now, smashed a figurine of an ox for the next note, then a milkmaid, then Saturday’s Child—orgy of shrapnel filled the air, divine harmonies my head. Ah, such music! Glimpsed my father totting up the smashed items’ value, nib flashing, but had to keep the music coming. Knew I’d become the greatest composer of the century if I could only make this music mine. A monstrous Laughing Cavalier flung against the wall set off a thumping battery of percussion.
Woke in my Imperial Western suite, Tam Brewer’s collectors nearly knocking my door down and much commotion from corridor. Hadn’t even waited until I’d shaved—breathtaking vulgarity of these ruffians. Had no choice but to exit swiftly via the bathroom window before the brouhaha summoned the manager to discover that the young gentleman in Room 237 had no means of settling his now-hefty balance. Escape was not hitchless, sorry to report. Drainpipe ripped free of its mounting with the noise of a brutalized violin, and down, down, down tumbled your old chum. Right buttock one hellish bruise. Minor miracle I didn’t shatter my spine or impale myself on railings. Learn from this, Sixsmith. When insolvent, pack minimally, with a valise tough enough to be thrown onto a London pavement from a first- or second-floor window. Insist on hotel rooms no higher.
Hid in a tearoom tucked into a sooty nook of Victoria Station, trying to transcribe the music from the china shop of dreams—couldn’t get beyond a measly two bars. Would have walked into Tam Brewer’s arms just to have that music back again. Miserable spirits. Laboring types surrounded me with bad teeth, parrot voices, and unfounded optimism. Sobering to think how one accursed night of baccarat can alter a man’s social standing so irreversibly. Those shopworkers, cabbies, and tradesmen had more half crowns and threepenny bits squirreled away in their sour Stepney mattresses than I, Son of an Ecclesiastical Somebody, can claim. Had a view of an alley: downtrodden scriveners hurtling by like demisemiquavers in a Beethovian allegro. Afraid of ’em? No, I’m afraid of being one. What value are education, breeding, and talent if one doesn’t have a pot to piss in?
Still can’t believe it. I, a Caius Man, teetering on the brink of destitution. Decent hotels won’t let me taint their lobbies now. Indecent hotels demand cash on the nail. Am barred from any reputable gaming table this side of the Pyrenees. Anyway, I summarized my options:—
(i)?Use paltry funds to obtain a dirty room in some lodging house, beg a few guineas from Uncle Cecil Ltd., teach prissy missies their scales and bitter spinsters their technique. Come now. If I could fake courtesy to dunces I’d still be swabbing Professor Mackerras’s arse with my ex-fellow undergrads. No, before you say it, I can’t go running back to Pater with yet another cri de c?ur. Would validate every poisonous word he said about me. Would rather jump off Waterloo Bridge and let Old Father Thames humble me. Mean it.
(ii)?Hunt down Caius people, butter ’em up, and invite myself to stay for the summer. Problematic, for same reasons as (i). How long could I conceal my starving pocketbook? How long could I stave off their pity, their talons?
(iii)?Visit turf accountant—but if I lost?
You’d remind me I brought it all upon myself, Sixsmith, but shrug off that middle-class chip on your shoulder and stick with me a little longer. Across a crowded platform, a guard announced that the Dover-bound train for the ship to Ostend was delayed by thirty minutes. That guard was my croupier, inviting me to double or quits. If one will just be still, shut up, and listen—lo, behold, the world’ll sift through one’s ideas for one, esp. in a grimy London railway station. Downed my soapy tea and strode across the concourse to the ticket office. A return ticket to Ostend was too costly—so parlous has my position become—so a single it had to be. Boarded my carriage just as the locomotive’s whistle blasted forth a swarm of piccolo Furies. We were under way.
Now to reveal my plan, inspired by a piece in The Times and a long soak’s daydream in my Savoy suite. In the Belgian backwaters, south of Bruges, there lives a reclusive English composer, named Vyvyan Ayrs. You won’t have heard of him because you’re a musical oaf, but he’s one of the greats. The only Briton of his generation to reject pomp, circumstance, rusticity, and charm. Hasn’t produced any new work since the early twenties due to illness—he’s half blind and can hardly hold a pen—but the Times review of his Secular Magnificat (performed last week at St. Martin’s) referred to a drawerful of unfinished works. My daydream had me traveling to Belgium, persuading Vyvyan Ayrs he needed to employ me as an amanuensis, accepting his offer to tutor me, shooting through the musical firmament, winning fame and fortune commensurate to my gifts, obliging Pater to admit that, yes, the son he disinherited is the Robert Frobisher, greatest British composer of his time.
