xlink:href='#calibre_link-804'>’Why don’t you enter the service, Uncle?’

’Why don’t you enter the service, Uncle?’

’I did once, but gave it up. I am not fit for it…I can’t make head or tail of it. That’s for yo

’I did once, but gave it up. I am not fit for it…I can’t make head or tail of it. That’s for yo

’I did once, but gave it up. I am not fit for it…I can’t make head or tail of it. That’s for yo

There were two kinds of hunting in Russia - the formal chase with hounds, which was very grand

There were two kinds of hunting in Russia - the formal chase with hounds, which was very grand

There were two kinds of hunting in Russia - the formal chase with hounds, which was very grand

Sketches from a Hunter’s Album

106

107

By contrast, Turgenev’s type of hunting was relatively egalitarian -and it was so in a di

By contrast, Turgenev’s type of hunting was relatively egalitarian -and it was so in a di

By contrast, Turgenev’s type of hunting was relatively egalitarian -and it was so in a di

Sketches,

108

Sketches,

And a summer morning in July! Has anyone save a hunter ever experienced the delight of wa

And a summer morning in July! Has anyone save a hunter ever experienced the delight of wa

And a summer morning in July! Has anyone save a hunter ever experienced the delight of wa

109

Russian forms of dress became the height of fashion after 1812. At balls and receptions in

Russian forms of dress became the height of fashion after 1812. At balls and receptions in

Russian forms of dress became the height of fashion after 1812. At balls and receptions in

sarafan

kokoshnik

110

(kapot),

haute couture

kaftan

khalat

podyovka,

kaftan

111

Tropinin painted Pushkin wearing a khalat (plate 22), he was portraying him as a gentleman

Tropinin painted Pushkin wearing a khalat (plate 22), he was portraying him as a gentleman

Tropinin painted Pushkin wearing a khalat (plate 22), he was portraying him as a gentleman

khalat

A fashion for the ‘natural’ look took hold of noblewomen in the 1820s. The new ideal of be

A fashion for the ‘natural’ look took hold of noblewomen in the 1820s. The new ideal of be

A fashion for the ‘natural’ look took hold of noblewomen in the 1820s. The new ideal of be

112

113

Eugene Onegin

114

’To me, Onegin, all these splendours, This weary tinselled life of mine,

’To me, Onegin, all these splendours, This weary tinselled life of mine,

’To me, Onegin, all these splendours, This weary tinselled life of mine,

* The Emperor Alexander began taking a daily promenade along the Palace Embankment and

* The Emperor Alexander began taking a daily promenade along the Palace Embankment and

* The Emperor Alexander began taking a daily promenade along the Palace Embankment and

Zapiski,

faire le

tour imperial

This homage that the great world tenders,

This homage that the great world tenders,

This homage that the great world tenders,

My stylish house where princes dine -

My stylish house where princes dine -

My stylish house where princes dine -

Are empty… I’d as soon be trading

Are empty… I’d as soon be trading

Are empty… I’d as soon be trading

This tattered life of masquerading,

This tattered life of masquerading,

This tattered life of masquerading,

This world of glitter, fumes, and noise,

This world of glitter, fumes, and noise,

This world of glitter, fumes, and noise,

For just my books, the simple joys

For just my books, the simple joys

For just my books, the simple joys

Of our old home, its walks and flowers,

Of our old home, its walks and flowers,

Of our old home, its walks and flowers,

For all those haunts that I once knew…

For all those haunts that I once knew…

For all those haunts that I once knew…

Where first, Onegin, I saw you;

Where first, Onegin, I saw you;

Where first, Onegin, I saw you;

For that small churchyard’s shaded bowers,

For that small churchyard’s shaded bowers,

For that small churchyard’s shaded bowers,

Where over my poor nanny now

Where over my poor nanny now

Where over my poor nanny now

There stands a cross beneath a bough.’115

There stands a cross beneath a bough.’115

There stands a cross beneath a bough.’115

115

Pushkin’s masterpiece is, among many other things, a subtle exploration of the complex Rus

Pushkin’s masterpiece is, among many other things, a subtle exploration of the complex Rus

Pushkin’s masterpiece is, among many other things, a subtle exploration of the complex Rus

Eugene Onegin

116

tells Tatiana how she was married off at the age of just thirteen to an even younger boy who

tells Tatiana how she was married off at the age of just thirteen to an even younger boy who

tells Tatiana how she was married off at the age of just thirteen to an even younger boy who

I got so scared… my tears kept falling; And weeping, they undid my plait, Then sang me to the

I got so scared… my tears kept falling; And weeping, they undid my plait, Then sang me to the

I got so scared… my tears kept falling; And weeping, they undid my plait, Then sang me to the

117

This encounter between the two cultures represents Tatiana’s own predicament: whether

This encounter between the two cultures represents Tatiana’s own predicament: whether

This encounter between the two cultures represents Tatiana’s own predicament: whether

A Muscovite in Harold’s cloak, Compendium of affectation, A lexicon of words in vogue

A Muscovite in Harold’s cloak, Compendium of affectation, A lexicon of words in

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