Exile's Valor

And the part about shared sorrow—that made the lump in her throat swell all over again. Orthallen had been her father’s good and trusted friend. She hadn’t thought about how he must be feeling. But that pride of his might well have prevented him from making any great show of his own grief. . . .

And who better to talk to? He was safe enough, with a wife he honored; he had never, ever given rise to a single rumor about his fidelity (unlike far too many men in her Court). She had known him all her life; she’d cried on his shoulder before this.

Who else was there, really—and she was beginning to think that if she didn’t find someone she could talk to, someone besides Caryo, that is, she was going to crack. Talking to Caryo was a little too much like talking to herself. And besides, even Caryo was getting tired of how depressed and burdened with grief she was.

She looked up and met his eyes. He tilted his head to the side, in grave inquiry. She nodded. He smiled; it was a sad, weary smile, the same sort that she often found on her own lips of late.

She smiled back, folded the piece of paper, and put it into her sleeve pocket for safekeeping, feeling a little better already. Better enough, at least, to give the musicians her full attention for the rest of the concert.

***

Rather than joining the people in the courtyard on their benches, Alberich paid out enough for seats on the second-floor balcony that ran along the inside walls facing the courtyard, a balcony that made up a sort of makeshift gallery. It was marginally warmer here, and the folks in the cheap seats were notoriously rowdy. When the troupe had been playing in that tent, there had been no balcony, and the expensive seats had been in the first several rows. Not so here.

The courtyard was entirely enclosed by inn buildings. Behind the stage and the curtains that closed off the back of it, were the stables. Not the sort of place where anyone would care to sit, so using that wall as the back of the stage wasted no valuable space that could have accommodated paying customers. The other three wings were the three stories of what was a typical market inn, with an arched passage in the middle of what was, in this configuration, the “back” of the courtyard leading out into the street outside. The ground floor of that wing, divided as it was by the passage, held two separate dining rooms, a taproom for the common sorts of folk, the drovers, the shepherds, the farmers who came to the market, and the second an actual set of dining rooms, one large dining room for the better-off sort, and several private parlors for the “gentry,” or at least, those with enough money that the innkeeper’s servants called them “m’lord” and “m’lady,” whether or not they had any right to the title.

Above that, in the second and third stories, since that wing both had the noisy dining areas on the first floor, and faced the street, were the cheapest of the sleeping rooms. These were the sort where strangers packed in several to a room together, on pallets laid so closely together that the room might just as well have been one big bed.

The right and left wings held more expensive sleeping rooms on the second and third floors, with the kitchens on the ground floor of the left-hand wing, and the servants’ quarters on the ground floor of the right-hand wing.

When there wasn’t a play on, the balconies gave access to those rooms. Now, however, there were benches there, where those willing to spend a bit extra could sit along the balcony railing. The view was good from here, and you weren’t going to find yourself harassed by someone who’d paid less than the cost of a pint for his seat.

Normally, at least with most acting troupes, the truly expensive seats were on the stage itself, to the left and the right. Not with this lot—their energetic acrobatics made that a dangerous place to be, and the entire stage was free of any such obstructions.

Myste laid her arms along the balcony rail and parked her chin on them, peering down at the stage with interest. The courtyard was lit almost as well as the Great Hall of the Palace, with torches in holders on every supporting beam, and shielded lanterns around the stage. The thing about holding a play at night meant that the players could actually do some things with the scenery—like a paper moon with a lantern behind it, or using foxfire smeared all over someone’s face if he was a ghost. Or, as had occurred in the scene they’d just watched, the softer, dimmer light had made the shabby costumes and tinsel and paste gems of the “lords and ladies” at a grand Festival look positively genuine. :This isn’t as bad as I thought it would be,: she remarked to Alberich in Mindspeech.

:True,: he replied. :This is actually one of the plays they do privately.: It was a tale of unlucky lovers, who came from feuding families, who met by accident at some celebration, and of course, were lifebonded at first sight. The troupe were playing on current events by making the place of their first meeting the Ice Festival—which worked out very well, since it allowed them to bundle up in their warmest costumes. And of course, the feud allowed for several of the signature acrobatic fight scenes.

Down there on the stage, the feud had been acted out by means of a confrontation in the first scene, then several of the youngsters of both clans had gotten caught up by accident in the party following a wedding. The hero and heroine had met and fallen instantly in love, and had retired. Down on the stage, the stagehands were scuttling about in the pause for the scenery change between the first and second acts.

:I suppose they’re both going to end up dead in the end,: Myste sighed.

Alberich had seen this play before. :Well, it is a tragedy.: And in fact, that was exactly what was going to happen. Hero and heroine would be wedded in secret in the second act. In the third, the feud would escalate into open warfare, isolating them from one another as the city turned into a battlefield. In the fourth act, the lovers would arrange a desperate meeting, intending to flee the city and seek the