jacket and inspected the cartridge in the chamber with unromantic stoicism. 'Wit' you an' me on de job, I guess dis racket is on de skids.'

'With me on the job, it may be,' said the Saint calmly. 'You're going to stay here and snore for both of us-and that ought to be a pushover for you.'

He was firm about this, in spite of Hoppy's injured protests. For a partner in a gun-fight, Simon would have asked nobody better; but for a tour of stealthy investigation he would as soon have chosen a boisterous young bison.

'I want you to look after Julia,' he said craftily, and Mr. Uniatz brightened. 'Where are you going?'

'Anyt'ing you say goes, boss,' said Hoppy, with his hand on the door-knob.

'You don't have to go,' said the Saint coldly. 'I said look after the girl, not at her. Her room's just down the passage on the other side, and if she's in trouble you'll be able to hear her. When she wants you in her bedroom I'm sure she'll ask for you.'

He left Mr. Uniatz brooding happily over this consoling thought, and went out into the dark corridor. At such times of emergency the Saint's fluency of shameless inventiveness was unparalleled-he had not the faintest idea where Julia Trafford's room was actually situated, and the fear of what might happen if an amorous and impatient Mr. Uniatz went prowling hopefully into the bedchamber of a hysterical cook was perhaps one of the most disturbing thoughts in his mind at that moment.

The passage was more or less, rather less than more, lighted by the wavering gleam of a small oil lamp hung in a bracket on the wall-from the beginning he had noticed this prevalence of primitive illumination in the hotel, for he had seen the silver pylons of the national electric supply grid spanning the valley as he drove down. Downstairs it was quite dark; but on these ventures he carried his own illumination which was less conspicuous in any case than switching on the ordinary lights in any place he wanted to explore.

The dim beam of an electric flashlight in his hand, irised down to the thinnest useful pencil of luminance by a circle of tinfoil pasted over the lens, guided him about the ground floor. No creaking boards betrayed his movements, for he had a tread like a cat when he chose to use it, and an uncanny instinct for treacherous footings. He covered the rooms which he had seen before, hall and dining-room and lounge bar, and others which he had not seen but which were roughly what he would have expected to find. The kitchen was behind the dining-room, a big stone-flagged room like a barn, which must have served for a staff dining-room as well, and might well have held even more distinguished company in the days when eating was a heartier and more earnest business. Opening off the kitchen was a long paved passage which seemed to run the length of the building. He tried the different doors, each with the same care and silence, and reviewed a series of sculleries, pantries, lavatories, coal and wood cellars, wine and beer stores, and a small staff sitting-room. The last door, at the end, appeared to lead out into a yard at the back--it was locked on the inside, and when he turned the key he found himself in the open under the shadow of the garage.

He was retracing his steps when he heard the dull vibrant rumble under his feet again. It was much more distinct than it had sounded upstairs, with a definite metallic harshness, but even then it was not so loud that he could fix it clearly in his mind. If he had been there as an ordinary unsuspecting guest, it might not have attracted his attention at all-he would probably have put it down subconsciously to a heavy lorry passing on the road outside, and would never have felt urged to probe into it further. Also, the place being what it was, he would very soon have been in bed and asleep; and there was nothing sufficiently startling about the muffled noise to wake him. But he was not asleep and he was not unsuspecting, and he knew that the sound was not quite the same as that of a passing lorry.

He opened another door in the passage and found himself in another short length of corridor-it was scarcely large enough to be called an inner hall. On one side was a door carrying the painted word 'Private': it was locked, and he guessed that this was Jeffroll's own sanctum. On the other side was a red curtain, and when he went through it he discovered himself back in the diminutive lounge, but on the serving side of the bar.

There was one obvious thing to do there, and the Saint was nerveless enough to do it. He paid the money scrupulously into the till and sat on the bar with his modest glass and a completely brazen cigarette, waiting and listening in silence. Twenty minutes later he heard the noise again.

This time it seemed to give birth to three faint echoes -they were about sixty seconds apart, and each of them was sharper and crisper in tone than the original sound. The effect was something like that of three slow spaced rollers of surf sweeping up a shingle beach. Again the noise was not startlingly loud, but it was closer and clearer.

Simon ran thoughtful fingers through his hair. The rumble passed again, seeming to recede into the distance; and then the stillness settled down again. His watch told him that it was nearly midnight, but he had no superstitions.

He slid down to the floor, broke up the stub of his cigarette and washed the fragments down the sink under the bar, dried his glass on a cloth and replaced it on its shelf, and picked up his torch. He was, for the moment, irritatingly stymied; but he felt that something ought to be done. He had verified the last fraction of Julia Trafford's story, and he was baffled to find any natural explanation. On the other hand, up to that moment he had also failed to find an unlawful solution. Secret passages of some kind were manifestly indicated, but to measure every room and corridor and draw up plans of the building to locate discrepancies in the sum total was a lengthy job for which he had very little patience and, prosaically enough, no implements at all.

There remained the locked door of Jeffroll's private office, and he thought he could cope with this. Curiously enough it gave him an unaccountable difficulty, and he had been working on it for a couple of minutes before he discovered that the thing that was obstructing his skeleton key was another key left in the lock on the inside.

He changed his instrument for a pair of thin-nosed pliers and turned the key quite easily, but with even greater caution. A key on the inside of a locked room, except in fictional murder mysteries, vouches for someone on the inside to turn it; and yet he could not see so much as a glimmer of light in the cracks between the old badly-fitting oak door and its frame.

Then, as he took up the pressure of the latch with delicately practised fingers, he heard a limp sort of dragging scuff of movement which no normal ambusher would have made, and a grunting moan of sterterously exhaled breath which removed the last of his hesitation.

The nape of his neck prickled, but he went in boldly-he had an intuitive certainty of what he would find there, and he did not gasp when the beam of his torch shone full into the dilated eyes of the man with ginger hair.

VI SIMON swept his flashlight round in a quick survey of the rest of the room. There was no other visible exit than the door which he had just opened, unless the door of a large built-in safe in another wall concealed unconventional secrets. There was a desk with a swivel chair behind it, a typewriter on a side table, a filing cabinet, a shelf littered with books and papers, an armchair, and a few faded and nondescript prints on the walls-the conventional

Вы читаете 14 The Saint Goes On
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