forget the wine and postpone the cricket.
For there was a murderer to see and a confession to obtain.
And Sandman went to fetch it.
===OO=OOO=OO===
In Old Bailey, a funnel-shaped thoroughfare that narrowed as it ran from Newgate Street to Ludgate Hill, the scaffold was being taken down. The black baize that had draped the platform was already folded onto a small cart and two men were now handing down the heavy beam from which the four victims had been hanged. The first broadsheets describing the executions and the crimes that had caused them were being hawked for a penny apiece to the vestiges of the morning's crowd who had waited to see Jemmy Botting haul the four dead bodies up from the hanging pit, sit them on the edge of the drop while he removed the nooses and then heave them into their coffins. Then a handful of spectators had climbed to the scaffold to have one of the dead men's hands touched to their warts, boils or tumours.
The coffins had at last been carried into the prison, but some folk still lingered just to watch the scaffold's dismemberment. Two hawkers were selling what they claimed were portions of the fatal ropes. Bewigged and black-robed lawyers hurried between the Lamb Inn, the Magpie and Stump and the courts of the Session House that had been built next to the prison. Traffic had been allowed back into the street so Sandman had to dodge between wagons, carriages and carts to reach the prison gate where he expected warders and locks, but instead he found a uniformed porter at the top of the steps and dozens of folk coming and going. Women were carrying parcels of food, babies and bottles of gin, beer or rum. Children ran and screamed, while two aproned tapmen from the Magpie and Stump across the street delivered cooked meals on wooden trays to prisoners who could afford their services.
'Your honour is looking for someone?' The porter, seeing Sandman's confusion, had pushed through the crowd to intercept him.
'I am looking for Charles Corday,' Sandman said, and when the porter looked bemused, added that he had come from the Home Office. 'My name is Sandman,' he explained, 'Captain Sandman, and I'm Lord Sidmouth's official Investigator.' He drew out the letter with its impressive Home Office seal.
'Ah!' The porter was quite uninterested in the letter. 'You've replaced Mister Talbot, God rest his soul. A proper gentleman he was, sir.'
Sandman put the letter away. 'I should, perhaps, pay my respects to the Governor?' he suggested.
'The Keeper, sir, Mister Brown is the Keeper, sir, and he won't thank you for any respects, sir, on account that they ain't needful. You just goes in, sir, and sees the prisoner. Mister Talbot, now, God rest him, he took them to one of the empty salt boxes and had a little chat.' The porter grinned and mimed a punching action. 'A great one for the truth was Mister Talbot. A big man, he was, but so are you. What was your fellow called?'
'Corday.'
'He's condemned, is he? Then you'll find him in the Press Yard, your honour. Are you carrying a stick, sir?'
'A stick?'
'A pistol, sir. No? Some gentlemen do, but weapons ain't advisable, sir, on account that the bastards might overpower you. And a word of advice, Captain?' The porter, his breath reeking of rum, turned and took hold of Sandman's lapel to add emphasis to his next words. 'He'll tell you he didn't do it, sir. There ain't a guilty man in here, not one! Not if you ask them. They'll all swear on their mothers' lives they didn't do it, but they did. They all did.' He grinned and released his grip on Sandman's coat. 'Do you have a watch, sir? You do, sir? Best not take anything in that might be stolen. It'll be in the cupboard here, sir, under lock, key and my eye. Round that corner, sir, you'll find some stairs. Go down, sir, follow the tunnel and don't mind the smell. Mind your backs!' This last call was to all the folk in the lobby because four workmen, accompanied by three watchmen armed with truncheons, were carrying a plain wooden coffin out through the prison door. 'It's the girl what was stretched this morning, sir,' the porter confided in Sandman. 'She's going to the surgeons. The gentlemen do like a young lady to dissect, they do. Down the stairs, sir, and follow your nose.'
