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I would like to thank members of the Ismay family for their help and support, especially Pauline Matarasso whose friendship, insights and intelligence made writing this book an unexpected pleasure. Angus Cheape provided tremendous hospitality and some extraordinary documents, and I am extremely grateful to Malcolm Cheape for allowing me use of family photographs. Thank you also to John Cheape, Pascal Lo, Jim Alderson Smith and Alan and Trudi Sanderson. A chance conversation with Kate Bucknell changed everything, and I owe a particular gratitude to Robert and Polly Maguire.
For sharing their knowledge of the Titanic and archives of Titanic materials, thanks are due to the experts: John Wilson Foster, Paul Lee and George Behe, whose guidance prevented me from hitting many an iceberg. Louise Patten gave me vital information and a very good tea. I am forever in debt to Conrad’s brilliant biographer and editor, John Stape, for the constant flow of reading material sent to me and many fine conversations. For discussing the manuscript at various stages I am grateful — once again — to Pauline Matarasso, and also to Ophelia Field, Paul Keegan and David Miller. Anne Chisholm lent me valuable materials, and Candia McWilliam led me towards others. Also of great help were Alex Towli, Michael McCaughan, Lee Kendall, Ada Wordsworth, Anthony Wilson, Mark Bostridge and Neil Rennie.
Copyright photographic material is reproduced by permission of the following: The Ulster Folk and Transport Museum, English Heritage, Mary Evans Picture Library, Getty Images, the Cheape Family, Angus Cheape, Robert Maguire, Don Lynch, the Titanic
Historical Society and the Bettmann Archive. I am grateful to Derek Mahon and The Gallery Press for permission to reproduce After the Titanic’ from New Collected Poems (2011).
Finally, thank you to my agent, Sarah Chalfant at the Wylie Agency, and for the hard work of the wonderful team at Bloomsbury — Kate Holland, Catherine Best, Alexa von Hirschberg, Anna Simpson and especially my editor, Michael Fishwick.