5 JUNE, 1939.
Carlo Weisz stared out the office window at the Parisian spring-the chestnut and lime trees in bright new leaf, the women in cotton frocks, the sky deep blue, with cloud castles towering over the city. Meanwhile, according to the melancholy papers stacked in his in box, it was also spring for the diplomats-French and British swains sang to the Soviet maiden in the enchanted forest, but she only giggled and ran away. Toward Germany.
So life went-forever, it seemed to Weisz-until the tedious drumbeat of conference and treaty was broken, suddenly, by real tragedy. Today, it was the story of the SS
In the Paris office, they’d elicited a French reaction, but the Quai d’Orsay, in six paragraphs, had no comment. Which left Weisz staring out the window, unwilling to work, his mind in Berlin, his heart untouched by the June day.
Two days earlier, when he’d returned from the boulevard de Strasbourg to the Reuters office, he’d immediately telephoned Salamone and told him what he’d done. “Someone in that office has connections with Croatia,” he’d said, and described the envelopes. “Which suggests that OVRA may be using
“This is not good news,” Salamone had said, his voice grim.
“No, but it is
Salamone had volunteered to approach the
That was more than optimistic, he thought, staring out the window, but first he would have to telephone Pompon. He considered doing it, almost reaching for the number, then, once again, put it off. He’d do it later, now he had to work. Taking the first paper off the stack, he found a release from the Soviet embassy in Paris, regarding continuing negotiations with the British and French for alliance in case of a German attack. A long list of potential victims was named, with Poland first and foremost. A visit to the Quai d’Orsay? Maybe. He’d have to ask Delahanty.
He put the release aside. Next up, a cable from Eric Wolf that had come in an hour earlier.
Weisz went cold. Could he telephone? Cable? No, that might only make it worse. Could he telephone Alma Bruck? No, she might be involved. Christa had only said she was a friend. Eric Wolf, then. Maybe. He could, he felt, ask for one favor, but no more than that. Wolf already had his hands full, and he hadn’t been all that pleased to be involved with a colleague’s clandestine love affairs. And, Weisz forced himself to admit, Wolf had likely done all he could-surely he’d asked for names, but they had been “withheld.” No, he had to keep Wolf in reserve. Because, if by some miracle she survived this, if by some miracle this was a
Yet he couldn’t make himself give up. As his hands pressed against the cable, flat on his desk, his mind flew from one possibility to the next, around and around, until the secretary came in with another cable.
By evening, it was worse. The images of Christa, in the hands of the Gestapo, would not leave him. Unable to eat, he was early for his eight o’clock work at the Tournon. But Ferrara wasn’t there, the room was locked. Weisz went back downstairs and asked the clerk if Monsieur Kolb was in his room, but was told there was no such person at the hotel. That was, Weisz thought, typical-Kolb appeared from nowhere and returned to the same place. He was likely staying at the Tournon, but evidently using a different name. Weisz went out onto the rue de Tournon, crossed the street to the Jardin du Luxembourg, sat on a bench, and smoked cigarette after cigarette, mocked by the soft spring evening and, it seemed to him, every pair of lovers in the city. At eight-twenty, he returned to the hotel, and found Ferrara waiting for him.
This town, that river, the heroic corporal who picked up a hand grenade from the bottom of a ditch and threw it back. What helped Weisz, that night, was the automatic process of the work, typing Ferrara’s words, editing as he went along. Then, a few minutes after ten, Kolb appeared. “We’ll finish early tonight,” he said. “All going well?”
“We’re getting close to the end,” Ferrara said. “There’s the time at the internment camp, then it’s finished. I’d guess you won’t want us to write about my time in Paris.”
From Kolb, a wolfish grin. “No, we’ll just leave that to the reader’s imagination.” Then, to Weisz: “You and I will be going up to the Sixteenth. There’s someone in town who wants to meet you.”
From the way Kolb said it, Weisz didn’t really have a choice.
The apartment was in Passy, the aristocratic heart of the
A tall, spindly man unfolded himself from a low sofa, gripped Weisz’s hand, and said, “Mr. Weisz, a pleasure to meet you.” Crisp white shirt, solemn tie, perfectly tailored suit, the British upper class resplendent, with steel- colored hair and thin, professionally hesitant smile. But the eyes, deep-set, webbed with deep lines, were worried eyes, almost apprehensive, that came close to contradicting all the signals of his status. “Come sit with me,” he said to Weisz, indicating the other end of the sofa. Then: “Brown? Can you get us a scotch? As it comes?”
This turned out to mean neat, two inches of amber liquid in a crystal glass. Lane said, “We’ll see you later.” Kolb had already evaporated, now Mr. Brown went off to another room in the apartment. “So,” he said to Weisz, his voice low and mellow and pleased, “you’re our writer.”
“I am,” Weisz said.
“Damn fine work, Mr. Weisz.
“That’s true,” Weisz said.
“Shame about your country. I don’t believe she’ll be happy with her new friends, but that can’t be helped, can it. Not that you haven’t tried.”
“Do you mean
“I do. Seen the back issues, and it’s easily at the top of its class. Leaves the politics alone, thank God, and leans hard on the facts of life. And your cartoonist is a delightfully nasty man. Who is he?”
“An emigre, he works for