help of the King. The heroine’s brother would discover the hero waiting with horses, and challenge him. The hero would attempt to placate him, but to no avail. He would find himself forced into the duel, the brother would disarm him, and just as the heroine arrived, fatally wound him. She would run screaming toward them both; startled, the brother would turn, and she would be accidentally impaled on his sword, and the lovers would die in each other’s arms.
Not before forgiving the stricken brother, however, and extracting his vow to end the feud for all time.
Not the worst of plays, by any means, and with enough action to please the male members of the audience.
And even as that thought passed through Alberich’s mind, the man looked up at their gallery, blinked, and peered upward at them, through the torch smoke and lantern light.
He gave a tentative wave. Myste nodded, and waved back. He grabbed a passing boy, said something to him, pointed at Myste, and shoved him in the direction of the stairs. A few moments later, the boy clambered toward them.
“’Scuze me, mum, but Laric wants t’know, if you’re Myste, Myste Willenger, the clerk?” the boy asked.
“That I am,” Myste replied, without a moment of hesitation.
The boy grinned. “Well, mum, then Laric ’ud like ter talk with you arter the play, if you’ve time, an could use some work,” the boy continued. “’Cause he’s got a job that needs doin’.”
Myste grinned. “Tell him, thanks. Who can’t use extra work?”
The boy grinned back. “I’ll tell ’im, mum.”
With that, he scrambled back down the stairs, presumably to find the now-vanished Laric. Myste settled down for the second act, with a smile like a cat in cream.
Alberich could only shake his head in amazement.
9
Alberich and Myste lingered after the end of the last act, assuming that Laric would seek them out as soon as the audience cleared out. It was a reasonable assumption; both of them assumed he would not have interrupted his urgent work to send up a boy if he hadn’t intended to get to Myste as soon as he could. It wasn’t comfortable, sitting out there in the cold, on the hard benches, but both Alberich and Myste had the feeling that it just might be worth the wait.
And they were right. As soon as the actors took their final bows, the audience began to shove its way out. Once the actors were gone, the audience lost interest in what, to Alberich, was actually more interesting than the play itself. In the torchlight, there had been a certain—something—that had given an illusion of reality to the play. Now the illusion was coming apart, bit by bit, and it was fascinating to Alberich to see how it had been put together in the first place.
First, the lamps at the edge of the stage were blown out and gathered up, and the stagehands began clearing away the properties on the stage, carrying them back behind what
Myste nodded vigorously; evidently that was enough for Laric, who dashed back through the false door again. “Tie things up, hmm?” she said cheerfully to Alberich. “I hope that isn’t literal.”
“That, I could not tell you. I know nothing of—all this,” Alberich admitted, waving vaguely at the stage. And at precisely that moment, the painted cloth at the back of the stage, depicting the outer walls of several buildings, dropped down to the stage with a