The knight now facing Keera and Veloc is a typical example of this philosophy. He is handsome enough, with well-proportioned features and a neatly trimmed beard atop a powerful frame more than five and a half feet in height. But in his eyes is the same chilling aspect that Keera and Veloc have seen in the gaze of every Outrager they have ever encountered. It is the dark scowl of one who has known too much lonely bloodshed in his life; bloodshed, the weight of which is neither eased by the comradeship of warriors in battle nor made somehow comprehensible by the gratitude of one’s own people; bloodshed undertaken at the obscure behest of priestesses; bloodshed that makes of a man something apart, something deadly, and of his soul, something already dead …
“You can have no interest in what takes place here,” Welferek says evenly, keeping his sword sheathed, and attempting to hold his anger at bay. “Continue about your business, and quickly.”
Keera’s resentment at being thus dismissed is great, but she tries to sustain Veloc’s ploy: “And what if we do have an interest? The deep Wood is the realm of the foragers, Outrager — it is
In reply, Welferek finally draws the short-sword — slowly, to achieve the greatest effect. “I don’t suppose it,” he answers calmly. “I am certain of it. These deaths have been sanctioned by the High Priestess, by Her Lunar Sisters, and by the Groba. Those among the condemned who wish to die immediately may choose their own method of ending their lives. This family chose the
“But—
Welferek scrutinizes Veloc with great suspicion. “If you truly do not know, forager, then it’s not my place to tell you. For those sorts of answers, you need to see the Groba when you return to Okot. I’ve told you what my task is, and I advise you again to move along.”
The ugly glare of lethal sincerity in Welferek’s eyes intensifies, and is only slightly mitigated when the Outrager at last remembers his charges on the rocks: cursing both his inattention and the foragers’ interference, he turns away to make sure the man and the old woman are proceeding on the path that the young mother and her child have already taken. Discovering that they are not, Welferek murmurs still more irritated oaths, while Veloc, realizing that his game has run its course, puts a gentle but persuasive arm around his sister’s shoulders, urging her back. But Keera will have none of it, and Veloc, not knowing what recourse is left to him, begins to search first the crag and then the line of the Wood, in the hope that Heldo-Bah will soon offer support.
But he can find no trace of his friend among the Moonlit rocks and tree trunks, a fact that does little to encourage further defiance.
Welferek sends a sharp blast of air whistling through his teeth, fixing his own harsh gaze on the tormented eyes of the two Bane who are, apparently, the last business he has to attend to, at least for the moment. Taking a few long strides toward the
The distraught pair on the ledge reluctantly select their fate: the man throws his arms around the now- weeping woman, tenderly yet very firmly (in the manner of a dutiful son, Keera cannot help but think), and whispers something into her ear that has at least a partially soothing effect. Then, with the last of his strength as well as another plaintive gaze up at the Moon, he guides the woman back to the very edge of the precipice and, with no more ceremony than would be required to drift into slumber, he falls with her from the ledge and into the spray of the cascade, from whence the two — ever locked in that same gentle embrace — hurtle down into the killing maelstrom, which cannot acknowledge these latest of its victims by allowing even a splash to escape its monotonous thundering.
Welferek sighs wearily. “Great Moon, they were a long time about it,” he declares, trudging back to the oak behind which he had earlier concealed himself. He plunges his sword half a foot into the ground, produces a small wineskin from inside his tunic, and sprays a hefty amount of its contents into his mouth and down his gullet. Hiding the skin away again, he relaxes against the oak, wiping his mouth. “Ill as they were, you’d think they’d have been happy to go,” he continues, still with nothing more than slight annoyance in his voice. Leaning more heavily against the tree, the Outrager reaches for his sword, pulls it back out of the earth, and levels it at Keera and Veloc. “And I’m warning you two,” he says, the wine working on his restraint. “Any more arguments and we will finish speaking. You”—he points the sword at Veloc—“I will kill quickly. Although
Something flashes through the air just in front of the Outrager, whose arm is still leveled at Keera and Veloc; and, although his eyes go wide and his mouth opens to scream in apparent pain, the arm stays up, as if of its own choosing. Then a second hurtling flash cuts the Moonlit night, and the Welferek’s left arm slaps back onto the trunk of the oak, again without his seeming to will or wish it to do so. He screams again, and his short-sword falls; but his sword arm remains upraised, unable to reach across and offer any assistance to his left. Indeed, Welferek seems to have lost all ability to control his movements.
And then, from atop the same mossy rocks where the Bane family leapt to their ends, bitter laughter cuts through the noise of the falling water, taunting the Outrager:
“You’ve
1:{ix:}
Faith, treachery, and treason in the Sacristy
of the High Temple …
Upon reentering the Sacristy, Sixt Arnem finds all the participants in the tragic finish of Yantek Korsar’s career, and quite probably his life, positioned almost exactly where he left them long moments ago. Arnem is faced with a dilemma: as he walks down the center aisle of the great chamber — where the gentle Moonlight that drifted through the blocks of colored glass in the walls on his arrival has given way to the jagged illumination provided by torches, oil lamps, and a pair of braziers on the Grand Layzin’s dais — he feels his body pulling toward what would be its ordinary place, beside and half a step behind Korsar. But as Arnem moves toward this position, he catches sight of Lord Baster-kin, standing behind the Layzin’s gilded seat and staring directly at him; the Merchant Lord is plainly trying to tell the sentek this is no time for foolishly sentimental loyalty, but rather the moment to separate himself from his commander. Arnem is ashamed that he considers this directive, even momentarily, and tries to walk deliberately toward his original goal; but as he folds his hands behind his back, a peculiar thing happens:
Korsar, without looking at the sentek, takes half a dozen long strides away from him. The old commander has also caught Baster-kin’s meaningful glance, and is trying to protect Arnem in his own way; but it is, nevertheless, a jarring moment, the first time that the younger man has ever felt that standing by Korsar — whether inside Broken’s halls of power or on the field of battle — might be the incorrect thing to do. He will not insult the yantek by following him; but the loneliness that Arnem feels is a burden perhaps impossible for any who have not known combat — who are strangers to the manner in which true warriors must place their fates within each other’s hands — to comprehend.
On the dais before them, in the meantime, the Layzin sits with his head in his hands; and when he looks up, Arnem can see that he has maintained that position for as long as the sentek has been outside the Sacristy, judging by the marks his fingers have left on his face. That face has lost its gentle aspect; and his jaws now stiffen as his words go cold:
“Yantek Korsar. You have spoken treason, and within the Sacristy. As I am sure you know.”
“Eminence, I have spoken …” Korsar endures one last flush of self-doubt: doubt that seems to vanish only when he looks to Arnem, and finds his staunch friend standing quite rigidly, yet clearly on the verge of weeping. Korsar half-smiles at the sentek, then lifts his head proudly to face the Layzin again.
