was foolish of me to come here. Very well, then, get excited about it; storm at me; stamp your feet! Well, aren't you getting angry?
IVANOFF. You ridiculous girl!
SASHA. Splendid! So we are smiling at last! Be kind, do me the favour of smiling once more!
IVANOFF. [Laughing] I have noticed that whenever you start reforming me and saving my soul, and teaching me how to be good, your face grows naive, oh so naive, and your eyes grow as wide as if you were looking at a comet. Wait a moment; your shoulder is covered with dust. [He brushes her shoulder] A naive man is nothing better than a fool, but you women contrive to be naive in such a way that in you it seems sweet, and gentle, and proper, and not as silly as it really is. What a strange way you have, though, of ignoring a man as long as he is well and happy, and fastening yourselves to him as soon as he begins to whine and go down-hill! Do you actually think it is worse to be the wife of a strong man than to nurse some whimpering invalid?
SASHA. Yes, it is worse.
IVANOFF. Why do you think so? [Laughing loudly] It is a good thing Darwin can't hear what you are saying! He would be furious with you for degrading the human race. Soon, thanks to your kindness, only invalids and hypochondriacs will be born into the world.
SASHA. There are a great many things a man cannot understand. Any girl would rather love an unfortunate man than a fortunate one, because every girl would like to do something by loving. A man has his work to do, and so for him love is kept in the background. To talk to his wife, to walk with her in the garden, to pass the time pleasantly with her, that is all that love means to a man. But for us, love means life. I love you; that means that I dream only of how I shall cure you of your sadness, how I shall go with you to the ends of the earth. If you are in heaven, I am in heaven; if you are in the pit, I am in the pit. For instance, it would be the greatest happiness for me to write all night for you, or to watch all night that no one should wake you. I remember that three years ago, at threshing time, you came to us all dusty and sunburnt and tired, and asked for a drink. When I brought you a glass of water you were already lying on the sofa and sleeping like a dead man. You slept there for half a day, and all that time I watched by the door that no one should disturb you. How happy I was! The more a girl can do, the greater her love will be; that is, I mean, the more she feels it.
IVANOFF. The love that accomplishes things-hm-that is a fairy tale, a girl's dream; and yet, perhaps it is as it should be. [He shrugs his shoulders] How can I tell? [Gaily] On my honour, Sasha, I really am quite a respectable man. Judge for yourself: I have always liked to discuss things, but I have never in my life said that our women were corrupt, or that such and such a woman was on the down-hill path. I have always been grateful, and nothing more. No, nothing more. Dear child, how comical you are! And what a ridiculous old stupid I am! I shock all good Christian folk, and go about complaining from morning to night. [He laughs and then leaves her suddenly] But you must go, Sasha; we have forgotten ourselves.
SASHA. Yes, it is time to go. Good-bye. I am afraid that that honest doctor of yours will have told Anna out of a sense of duty that I am here. Take my advice: go at once to your wife and stay with her. Stay, and stay, and stay, and if it should be for a year, you must still stay, or for ten years. It is your duty. You must repent, and ask her forgiveness, and weep. That is what you ought to do, and the great thing is not to forget to do right.
IVANOFF. Again I feel as if I were going crazy; again!
SASHA. Well, heaven help you! You must forget me entirely. In two weeks you must send me a line and I shall be content with that. But I shall write to you-
BORKIN looks in at the door.
BORKIN. Ivanoff, may I come in? [He sees SASHA] I beg your pardon, I did not see you. Bonjour! [He bows.]
SASHA. [Embarrassed] How do you do?
BORKIN. You are plumper and prettier than ever.
SASHA. [To IVANOFF] I must go, Nicholas, I must go. [She goes out.]
BORKIN. What a beautiful apparition! I came expecting prose and found poetry instead. [Sings]
'You showed yourself to the world as a bird--'
IVANOFF walks excitedly up and down.
BORKIN. [Sits down] There is something in her, Nicholas, that one doesn't find in other women, isn't there? An elfin strangeness. [He sighs] Although she is without doubt the richest girl in the country, her mother is so stingy that no one will have her. After her mother's death Sasha will have the whole fortune, but until then she will only give her ten thousand roubles and an old flat-iron, and to get that she will have to humble herself to the ground. [He feels in his pockets] Will you have a smoke? [He offers IVANOFF his cigarette case] These are very good.
