stiffly before him, would come into view. Again there began kisses, reproaches, and entreaties to come again or to take a shawl. Pyotr Dmitritch kept running out and helping the ladies into their carriages.
'You go now by Efremovshtchina,' he directed the coachman; 'it's nearer through Mankino, but the road is worse that way. You might have an upset. . . . Good-bye, my charmer.
'Good-bye, Olga Mihalovna, darling! Go indoors, or you will catch cold! It's damp!'
'Wo-o-o! you rascal!'
'What horses have you got here?' Pyotr Dmitritch asked.
'They were bought from Haidorov, in Lent,' answered the coachman.
'Capital horses. . . .'
And Pyotr Dmitritch patted the trace horse on the haunch.
'Well, you can start! God give you good luck!'
The last visitor was gone at last; the red circle on the road quivered, moved aside, contracted and went out, as Vassily carried away the lamp from the entrance. On previous occasions when they had seen off their visitors, Pyotr Dmitritch and Olga Mihalovna had begun dancing about the drawing-room, facing each other, clapping their hands and singing: 'They've gone! They've gone!' But now Olga Mihalovna was not equal to that. She went to her bedroom, undressed, and got into bed.
She fancied she would fall asleep at once and sleep soundly. Her legs and her shoulders ached painfully, her head was heavy from the strain of talking, and she was conscious, as before, of discomfort all over her body. Covering her head over, she lay still for three or four minutes, then peeped out from under the bed-clothes at the lamp before the ikon, listened to the silence, and smiled.
'It's nice, it's nice,' she whispered, curling up her legs, which felt as if they had grown longer from so much walking. 'Sleep, sleep . . . .'
Her legs would not get into a comfortable position; she felt uneasy all over, and she turned on the other side. A big fly blew buzzing about the bedroom and thumped against the ceiling. She could hear, too, Grigory and Vassily stepping cautiously about the drawing-room, putting the chairs back in their places; it seemed to Olga Mihalovna that she could not go to sleep, nor be comfortable till those sounds were hushed. And again she turned over on the other side impatiently.
She heard her husband's voice in the drawing-room. Some one must be staying the night, as Pyotr Dmitritch was addressing some one and speaking loudly:
'I don't say that Count Alexey Petrovitch is an impostor. But he can't help seeming to be one, because all of you gentlemen attempt to see in him something different from what he really is. His craziness is looked upon as originality, his familiar manners as good-nature, and his complete absence of opinions as Conservatism. Even granted that he is a Conservative of the stamp of '84, what after all is Conservatism?'
Pyotr Dmitritch, angry with Count Alexey Petrovitch, his visitors, and himself, was relieving his heart. He abused both the Count and his visitors, and in his vexation with himself was ready to speak out and to hold forth upon anything. After seeing his guest to his room, he walked up and down the drawing-room, walked through the dining-room, down the corridor, then into his study, then again went into the drawing-room, and came into the bedroom. Olga Mihalovna was lying on her back, with the bed-clothes only to her waist (by now she felt hot), and with an angry face, watched the fly that was thumping against the ceiling.
'Is some one staying the night?' she asked.
'Yegorov.'
Pyotr Dmitritch undressed and got into his bed.
Without speaking, he lighted a cigarette, and he, too, fell to watching the fly. There was an uneasy and forbidding look in his eyes. Olga Mihalovna looked at his handsome profile for five minutes in silence. It seemed to her for some reason that if her husband were suddenly to turn facing her, and to say, 'Olga, I am unhappy,' she would cry or laugh, and she would be at ease. She fancied that her legs were aching and her body was uncomfortable all over because of the strain on her feelings.
'Pyotr, what are you thinking of?' she said.
'Oh, nothing . . .' her husband answered.
'You have taken to having secrets from me of late: that's not right.'
'Why is it not right?' answered Pyotr Dmitritch drily and not at once. 'We all have our personal life, every one of us, and we are bound to have our secrets.'
'Personal life, our secrets . . . that's all words! Understand you are wounding me!' said Olga Mihalovna, sitting up in bed. 'If you have a load on your heart, why do you hide it from me? And why do you find it more suitable to open your heart to women who are nothing to you, instead of to your wife? I overheard your outpourings to Lubotchka by the bee-house to-day.'
'Well, I congratulate you. I am glad you did overhear it.'
This meant 'Leave me alone and let me think.' Olga Mihalovna was indignant. Vexation, hatred, and wrath, which had been accumulating within her during the whole day, suddenly boiled over; she wanted at once to speak out, to hurt her husband without putting it off till to-morrow, to wound him, to punish him. . . . Making an effort to control herself and not to scream, she said:
'Let me tell you, then, that it's all loathsome, loathsome, loathsome!
I've been hating you all day; you see what you've done.'
Pyotr Dmitritch, too, got up and sat on the bed.
'It's loathsome, loathsome, loathsome,' Olga Mihalovna went on, beginning to tremble all over. 'There's no need to congratulate me; you had better congratulate yourself! It's a shame, a disgrace. You have wrapped yourself in lies till you are ashamed to be alone in the room with your wife! You are a deceitful man! I see through you and understand every step you take!'
'Olya, I wish you would please warn me when you are out of humour.
Then I will sleep in the study.'
Saying this, Pyotr Dmitritch picked up his pillow and walked out of the bedroom. Olga Mihalovna had not foreseen this. For some minutes she remained silent with her mouth open, trembling all over and looking at the door by which her husband had gone out, and trying to understand what it meant. Was this one of the devices to which deceitful people have recourse when they are in the wrong, or was it a deliberate insult aimed at her pride? How was she to take it? Olga Mihalovna remembered her cousin, a lively young officer, who often used to tell her, laughing, that when 'his spouse nagged at him' at night, he usually picked up his pillow and went whistling to spend the night in his study, leaving his wife in a foolish and ridiculous position. This officer was married to a rich, capricious, and foolish woman whom he did not respect but simply put up with.
Olga Mihalovna jumped out of bed. To her mind there was only one thing left for her to do now; to dress with all possible haste and to leave the house forever. The house was her own, but so much the worse for Pyotr Dmitritch. Without pausing to consider whether this was necessary or not, she went quickly to the study to inform her husband of her intention ('Feminine logic!' flashed through her mind), and to say something wounding and sarcastic at parting. . . .
Pyotr Dmitritch was lying on the sofa and pretending to read a newspaper. There was a candle burning on a chair near him. His face could not be seen behind the newspaper.
'Be so kind as to tell me what this means? I am asking you.'
'Be so kind . . .' Pyotr Dmitritch mimicked her, not showing his face. 'It's sickening, Olga! Upon my honour, I am exhausted and not up to it. . . . Let us do our quarrelling to-morrow.'
'No, I understand you perfectly!' Olga Mihalovna went on. 'You hate me! Yes, yes! You hate me because I am richer than you! You will never forgive me for that, and will always be lying to me!' ('Feminine logic!' flashed through her mind again.) 'You are laughing at me now. . . . I am convinced, in fact, that you only married me in order to have property qualifications and those wretched horses. . . . Oh, I am miserable!'
Pyotr Dmitritch dropped the newspaper and got up. The unexpected insult overwhelmed him. With a childishly helpless smile he looked desperately at his wife, and holding out his hands to her as though to ward off
