arm of Grandmamma's chair, thought to myself:

'What on earth is he doing? That is not what Mimi taught us. And there

are the Iwins and Etienne all dancing in the same way-without the pas de

Basques! Ah! and there is Woloda too! He too is adopting the new style,

and not so badly either. And there is Sonetchka, the lovely one! Yes,

there she comes!' I felt immensely happy at that moment.

The mazurka came to an end, and already some of the guests were saying

good-bye to Grandmamma. She was evidently tired, yet she assured them

that she felt vexed at their early departure. Servants were gliding

about with plates and trays among the dancers, and the musicians were

carelessly playing the same tune for about the thirteenth time in

succession, when the young lady whom I had danced with before, and who

was just about to join in another mazurka, caught sight of me, and, with

a kindly smile, led me to Sonetchka. And one of the innumerable Kornakoff

princesses, at the same time asking me, 'Rose or Hortie?'

'Ah, so it's YOU!' said Grandmamma as she turned round in her armchair.

'Go and dance, then, my boy.'

Although I would fain have taken refuge behind the armchair rather than

leave its shelter, I could not refuse; so I got up, said, 'Rose,' and

looked at Sonetchka. Before I had time to realise it, however, a hand in

a white glove laid itself on mine, and the Kornakoff girl stepped forth

with a pleased smile and evidently no suspicion that I was ignorant of

the steps of the dance. I only knew that the pas de Basques (the only

figure of it which I had been taught) would be out of place. However,

the strains of the mazurka falling upon my ears, and imparting their

usual impulse to my acoustic nerves (which, in their turn, imparted

their usual impulse to my feet), I involuntarily, and to the amazement

of the spectators, began executing on tiptoe the sole (and fatal) pas

which I had been taught.

So long as we went straight ahead I kept fairly right, but when it came

to turning I saw that I must make preparations to arrest my course.

Accordingly, to avoid any appearance of awkwardness, I stopped short,

with the intention of imitating the 'wheel about' which I had seen the

young man perform so neatly.

Unfortunately, just as I divided my feet and prepared to make a spring,

the Princess Kornakoff looked sharply round at my legs with such an

expression of stupefied amazement and curiosity that the glance undid

me. Instead of continuing to dance, I remained moving my legs up and

down on the same spot, in a sort of extraordinary fashion which bore

no relation whatever either to form or rhythm. At last I stopped

altogether. Every-one was looking at me--some with curiosity, some with

astonishment, some with disdain, and some with compassion, Grandmamma

alone seemed unmoved.

'You should not dance if you don't know the step,' said Papa's angry

voice in my ear as, pushing me gently aside, he took my partner's hand,

completed the figures with her to the admiration of every one, and

finally led her back to, her place. The mazurka was at an end.

Ah me! What had I done to be punished so heavily?

*****

'Every one despises me, and will always despise me,' I thought to

myself. 'The way is closed for me to friendship, love, and fame! All,

all is lost!'

Why had Woloda made signs to me which every one saw, yet which could in

no way help me? Why had that disgusting princess looked at my legs? Why

had Sonetchka--she was a darling, of course!--yet why, oh why, had she

Вы читаете Childhood. Boyhood. Youth
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