The Legend of Broken

begins climbing down to retrieve them, but manages only a short part of the descent before he hears Keera call out in protest again. Veloc looks up to see that the man holding the babe is sobbing, clearly on the verge of surrendering to every form of torment a human can feel. The man offers a final entreaty to the Moon, raising the child up toward it—

And then lets the infant slip from his hands. Still screaming in uncomprehending agony and terror, the child plummets into the sharply protruding rocks and mercilessly churning waters below. The sight is so terrible — but worse, it is so very much against Nature — that Keera’s knees buckle beneath her, like those of the shag steer she earlier helped to kill. She drops to the ground to watch as the young mother — now, it seems, so fully in the grip of her frantic grief and physical agony that she can no longer muster the will or the power to even weep — crawls resignedly to another spot on the same precipice, and looks up at the defeated, broken countenance of the weeping man.

Veloc senses further tragedy, and gets quickly to the ground to start toward his sister, without retrieving his bow. And surely enough, before he reaches Keera, the nightmare spins on: The woman who lies on the ledge uses the last of her strength to simply roll off of it, silently disappearing into the falls, perhaps desiring, in her distraction, to be reunited with the infant in the realm that lies beyond death, the realm that, the Bane believe, is governed by the benevolence of the Moon.

By the time Veloc does reach Keera, he finds his sister so aghast that she cannot move from the spot where she kneels. The old woman ahead of them staggers unsurely but steadily toward the man on the ledge, in precisely the manner that the younger women did moments ago: slowly, tormentedly, without hope or even desire for salvation.

“Stop them,” Keera says to Veloc, getting to her feet in a display of desperate purpose, as if her desire to know that her own family survives has become bound up with the fates of the wretches on the rocks. “We must stop them, Veloc — we must know why they are doing this …”

Keera and Veloc begin a cautious progress toward the two remaining Bane, who now stand together, as steadily as their conditions will allow, on the shelf above the Ayerzess-werten, their hands clasped, their eyes looking up at the Moon. Their shared determination causes both brother and sister forager to begin to move faster; and because of this, they issue small noises of alarm when an entirely new man appears before them, so suddenly that it almost seems that the mists of the Ayerzess-werten have coalesced to form a skehsel,† the breed of malevolent spirit that all Bane dread most — for the evil Natures of the skehsel would surely attract them to such terribly stricken people as these, to work the unnatural idea of self-destruction into their confused minds. In reality, the man has simply been secluded behind the trunk of a gnarled oak that stands rooted to the last patch of rich forest floor that borders the rock formation onto which the pain-racked Bane have made their way. This vantage point, and the fact that the man has kept himself hidden, suggest that his purpose is to ensure that events on the ledge unfold in the manner that the foragers have witnessed — and to prevent any passers-by from interfering. In a dutiful, routine manner, the man blocks Keera and Veloc’s path, preventing them from getting closer to the two remaining members of the apparently doomed Bane family, and silently tells the foragers to stop with one upturned hand.

So bewildered that they are momentarily robbed of their self-possession, Keera and Veloc obey the silent order: for the man before them, while not so imposing as the average citizen of Broken, is taller than both of the foragers — or, indeed, than almost any other Bane — by a good measure. But it is only when brother and sister notice the newcomer’s garb that the matter is clarified. A shirt of expertly crafted chain mail — not iron or scale mail, but shimmering steel chain — that covers his body from elbows to thighs is layered by a leather tunic, as well as a wool cape and cowl, all black, the last with ox-blood crimson wool lining. Crimson breeches lead down to knee-high black leather boots of a quality to indicate importance, an impression that is deepened by a long, bejeweled dagger in a dark sheath that hangs from the first pass of a double belt, while from the second winding dangles a short-sword, a weapon that, to judge by its brass-banded sheath, is the exceptional work of one of Broken’s blade smiths. Finally, a well-crafted bow is slung over his right shoulder, completing an effect that is so sinister and imposing as to seem calculated. But the expression on the man’s face is sincere; and as he tosses the left side of his cloak over his shoulder, he crescent Moon stitched to the upper left-hand portion of his tunic — the emblem of a long tradition of terrible violence.

