Thus carelessly I once portrayed
Mine own ideal, the mountain maid,
The captives of the Salguir's shore.(22)
But now a question in this wise
Oft upon friendly lips doth rise:
Whom doth thy plaintive Muse adore?
To whom amongst the jealous throng
Of maids dost thou inscribe thy song?
[Note 22: Refers to two of the most interesting productions of
the poet. The former line indicates the
Salguir is a river of the Crimea.]
LII
Whose glance reflecting inspiration
With tenderness hath recognized
Thy meditative incantation—
Whom hath thy strain immortalized?
None, be my witness Heaven above!
The malady of hopeless love
I have endured without respite.
Happy who thereto can unite
Poetic transport. They impart
A double force unto their song
Who following Petrarch move along
And ease the tortures of the heart—
Perchance they laurels also cull—
But I, in love, was mute and dull.
LIII
The Muse appeared, when love passed by
And my dark soul to light was brought;
Free, I renewed the idolatry
Of harmony enshrining thought.
I write, and anguish flies away,
Nor doth my absent pen portray
Around my stanzas incomplete
Young ladies' faces and their feet.
Extinguished ashes do not blaze—
I mourn, but tears I cannot shed—
Soon, of the tempest which hath fled
Time will the ravages efface—
When that time comes, a poem I'll strive
To write in cantos twenty-five.
LIV
I've thought well o'er the general plan,
The hero's name too in advance,
Meantime I'll finish whilst I can
Canto the First of this romance.
I've scanned it with a jealous eye,
Discovered much absurdity,
