are finely finished with glittering, durable mortar† that has been sand-ground to an alluringly smooth finish, one that, like so many aspects of the Temple and the Sacristy, is nearly irresistible to human touch. Over these walls, between large panels of exquisite tapestries woven by unrivaled artisans, hang the richest fabrics ever brought up the Meloderna by Broken’s intrepid river traders: deep vermilion silks, crisp white and gold cottons, and rich burgundy wools. These drapes conceal no apertures in the building’s walls, for no such openings exist: the concern for secrecy that is the very essence of the Broken’s ruling tradition is too great to allow any such. Instead, the sumptuous draperies frame an astounding series of creations, whose effect is best appreciated during the daylight hours, as well as on nights like this one, when the Moon shines bright: the glowing results of another of the proudest achievements of Broken’s artisans, their preservation of the ancient process of manufacturing glass — glass of almost any color, and, in the case of structures such as the Sacristy, any thickness. Into secure settings of translucent alabaster are mortared thick, rounded blocks of tinted glass, created in the expansive, well-guarded studios of such craftsmen as have disappeared from almost every society that surrounds Broken.‡ The Sacristy is thereby bathed in wondrous light that vividly supports the priests’ claim to the near-divinity of the chamber. Most importantly, this effect is achieved with no reduction of the privacy of the chamber’s business.
First among the ministers who conduct that business, and second in power only to the God-King and his immediate family, is the Grand Layzin, the human vessel and instrument through whom the will of Kafra and the God-King are made not only known, but comprehensible, to the mortal citizens of Broken. The furnishings within the Sacristy clearly emphasize this: at the northern end of the chamber rises the Layzin’s dais, which runs the width of the Sacristy and is supported by granite arches which lead down into a wide entryway to the catacombs, out of which emerge the ethereal sounds of the Oxian chanters. The almost equally well-appointed furnishings before the dais (provided not only for superior citizens such as the members of the Merchants’ Council, but for anyone who has business with the Layzin) are all oriented toward that superior level, coming to an end in a deep reflecting pool cut into the floor of the Temple: a serene spot which is both protective and intended to heighten the sense of separation between the Layzin and ordinary supplicants.
Upon the dais itself (the rear wall of which is covered by an enormous curtain), an expansive sofa occupies the left side, its cushions echoing the richness of the room’s draperies and tinted glass. In the center of the space is the elaborately carved gilded chair from which the Layzin casts his serene reflection into the pool below. Two less ostentatious seats are positioned to either side of this near-throne, and are reserved for the First and Second Wives of Kafra, the highest ranking and most beautiful of the priestesses. One of the two is present now, and she sits utterly motionless in her chair, her long legs visible through slits in her black gown and her abundant golden hair falling freely onto her well-formed body. Occupying the remaining space on the right-hand side of the dais are a chair and gilded table covered with books, scrolls, and writing: communications from royal officials throughout the kingdom. Behind this, at a scribe’s desk, sits a shaved priest, who records all words spoken in the Sacristy.
As Arnem and Korsar enter, they notice quickly (for both men are very familiar with this chamber) that the collection of messages from outside the city on the Layzin’s table is unusually large. They acknowledge this fact to each other silently, in the manner of soldiers who have often had to communicate without words in the presence of authority, quickly determining that wach has drawn the same conclusion from what they see:
For Arnem, such is far more encouraging a sign than it is, evidently, for Yantek Korsar, whose features have lost even their sardonic skepticism, and now reveal only hard determination to face the matter at hand.
Atop the dais, two men stand at the table on the right, making their way through the reports at a hurried pace, but in hushed tones. The first looms large over the table, and is possessed of considerable strength, to judge by his broad back and shoulders. These last are covered by a cloak of rich brown fur, edged in pure white flecked with black: the seasonal pelt of the hermit stoat, known across the Seksent Straits as “ermine.”† The second, seated man is, for the most part, obscured by the first; but Korsar and Arnem can see that his hands are moving papers about on the table with a speed seldom displayed in the contemplative stillness of the Sacristy.
The two priests leading Arnem and Korsar walk to the edge of the reflecting pool, while the detachment of Baster-kin’s Guard take up positions by the doorway — a fact that Arnem finds ominous. But he nonetheless follows the priests, as does Korsar; and when the commanders have also reached the edge of the reflecting pool, one priest delicately calls to the men above:
“I beg your pardon, Eminence, but—”
The broad-shouldered man turns with uneasy speed, and steps to the side of the gilded table. Although graced with angular, handsome features, he scowls out harshly from beneath a bristling shock of auburn hair, the set of his jaws revealing little patience with distraction. Only the light, hazel-grey eyes hint at any gentleness, and even that is overwhelmed by condescension that could easily be mistaken for contempt. A tunic of loose-fitting scarlet wool does little to hide his physical strength, and the overall impression is one of enormous pride that can be supported physically or intellectually, depending on the opponent.
This is Rendulic Baster-kin, Lord of the Merchants’ Council of Broken, scion of the oldest trading family in the kingdom, the embodiment of Broken’s heritage and worldly status, and, although past forty, an impressive testament to those physical ideals that all of Kafra’s followers strive to attain, but only the most devout achieve.
Behind him, standing in marked but not unpleasant contrast, is the Grand Layzin.† He is a man who possessed a name, once, just as he likely possessed a family; but when his service to Kafra, as well to the God- King, progressed from simply devoted to so shrewdly capable as to be deserving of authority, both the name and the past life it signified (which the Layzin, like all such children, had forsaken on entering the royal and sacred service) were excised even from official records. Any citizen who now speaks of either can rely on arrest for sedition, a charge punishable by ritual death. The near-divinity of the Layzin’s person is among Broken’s eternal mysteries, and although it must remain — like his image in the reflecting pool — ineffable and intangible, it must
