The Twelve

floor.

“They won’t awaken for a while,” Amy explained, “and when they do, they’ll have no memory of this. You will simply be gone.”

Lucius reached down to withdraw Sanders’s pistol from its holster, then glanced up to see Amy regarding him with a look of caution.

“Just remember,” she warned. “Carter’s one of us.”

Lucius chambered a round and set the safety and tucked the gun into his waistband. “Understood.”

Outside, they walked with measured briskness toward the pedestrian tunnel, keeping to the shadows. At the portal, three domestics were idly standing around a fire burning in an ash can, warming their hands.

“Good evening, gentlemen,” said Amy.

They melted to their knees, looks of mild surprise stamped on their faces. Lucius and Amy eased their bodies to the ground.

“That’s some trick,” said Lucius. “You’ll have to teach me sometime.”

On the far side of the tunnel, a pair of saddled horses waited. Lucius gave Amy a leg up, then climbed aboard the second horse, taking the reins loosely in his hand.

“One thing I need to ask,” he said. “Why me?”

Amy thought a moment. “Each of us has one, Lucius.”

“And Carter? Who does he have?”

An inscrutable look came into her eyes, as if her thoughts were carrying her far away. “He is different from the rest. He carries his familiar inside him.”

“The woman in the water.”

Amy smiled. “You’ve done your homework, Lucius.”

“Things have a way of coming.”

“Yes, they do. He loved her more than life but could not save her. She is the heart of him.”

“And the dopeys?”

“They are his Many, his viral line. They kill only because they must. It goes hard with them. As he thinks, they think. As he dreams, they dream. They dream of her.”

The horses were tamping the dust. It was just past midnight, a moonless sky the only witness to their departure.

“As I of you,” said Lucius Greer. “As I of you.”

They rode into the darkness.

35

Brothers, brothers.

And away, into the night. Julio Martinez, Tenth of Twelve, his legions discarded, cast to the wind. Julio Martinez, answering the call of Zero.

It is time. The moment of rebuilding has come. You will remake the world again; you will become the true masters of the earth, commanders not only of death but of life. You are the seasons. You are the turning earth. You are the circle within the circle within the circle. You are time itself, my brothers in blood.

In life Martinez had been an attorney, a man of law. He had stood before judges, defended the accused before juries of their peers. Death row cases were his specialty, his professional forte. He had acquired a particular brand of fame. The calls had come from everywhere: Would the great Julio Martinez, Esq., come to the aid of such-and-such? Could he be persuaded to swoop into action? The rock star who had bashed his girlfriend’s brains out with a lamp. The state senator with the dead whore’s blood on his hands. The suburban mother who had drowned her newborn triplets in the tub. Martinez took them all. They were insane or they were not; they pled or they didn’t; they went to the needle, or the tiny cell, or scot-free. The outcome was irrelevant to Julio Martinez, Esq.; it was the drama he loved. To know one was going to die and yet struggle against its inevitability—that was the fascination. Once, as a boy, in the field behind his house, he had come upon a rabbit in a trap, the kind with a spring and teeth. Its iron jaws had clamped onto the animal’s hind legs, flaying flesh to bone. The creature’s small, dark eyes, like beads of oil, were full of death’s wisdom. Life ebbed from it in a series of spasmodic scuffles. The boy Martinez could have watched for hours, and did just that; and when the rabbit failed to perish by nightfall, he carried it to the barn and returned to the house and ate his supper and went to bed in his room of toys and trophies, waiting for morning, when he could watch the rabbit die some more.

It had taken three days. Three glorious days.

Thus, his life and its dark investigations. Martinez had his reasons. He had his rationale. He had his particular method—the rag of spirits, the loyal cord and infinitely pliable duct tape, the dank, unseen compartments of dispatch. He chose low women, those lacking learning or culture, not because he despised them or secretly wanted them but because they were easy to ensnare. They were no match for his beautiful suits and movie-star hair and silken courtroom tongue. They were bodies without name or history or personality, and when the moment of transport approached, they offered no distraction. The timing was all, the orchestrated, simultaneous release. The old choir of sex and death singing.

A certain amount of practice had been required. There had been misfires. There had been, he was forced to admit, a certain amount of accidental comedy. The first one had died well but too soon, the second had kicked up such a ruckus that the whole thing had dissolved into farce, the third had wept so pitiably that he could hardly pay attention. But then: Louise. Louise, with her corny waitress uniform and sensible waitress shoes and unsexily supportive waitress hose. How beautifully she’d left her life! With what exquisite rapture in the taking! She was like a door opening into the great unknowable beyond, a portal into the infinite blackness of unbeing. He had been eradicated, pulverized; the winds of eternity had blown through him, beating him clean. It was everything he’d imagined and then some.

After that, frankly, he couldn’t get enough of it.

As for the highway patrolman, the universe was not without its ironies. It gave and took away. To wit: the Jag with a broken taillight, and Martinez with the woman’s bagged body in the trunk; the cop’s slow saunter toward the car, his hand resting manfully on the butt of his pistol, and the downward glide of the driver’s window; the patrolman’s face pressed close, sneering with bored righteousness, his lips saying the customary words— Sir, could I see …?—and never finishing. In the harried aftermath, Martinez had managed to dispose of the body in the trunk, his nighttime practices thus to remain forever unknown, unconnected to his fate. But a dead policeman by the side of the highway, everything recorded by his dashboard video camera, well. In the end, the only thing to do, as the saying went, was for the great Julio Martinez, Esq., champion of the unchampionable, defender of the loathsomely defenseless, to pour himself a glass of thirty-year-old single-malt and toss it over his tongue while the windows of the house twirled with the lights of justice and come out with his hands dutifully up.

Which, given the way things had worked out, hadn’t turned out to be such an unlucky turn of events, actually.

Martinez couldn’t say he cared much for his fellows. With the exception of Carter, who struck him as purely pitiable—the man didn’t even seem to know what he was or what he’d done; Martinez hadn’t heard so much as a squeak from the man in years—they were nothing more than common criminals, their deeds random and banal. Vehicular homicide. Armed robbery gone bad. Barroom shenanigans with a body on the floor. A century marinating in their own psychological waste had done nothing to improve them. Martinez’s existence was not without its irritating aspects. The never quite being alone. The endless hunger always needing to be filled. The ceaseless talk- talk-talk inside his head, not just his brothers but Zero, too. And Ignacio: there was a piece of work. The man was a litany of self-pitying excuses. I didn’t mean to do half those things. It’s just the way I was built. After a hundred years listening to the man’s whining, Martinez wouldn’t miss him one bit.

There had been something attractively berserk about Babcock, though. You had to hand it to the man for metaphor. Carving out his mother’s larynx with a kitchen knife; in another life, he surely would have been a poet.