measure, and deprived of hope - crushing conditions lead only to blind and fruitless rebellions - but when there is growth, advance, and high expectation, hampered, however, by an archaic and rigid established order. Such a situation existed in Russia in the early twentieth century: in economic and social matters as well as in politics.
XXXIII
RUSSIAN CULTURE FROM THE 'GREAT REFORMS' UNTIL THE REVOLUTIONS OF 1917
There is only one evil among men - ignorance; against this evil there is only one medicine - learning; but this medicine must be taken not in homeopathic doses, but by the pail and by the forty-pail barrel.
The three points where the new man thought he had made himself most secure were: first, his liberation from all the values and institutions of the
Various forces were at work in the 1890's in opposition to the Gorky-Andreyev school, and particularly to the dominance of social significance and nihilistic thought in literature. There was a definite turning away from civic morality to aestheticism, from duty to beauty, and cultural and individual values were stressed at the expense of political and social values. Most of the participators in this movement were brilliant intellectuals, and their efforts represented a lofty degree of cultural refinement that had never been achieved by any literary group in Russia hitherto.
The decades that elapsed between the emancipation of the serfs and the revolutions of 1917 constituted an active, fruitful, and fascinating period in the history of Russian culture. Education continued to grow at all levels, in spite of obstacles and even governmental 'counterreforms'; in the twentieth century the rate of growth increased sharply. Russian science and scholarship, already reasonably well-established at the time of Nicholas I's death, developed further and blossomed out. In a word, Russia became a full-fledged contributor to and partner in the intellectual and academic efforts of the Western world, its new high position in that respect antedating
by decades the October Revolution. Russian literature continued its 'golden age,' although primarily in prose rather than in poetry and largely through the achievements of several isolated individuals, such as Turgenev, Tolstoy, and Dostoevsky. Later, when the giants died or, as in the case of Tolstoy, stopped writing fiction and the 'golden age' came to its end, Chekhov, Gorky, and some other outstanding authors maintained the great tradition of Russian prose. Moreover, the very end of the nineteenth century and the first part of the twentieth witnessed another magnificent literary and artistic revival, designated sometimes as the 'silver age.' In literature that renaissance meant the appearance once again of superb poetry, especially Alexander Blok's, the introduction of a wide variety of new trends, and the emergence of exceptionally high standards of culture and craftsmanship. The 'silver age' also extended to the theater, music, ballet, painting, and sculpture, and in effect to every form of creative expression. It proved especially beneficial to the visual arts, which had produced little of distinction in the age of arid realism, and it scored perhaps its most resounding successes in the ballet and the theater. In the history of ideas, as well as in literature and art, the period can be divided into two uneven parts: from the 1860's to the end of the century and indeed to the revolutions of 1917, the creed of radicalism, utilitarianism, and materialism first proclaimed by left-wing Westernizers dominated student and other active intellectual circles, finding its best expression in nihilism, different forms of populism, and Marxism; yet with the turn of the century and the 'silver age' in culture members of the intellectual elite began to return to idealistic metaphysics and religion. The First World War and later the revolutions struck when Russian intellectual and cultural life was exhibiting more vitality, diversity, and sophistication than ever before.
The death of Nicholas I and the coming of the 'great reforms' meant liberalization in education as in other fields. The university statute of 1863 reaffirmed the principle of university autonomy, while Nicholas I's special restrictions on universities were among the first regulations to disappear in the new reign. The zemstvo reform of 1864 opened vast opportunities to establish schools in the countryside. In towns or rural areas, the increasing thirst for knowledge on the part of the Russians augured well for education in a liberal age. However, as already mentioned, official liberalism did not last long, and reaction logically, if unfortunately, showed a particular concern for education. As a result, the growth of education in Russia, while it could not be stopped, found itself hampered and to an extent deformed by government action.
After Dmitrii Tolstoy replaced Alexander Golovnin in 1866 as minister
of education, the ministry did its best to control education and to direct it into desirable channels. As in the days of Uvarov, high standards were used in universities and secondary schools to keep the number of students down, hindering especially the academic advancement of students of low social background. In secondary education, the emphasis fell on the so-called classical
Yet, in spite of all the vicissitudes, education continued to grow in Russia. The impact of the zemstva proved especially beneficial. Thus, according to Charnolussky's figures, the sixty provinces of European Russia in 1880 possessed 22,770 elementary schools with 1,141,000 students, 68.5 per cent of the schools having been established after the zemstvo reform of 1864. In addition to the exclusive classical gymnasia,