'Leave off!' she shouted, and prodded him on the nose with her elbow with such violence that he saw stars before his eyes.
The pain in his nose was soon over, but the torture in his heart remained.
NOTES
Holofernes: in the apocryphal Book of Judith the Jewish heroine tricks and beheads Holofernes, an Assyrian giant, thus forcing the Assyrians to retreat
A STORY WITHOUT AN END
by Anton Chekhov
SOON after two o'clock one night, long ago, the cook, pale and agitated, rushed unexpectedly into my study and informed me that Madame Mimotih, the old woman who owned the house next door, was sitting in her kitchen.
'She begs you to go in to her, sir . . .' said the cook, panting. 'Something bad has happened about her lodger. . . . He has shot himself or hanged himself. . . .'
'What can I do?' said I. 'Let her go for the doctor or for the police!'
'How is she to look for a doctor! She can hardly breathe, and she has huddled under the stove, she is so frightened. . . . You had better go round, sir.'
I put on my coat and hat and went to Madame Mimotih's house. The gate towards which I directed my steps was open. After pausing beside it, uncertain what to do, I went into the yard without feeling for the porter's bell. In the dark and dilapidated porch the door was not locked. I opened it and walked into the entry. Here there was not a glimmer of light, it was pitch dark, and, moreover, there was a marked smell of incense. Groping my way out of the entry I knocked my elbow against something made of iron, and in the darkness stumbled against a board of some sort which almost fell to the floor. At last the door covered with torn baize was found, and I went into a little hall.
I am not at the moment writing a fairy tale, and am far from intending to alarm the reader, but the picture I saw from the passage was fantastic and could only have been drawn by death. Straight before me was a door leading to a little drawing-room. Three five-kopeck wax candles, standing in a row, threw a scanty light on the faded slate-coloured wallpaper. A coffin was standing on two tables in the middle of the little room. The two candles served only to light up a swarthy yellow face with a half-open mouth and sharp nose. Billows of muslin were mingled in disorder from the face to the tips of the two shoes, and from among the billows peeped out two pale motionless hands, holding a wax cross. The dark gloomy corners of the little drawing-room, the ikons behind the coffin, the coffin itself, everything except the softly glimmering lights, were still as death, as the tomb itself.
'How strange!' I thought, dumbfoundered by the unexpected panorama of death. 'Why this haste? The lodger has hardly had time to hang himself, or shoot himself, and here is the coffin already!'
I looked round. On the left there was a door with a glass panel; on the right a lame hat-stand with a shabby fur coat on it. . . .
'Water. . . .' I heard a moan.
The moan came from the left, beyond the door with the glass panel. I opened the door and walked into a little dark room with a solitary window, through which there came a faint light from a street lamp outside.
'Is anyone here?' I asked.
And without waiting for an answer I struck a match. This is what I saw while it was burning. A man was sitting on the blood-stained floor at my very feet. If my step had been a longer one I should have trodden on him. With his legs thrust forward and his hands pressed on the floor, he was making an effort to raise his handsome face, which was deathly pale against his pitch-black beard. In the big eyes which he lifted upon me, I read unutterable terror, pain, and entreaty. A cold sweat trickled in big drops down his face. That sweat, the expression of his face, the trembling of the hands he leaned upon, his hard breathing and his clenched teeth, showed that he was suffering beyond endurance. Near his right hand in a pool of blood lay a revolver.
'Don't go away,' I heard a faint voice when the match had gone out. 'There's a candle on the table.'
I lighted the candle and stood still in the middle of the room not knowing what to do next. I stood and looked at the man on the floor, and it seemed to me that I had seen him before.
'The pain is insufferable,' he whispered, 'and I haven't the strength to shoot myself again. Incomprehensible lack of will.'
I flung off my overcoat and attended to the sick man. Lifting him from the floor like a baby, I laid him on the American-leather covered sofa and carefully undressed him. He was shivering and cold when I took off his clothes; the wound which I saw was not in keeping either with his shivering nor the expression on his face. It was a trifling one. The bullet had passed between the fifth and sixth ribs on the left side, only piercing the skin and the flesh. I found the bullet itself in the folds of the coat-lining near the back pocket. Stopping the bleeding as best I could and making a temporary bandage of a pillow-case, a towel, and two handkerchiefs, I gave the wounded man some water and covered him with a fur coat that was hanging in the passage. We neither of us said a word while the bandaging was being done. I did my work while he lay motionless looking at me with his eyes screwed up as though he were ashamed of his unsuccessful shot and the trouble he was giving me.
'Now I must trouble you to lie still,' I said, when I had finished the bandaging, 'while I run to the chemist and get something.'
'No need!' he muttered, clutching me by the sleeve and opening his eyes wide.
I read terror in his eyes. He was afraid of my going away.
'No need! Stay another five minutes . . . ten. If it doesn't disgust you, do stay, I entreat you.'
As he begged me he was trembling and his teeth were chattering. I obeyed, and sat down on the edge of the sofa. Ten minutes passed in silence. I sat silent, looking about the room into which fate had brought me so unexpectedly. What poverty! This man who was the possessor of a handsome, effeminate face and a luxuriant well-tended beard, had surroundings which a humble working man would not have envied. A sofa with its American-leather torn and peeling, a humble greasy-looking chair, a table covered with a little of paper, and a wretched oleograph on the wall, that was all I saw. Damp, gloomy, and grey.
'What a wind!' said the sick man, without opening his eyes, 'How it whistles!'
'Yes,' I said. 'I say, I fancy I know you. Didn't you take part in some private theatricals in General Luhatchev's villa last year?'
'What of it?' he asked, quickly opening his eyes.
A cloud seemed to pass over his face.
'I certainly saw you there. Isn't your name Vassilyev?'
'If it is, what of it? It makes it no better that you should know me.'
'No, but I just asked you.'
Vassilyev closed his eyes and, as though offended, turned his face to the back of the sofa.
'I don't understand your curiosity,' he muttered. 'You'll be asking me next what it was drove me to commit suicide!'
Before a minute had passed, he turned round towards me again, opened his eyes and said in a tearful voice:
'Excuse me for taking such a tone, but you'll admit I'm right! To ask a convict how he got into prison, or a suicide why he shot himself is not generous . . . and indelicate. To think of gratifying idle curiosity at the expense of another man's nerves!'
'There is no need to excite yourself. . . . It never occurred to me to question you about your motives.'
'You would have asked. . . . It's what people always do. Though it would be no use to ask. If I told you, you would not believe or understand. . . . I must own I don't understand it myself. . . . There are phrases used in the police reports and newspapers such as: 'unrequited love,' and 'hopeless poverty,' but the reasons are not known. . . . They are not known to me, nor to you, nor to your newspaper offices, where they have the impudence to write 'The diary of a suicide.' God alone understands the state of a man's soul when he takes his own life; but men know nothing about it.'
'That is all very nice,' I said, 'but you oughtn't to talk. . . .'