Keera and Veloc say nothing, less out of fear than stupefaction. On the crest of the crag, Heldo-Bah experiences no such befuddlement:

“Great Moon,” he whispers, once the man has revealed the emblem on his chest. “Or whatever woodland demon has arranged this—” He begins to scramble quickly down that crag. “I thank you for it …” He takes the last ten feet to the ground in one strong jump, landing almost silently and looking up with sincere and gleeful hatred:

“An Outrager …”

With these words, Heldo-Bah glances about, making sure his various knives are still at the ready—

And disappears, apparently abandoning his friends to their fate.

In the clear ground between the oak tree and the rocks surrounding the Ayerzess- werten, the black-clad man immediately takes a commanding tone with Keera and Veloc: “Stay back, foragers,” he calls. “You know who and what I am?”

“What is apparent,” Veloc answers. “As for who — does it signify?”

“Not at all, little man — not at all,” answers the Outrager; for such he is. “It’s only that, should we come to blows, it may help you to meet death with less shame if you know that you have been bested by Welferek,† Lord of the Woodland Knights.”

Veloc’s fear is apparently not strong enough to prevent him from scoffing: “Lord of the Woodland Knights … ‘Outrager’ isn’t comical enough for you, eh?” He turns to Keera, his continued laughter indicating that he has abandoned all caution: for this Welferek could easily kill them both, and Veloc knows it. Keera stares at her brother in disbelief. “Tell me, sister,” he inquires, with mock sincerity — and then Keera sees his true purpose: Veloc’s insulting impertinence is distracting the Outrager from the unfortunates on the rocky ledge, who have taken one or two steps away from the precipice, and are watching what transpires near the oak tree intently. “Have we not spent as much time in the Wood,” Veloc continues, “as any Bane alive?”

“Truly, brother,” Keera replies, trying to disguise her emotions and play his game; but it is difficult. “And more than most Bane now dead.”

“Which makes it odd — indeed, passing strange! — that we rarely if ever see any of these ‘woodland knights.’ And yet, here now is a lord of that noble brotherhood, in all his peacock finery!”

Welferek has been steadily losing the tolerance that had first marked his treatment of the foragers; and now, his hand slowly closes on the hilt of his short-sword. Yet he has also taken the bait: for his thoughts have wandered momentarily from the surviving Bane behind him. Veloc has been wise, to gamble on the pride of the Outragers.

Chosen for their exceptional height and strength, qualities that allow them to pass into Broken without being immediately (or in some cases ever) identified as Bane, the “Sacred Order of the Woodland Knights of Justice”—or, in common parlance, the Outragers — are the divinely sanctioned instrument of Bane vengeance, the creatures of the Priestess of the Moon in Okot, who alone chooses and commands them. The violence that they perpetrate, within Broken’s walls or among the villages of that kingdom, is infamous for its suddenness, its cruelty, and the often indirect way in which it is connected to individual injuries committed by the Tall against the Bane. A Bane forager run to death by the dogs of a Broken merchant’s hunting party, for example, or a young Bane woman who is abducted and obscenely used by a detachment of soldiers from Broken’s army, will nearly always result, not in retaliation against the particular Tall guilty of the crime, but in the torment and murder of Broken families in entirely different parts of the kingdom. This is not deemed cowardly, among the Bane — or rather, the High Priestess often declares that it should not be so deemed. Instead, it is reaffirmed on all Lunar holy days that the Woodland Knights of Justice have a divine right to strike wherever they will be least expected. Since the beginning of recorded Bane history, it has been the central secular tenet of the Lunar Sisterhood, from whom the High Priestesses are selected, that only by remorselessly engendering horror and shock throughout Broken can the Bane command sufficient respect among the Tall (even if it must be hateful respect) to ensure the flow of trade between the two peoples, and to keep the Tall from far more serious depredations against the tribes.