The smell of unwashed bodies reminded Sandman of Spanish billets crowded with tired redcoats and the stench became even more noxious as he followed the stone-flagged tunnel to where more stairs climbed to a guardroom beside a massive barred gate that led into the Press Yard. Two turnkeys, both armed with cudgels, guarded the gate. 'Charles Corday?' one responded when Sandman enquired where the prisoner might be found. 'You can't miss him. If he ain't in the yard then he'll be in the Association Room.' He pointed to an open door across the yard. 'He looks like a bleeding mort, that's why you can't mistake him.'
'A mort?'
The man unbolted the gate. 'He looks like a bloody girl, sir,' he said scornfully. 'Pal of his, are you?' The man grinned, then the grin faded as Sandman turned and stared at him. 'I don't see him in the yard, sir,' the turnkey had been a soldier and he instinctively straightened his back and became respectful under Sandman's gaze, 'so he'll be in the Association Room, sir. That door over there, sir.'
The Press Yard was a narrow space compressed between high, dank buildings. What little light came into the yard arrived over a thicket of spikes that crowned the Newgate Street wall beside which a score of prisoners, easily identifiable because of their leg irons, sat with their visitors. Children played round an open drain. A blind man sat by the steps leading to the cells, muttering to himself and scratching at the open sores on his manacled ankles. A drunk, also in chains, lay sleeping while a woman, evidently his wife, wept silently beside him. She mistook Sandman for a wealthy man and held out a begging hand. 'Have pity on a poor woman, your honour, have pity.'
Sandman went into the Association Room which was a large space filled with tables and benches. A coal fire burnt in a big grate where stew pots hung from a crane. The pots were being stirred by two women who were evidently cooking for a dozen folk seated round one of the long tables. The only turnkey in the room, a youngish man armed with a truncheon, was also at the table, sharing a gin bottle and the laughter which died abruptly when Sandman appeared. Then the other tables fell silent as forty or fifty folk turned to look at the newcomer. Someone spat. Something about Sandman, maybe his height, spoke of authority and this was not a place where authority was welcome.
'Corday!' Sandman called, his voice taking on the familiar officer's tone. 'I'm looking for Charles Corday!' No one answered. 'Corday!' Sandman called again.
'Sir?' The answering voice was tremulous and came from the room's furthest and darkest corner. Sandman threaded his way through the tables to see a pathetic figure curled against the wall there. Charles Corday was very young, he looked scarce more than seventeen, and he was thin to the point of frailty with a deathly pale face framed by long fair hair that did, indeed, look girlish. He had long eyelashes, a trembling lip and a dark bruise on one cheek.
'You're Charles Corday?' Sandman felt an instinctive dislike of the young man, who looked too delicate and self-pitying.
'Yes, sir.' Corday's right arm was shaking.
'Stand up,' Sandman ordered. Corday blinked in surprise at the tone of command, but obeyed, flinching because the leg irons bit into his ankles. 'I've been sent by the Home Secretary,' Sandman said, 'and I need somewhere private where we can talk. We can use the cells, perhaps. Do we reach them from here? Or from the yard?'
'The yard, sir,' Corday said, though he scarcely seemed to have understood the rest of Sandman's words.
Sandman led Corday towards the door. 'Is he your boman, Charlie?' a man in leg shackles enquired. 'Come for a farewell cuddle, has he?' The other prisoners laughed, but Sandman had the experienced officer's ability to know when to ignore insubordination and he just kept walking, but then he heard Corday squeal and he turned to see that a greasy-haired and unshaven man was holding Corday's hair like a leash. 'I was talking to you, Charlie!' the man said. He yanked Corday's hair, making the boy squeal again. 'Give us a kiss, Charlie,' the man demanded, 'give us a kiss.' The women at the table by the fire laughed at Corday's predicament.
'Let him go,' Sandman said.
'You don't give orders here, culley,' the unshaven man growled. 'No one gives orders in here, there aren't any orders any more, not till Jemmy comes to fetch us away, so you can fake away off, culley, you can—' The man stopped suddenly, then gave a curious scream. 'No!' he shouted. 'No!'
Rider Sandman had ever suffered from a temper. He knew it and he fought against it. In his everyday life he