Why not? Had no better plan. You groan and shake your head, Sixsmith, I know, but you smile too, which is why I love you. Uneventful journey to the Channel .?.?. cancerous suburbs, tedious farmland, soiled Sussex. Dover an utter fright staffed by Bolsheviks, versified cliffs as Romantic as my arse and a similar hue. Changed last shillings into francs at the port and took my cabin aboard the Kentish Queen, a rusty tub that looks old enough to have seen service in Crimea. Spud-faced young steward and I disagreed his burgundy uniform and unconvincing beard were worth a tip. Sneered at my valise and manuscript folder—“Wise of you to travel light, sir”—and left me to muck for myself. Suited me fine.
Dinner was balsawood chicken, powdery potatoes, and a bastard claret. My dining-table companion was Mr. Victor Bryant, cutlery lordling of Sheffield. Not a musical bone in his body. He expounded on the subject of spoons for most of the meal, mistook my civil deportment for interest, and offered me a job in his sales department on the spot! Can you believe it? Thanked him (keeping straight face) and confessed I’d rather swallow cutlery than ever have to sell the stuff. Three mighty blasts on the foghorn, engines changed timbre, felt the ship cast off, went on deck to watch Albion withdraw into drizzly murk. No going back now; consequences of what I’d done struck home. R.V.W. conducted Sea Symphony in the Orchestra of the Mind, “Sail forth, steer for the deep waters only, Reckless, O Soul, exploring, I with thee, and thou with me.” (Don’t much care for this work, but it was perfectly programmed.) North Sea wind had me shivering, spray licked me from toe to crown. Glossy black waters invited me to jump. Ignored ’em. Turned in early, leafed through Noyes’s Contrapuntals, listened to the distant brass of the engine room and sketched a repetitive passage for trombone based on the ship’s rhythms, but was rather rubbish, and then guess who came a-knocking at my door? The spud-faced steward, his shift over. Gave him rather more than a tip. No Adonis, scrawny but inventive for his class. Turfed him out afterwards and sank into the sleep of the dead. One part of me wanted that voyage never to end.
But end it did. Kentish Queen slid into Dover’s snaggletoothed twin sister over the mucky water, Ostend, the Lady of Dubious Virtue. Early, early morning, Europe’s snoring rumbled deep below bass tubas. Saw my first aboriginal Belgians, hauling crates, arguing, and thinking in Flemish, Dutch, whatever. Packed my valise sharpish, afraid the ship might sail back to England with me still aboard; or, rather, afraid of my letting this happen. Grabbed a bite from the first-class galley’s fruit bowl and dashed down the gangplank before anyone with braiding on his uniform caught up with me. Set foot on Continental macadam and asked a Customs man where I might find the railway station. He pointed toward a groaning tram packed with malnourished workmen, rickets, and penury. Preferred shank’s pony, drizzle or no drizzle. Followed tramlines down coffinesque streets. Ostend is all tapioca grays and stained browns. Will admit, I was thinking Belgium was a b. stupid country to run away to. Bought a ticket for Bruges and hauled myself aboard the next train—no platforms, can you believe it?—a decrepit, empty train. Moved compartment because mine smelt unpleasant, but all compartments had same pong. Smoked cigarettes cadged off Victor Bryant to purify the air. The stationmaster’s whistle blew on time, the locomotive strained like a gouty proctor on the pot before heaving itself into motion. Soon steaming through a foggy landscape of unkempt dikes and blasted copses at a fair old clip.
If my plan bears fruit, Sixsmith, you may come to Bruges before v. long. When you do, arrive in that six o’clock in the morning gnossiennesque hour. Lose yourself in the city’s rickety streets, blind canals, wrought-iron gates, uninhabited courtyards—may I go on? Why, thank you—leery Gothic carapaces, Ararat roofs, shrubbery-tufted brick spires, medieval overhangs, laundry sagging from windows, cobbled whirlpools that suck your eye in, clockwork princes and chipped princesses striking their hours, sooty doves, and three or four octaves of bells, some sober, some bright. Aroma of fresh bread led me to a bakery where a deformed woman with no nose sold me a dozen crescent-moon pastries. Only wanted one, but thought she had enough problems. A rag- and-bone cart clattered out of the mist and its toothless driver spoke companionably to me, but I could only reply, “Excusez-moi, je ne parle pas flamand,” which made him laugh like the Goblin King. Gave him a pastry. His filthy hand was a scabby claw. In a poor quarter (alleys stank of effluent), children helped their mothers at the pumps, filling broken jugs with brown water. Finally, the excitement all caught up with me, sat on the steps of a dying
