Tovarishchestvo peredvizhnykb khu- dozhestvennykh vystavok
taught in country schools or set up their own art schools and museums, usually with the sup
taught in country schools or set up their own art schools and museums, usually with the sup
taught in country schools or set up their own art schools and museums, usually with the sup
Another merchant patron who helped to define the Moscow style in the late nineteenth and e
Another merchant patron who helped to define the Moscow style in the late nineteenth and e
Another merchant patron who helped to define the Moscow style in the late nineteenth and e
Mamontov was not just a patron of the arts but an artistic figure in his own right. He studie
Mamontov was not just a patron of the arts but an artistic figure in his own right. He studie
Mamontov was not just a patron of the arts but an artistic figure in his own right. He studie
forests near Sergiev Posad, sixty kilometres north-east of Moscow, where they set up an ar
forests near Sergiev Posad, sixty kilometres north-east of Moscow, where they set up an ar
forests near Sergiev Posad, sixty kilometres north-east of Moscow, where they set up an ar
Abramtsevo was located in the heartland of historic Muscovy. It had previously belonged
Abramtsevo was located in the heartland of historic Muscovy. It had previously belonged
Abramtsevo was located in the heartland of historic Muscovy. It had previously belonged
In my father’s study in front of the writing table stood an armchair whose back was the shaft
In my father’s study in front of the writing table stood an armchair whose back was the shaft
In my father’s study in front of the writing table stood an armchair whose back was the shaft
seat was a knout whip and a pair of bast shoes carved in oak. The finishing touch was a real
seat was a knout whip and a pair of bast shoes carved in oak. The finishing touch was a real
seat was a knout whip and a pair of bast shoes carved in oak. The finishing touch was a real
Chekhov liked to poke fun at this ‘folksy’ craze. In his story ‘The Grasshopper’ (1891) Olga i
Chekhov liked to poke fun at this ‘folksy’ craze. In his story ‘The Grasshopper’ (1891) Olga i
Chekhov liked to poke fun at this ‘folksy’ craze. In his story ‘The Grasshopper’ (1891) Olga i
From these arts and crafts, Moscow’s artists developed what they called the ‘style moderne‘
From these arts and crafts, Moscow’s artists developed what they called the ‘style moderne‘
From these arts and crafts, Moscow’s artists developed what they called the ‘style moderne‘
The fashion for old Moscow was also cultivated by the silversmiths and jewellery shops tha
The fashion for old Moscow was also cultivated by the silversmiths and jewellery shops tha
The fashion for old Moscow was also cultivated by the silversmiths and jewellery shops tha
* There are several similar examples of the armchair in the History Museum of Moscow. Al
* There are several similar examples of the armchair in the History Museum of Moscow. Al
* There are several similar examples of the armchair in the History Museum of Moscow. Al
workshops made gems in the classical and rococo styles. But only Tsars and Grand Dukes could
workshops made gems in the classical and rococo styles. But only Tsars and Grand Dukes could
workshops made gems in the classical and rococo styles. But only Tsars and Grand Dukes could
Nicholas II was a major patron of Vashkov and the Moscow workshop of Faberge.98 Vashkov de
Nicholas II was a major patron of Vashkov and the Moscow workshop of Faberge.98 Vashkov de
Nicholas II was a major patron of Vashkov and the Moscow workshop of Faberge.98 Vashkov de
Like the church, the Muscovite renaissance in the arts conjured up a land of fairy tales.
Like the church, the Muscovite renaissance in the arts conjured up a land of fairy tales.
Like the church, the Muscovite renaissance in the arts conjured up a land of fairy tales.
trend in the final decades of the nineteenth century, when the increased censorship of Al
trend in the final decades of the nineteenth century, when the increased censorship of Al
trend in the final decades of the nineteenth century, when the increased censorship of Al
Vasnetsov and Vrubel brought this land of fairy tales to their colourful designs for Mamon
Vasnetsov and Vrubel brought this land of fairy tales to their colourful designs for Mamon
Vasnetsov and Vrubel brought this land of fairy tales to their colourful designs for Mamon
of the folk-inspired ‘Russian style’. Wagner’s idea of the total work of art, the Gesamtkun
of the folk-inspired ‘Russian style’. Wagner’s idea of the total work of art, the Gesamtkun
of the folk-inspired ‘Russian style’. Wagner’s idea of the total work of art, the Gesamtkun
Sadko and May Night (with the 24-year-old Rachmaninov conducting) in 1897, The Tsar’s Bride i
Sadko and May Night (with the 24-year-old Rachmaninov conducting) in 1897, The Tsar’s Bride i
Sadko and May Night (with the 24-year-old Rachmaninov conducting) in 1897, The Tsar’s Bride i
Private theatrical undertakings were something of a Moscow fashion following the
