passed since the earth last bore a living creature on its breast, and the unhappy moon now lights her lamp in vain. No longer are the cries of storks heard in the meadows, or the drone of beetles in the groves of limes--'
She embraces TREPLIEFF impetuously and runs out onto the terrace.
TREPLIEFF. [After a pause] It would be a pity if she were seen in the garden. My mother would be distressed.
He stands for several minutes tearing up his manuscripts and throwing them under the table, then unlocks the door on the right and goes out.
DORN. [Trying to force open the door on the left] Odd! This door seems to be locked. [He comes in and puts the chair back in its former place] This is like a hurdle race.
ARKADINA and PAULINA come in, followed by JACOB carrying some bottles; then come MASHA, SHAMRAEFF, and TRIGORIN.
ARKADINA. Put the claret and the beer here, on the table, so that we can drink while we are playing. Sit down, friends.
PAULINA. And bring the tea at once.
She lights the candles and takes her seat at the card-table. SHAMRAEFF leads TRIGORIN to the cupboard.
SHAMRAEFF. Here is the stuffed sea-gull I was telling you about. [He takes the sea-gull out of the cupboard] You told me to have it done.
TRIGORIN. [looking at the bird] I don't remember a thing about it, not a thing. [A shot is heard. Every one jumps.]
ARKADINA. [Frightened] What was that?
DORN. Nothing at all; probably one of my medicine bottles has blown up. Don't worry. [He goes out through the door on the right, and comes back in a few moments] It is as I thought, a flask of ether has exploded. [He sings]
'Spellbound once more I stand before thee.'
ARKADINA. [Sitting down at the table] Heavens! I was really frightened. That noise reminded me of- [She covers her face with her hands] Everything is black before my eyes.
DORN. [Looking through the pages of a magazine, to TRIGORIN] There was an article from America in this magazine about two months ago that I wanted to ask you about, among other things. [He leads TRIGORIN to the front of the stage] I am very much interested in this question. [He lowers his voice and whispers] You must take Madame Arkadina away from here; what I wanted to say was, that Constantine has shot himself.
The curtain falls.
IVANOFF
A PLAY
By Anton Checkov
------------------------------------
Contents
{CHARACTERS }
{IVANOFF }
{ACT I }
{ACT II }
{ACT III }
{ACT IV }
------------------------------------
CHARACTERS
NICHOLAS IVANOFF, perpetual member of the Council of Peasant Affairs
ANNA, his wife. Nee Sarah Abramson
MATTHEW SHABELSKI, a count, uncle of Ivanoff
PAUL LEBEDIEFF, President of the Board of the Zemstvo
ZINAIDA, his wife
SASHA, their daughter, twenty years old
LVOFF, a young government doctor
MARTHA BABAKINA, a young widow, owner of an estate and daughter of a rich merchant
KOSICH, an exciseman
MICHAEL BORKIN, a distant relative of Ivanoff, and manager of his estate
AVDOTIA NAZAROVNA, an old woman
GEORGE, lives with the Lebedieffs
FIRST GUEST
SECOND GUEST
THIRD GUEST
FOURTH GUEST
PETER, a servant of Ivanoff
GABRIEL, a servant of Lebedieff
GUESTS OF BOTH SEXES
The play takes place in one of the provinces of central Russia
IVANOFF
ACT I
The garden of IVANOFF'S country place. On the left is a terrace and the facade of the house. One window is open. Below the terrace is a broad semicircular lawn, from which paths lead to right and left into a garden. On the right are several garden benches and tables. A lamp is burning on one of the tables. It is evening. As the curtain rises sounds of the piano and violoncello are heard.
IVANOFF is sitting at a table reading.
BORKIN, in top-boots and carrying a gun, comes in from the rear of the garden. He is a little tipsy. As he sees IVANOFF he comes toward him on tiptoe, and when he comes opposite him he stops and points the gun at his face.
IVANOFF. [Catches sight of BORKIN. Shudders and jumps to his feet] Misha! What are you doing? You frightened me! I can't stand your stupid jokes when I am so nervous as this. And having frightened me, you laugh! [He sits down.]
BORKIN. [Laughing loudly] There, I am sorry, really. I won't do it again. Indeed I won't. [Take off his cap] How hot it is! Just think, my dear boy, I have covered twelve miles in the last three hours. I am worn out. Just feel how my heart is beating.
IVANOFF. [Goes on reading] Oh, very well. I shall feel it later!
BORKIN. No, feel it now. [He takes IVANOFF'S hand and presses it against his breast] Can you feel it thumping? That means that it is weak and that I may die suddenly at any moment. Would you be sorry if I died?
IVANOFF. I am reading now. I shall attend to you later.
BORKIN. No, seriously, would you be sorry if I died? Nicholas, would you be sorry if I died?
IVANOFF. Leave me alone!
BORKIN. Come, tell me if you would be sorry or not.
IVANOFF. I am sorry that you smell so of vodka, Misha, it is disgusting.
BORKIN. Do I smell of vodka? How strange! And yet, it is not so strange after all. I met the magistrate on the road, and I must admit that we did drink about eight glasses together. Strictly speaking, of course, drinking is very harmful. Listen, it is harmful, isn't it? Is it? Is it?
IVANOFF. This is unendurable! Let me warn you, Misha, that you are going too far.
BORKIN. Well, well, excuse me. Sit here by yourself then, for heaven's sake, if it amuses you. [Gets up and goes away] What extraordinary people one meets in the world. They won't even allow themselves to be spoken to. [He comes back] Oh, yes, I nearly forgot. Please let me have eighty-two roubles.
IVANOFF. Why do you want eighty-two roubles?
BORKIN. To pay the workmen to-morrow.
IVANOFF. I haven't the money.
BORKIN. Many thanks. [Angrily] So you haven't the money! And yet the workmen must be paid, mustn't they?
IVANOFF. I don't know. Wait till my salary comes in on the first of the month.
BORKIN. How is it possible to discuss anything with a man like you? Can't you understand that the workmen are coming to-morrow morning and not on the first of the month?
IVANOFF. How can I help it? I'll be hanged if I can do anything about it now. And what do you mean by this irritating way you have of pestering me whenever I am trying to read or write or--
BORKIN. Must the workmen be paid or not, I ask you? But, good gracious! What is the use of talking to you! [Waves his hand] Do you think because you own an estate you can command the whole world? With your two thousand acres and your empty pockets you are like a man who has a cellar full of wine and no corkscrew. I have sold the oats as they stand in the field. Yes, sir! And to-morrow I shall sell the rye and the carriage horses. [He stamps up and down] Do you think I am going to stand upon ceremony with you? Certainly not! I am not that kind of a man!
ANNA appears at the open window.
ANNA. Whose voice did I hear just now? Was it yours, Misha? Why are you stamping up and down?
BORKIN. Anybody who had anything to do with your Nicholas would stamp up and down.
ANNA. Listen, Misha! Please have some hay carried onto the croquet lawn.
BORKIN. [Waves his hand]