IVANOFF. [Comes toward BORKIN stifled with rage] Leave my house this instant, and don't you ever dare to set foot in it again! Go this instant!
BORKIN gets up and drops his cigarette.
IVANOFF. Go at once!
BORKIN. Nicholas, what do you mean? Why are you so angry?
IVANOFF. Why! Where did you get those cigarettes? Where? You think perhaps that I don't know where you take the old man every day, and for what purpose?
BORKIN. [Shrugs his shoulders] What business is it of yours?
IVANOFF. You blackguard, you! The disgraceful rumours that you have been spreading about me have made me disreputable in the eyes of the whole countryside. You and I have nothing in common, and I ask you to leave my house this instant.
BORKIN. I know that you are saying all this in a moment of irritation, and so I am not angry with you. Insult me as much as you please. [He picks up his cigarette] It is time though, to shake off this melancholy of yours; you're not a schoolboy.
IVANOFF. What did I tell you? [Shuddering] Are you making fun of me?
Enter ANNA.
BORKIN. There now, there comes Anna! I shall go.
IVANOFF stops near the table and stands with his head bowed.
ANNA. [After a pause] What did she come here for? What did she come here for, I ask you?
IVANOFF. Don't ask me, Annie. [A pause] I am terribly guilty. Think of any punishment you want to inflict on me; I can stand anything, but don't, oh, don't ask questions!
ANNA. [Angrily] So that is the sort of man you are? Now I understand you, and can see how degraded, how dishonourable you are! Do you remember that you came to me once and lied to me about your love? I believed you, and left my mother, my father, and my faith to follow you. Yes, you lied to me of goodness and honour, of your noble aspirations and I believed every word--
IVANOFF. I have never lied to you, Annie.
ANNA. I have lived with you five years now, and I am tired and ill, but I have always loved you and have never left you for a moment. You have been my idol, and what have you done? All this time you have been deceiving me in the most dastardly way--
IVANOFF. Annie, don't say what isn't so. I have made mistakes, but I have never told a lie in my life. You dare not accuse me of that!
ANNA. It is all clear to me now. You married me because you expected my mother and father to forgive me and give you my money; that is what you expected.
IVANOFF. Good Lord, Annie! If I must suffer like this, I must have the patience to bear it. [He begins to weep.]
ANNA. Be quiet! When you found that I wasn't bringing you any money, you tried another game. Now I remember and understand everything. [She begins to cry] You have never loved me or been faithful to me-never!
IVANOFF. Sarah! That is a lie! Say what you want, but don't insult me with a lie!
ANNA. You dishonest, degraded man! You owe money to Lebedieff, and now, to escape paying your debts, you are trying to turn the head of his daughter and betray her as you have betrayed me. Can you deny it?
IVANOFF. [Stifled with rage] For heaven's sake, be quiet! I can't answer for what I may do! I am choking with rage and I-I might insult you!
ANNA. I am not the only one whom you have basely deceived. You have always blamed Borkin for all your dishonest tricks, but now I know whose they are.
IVANOFF. Sarah, stop at once and go away, or else I shall say something terrible. I long to say a dreadful, cruel thing [He shrieks] Hold your tongue, Jewess!
ANNA. I won't hold my tongue! You have deceived me too long for me to be silent now.
IVANOFF. So you won't be quiet? [He struggles with himself] Go, for heaven's sake!
ANNA. Go now, and betray Sasha!
IVANOFF. Know then that you-are dying! The doctor told me that you are dying.
ANNA. [Sits down and speaks in a low voice] When did he
IVANOFF. [Clutches his head with both hands] Oh, how guilty I am-how guilty! [He sobs.]
The curtain falls.
About a year passes between the third and fourth acts.
ACT IV
A sitting-room in LEBEDIEFF'S house. In the middle of the wall at the back of the room is an arch dividing the sitting- room from the ballroom. To the right and left are doors. Some old bronzes are placed about the room; family portraits are hanging on the walls. Everything is arranged as if for some festivity. On the piano lies a violin; near it stands a violoncello. During the entire act guests, dressed as for a ball, are seen walking about in the ball- room.
Enter LVOFF, looking at his watch.
LVOFF. It is five o'clock. The ceremony must have begun. First the priest will bless them, and then they will be led to the church to be married. Is this how virtue and justice triumph? Not being able to rob Sarah, he has tortured her to death; and now he has found another victim whom he will deceive until he has robbed her, and then he will get rid of her as he got
