This agoraphobic fear of Asia reaches fever pitch in a nightmare vision of his revolut
This agoraphobic fear of Asia reaches fever pitch in a nightmare vision of his revolut
This agoraphobic fear of Asia reaches fever pitch in a nightmare vision of his revolut
Nikolai Apollonovich was a depraved monster… he was in China, and there Apollon Apollono
Nikolai Apollonovich was a depraved monster… he was in China, and there Apollon Apollono
Nikolai Apollonovich was a depraved monster… he was in China, and there Apollon Apollono
The thunder of those chargers from the steppe was the approaching sound of 1917. For in the
The thunder of those chargers from the steppe was the approaching sound of 1917. For in the
The thunder of those chargers from the steppe was the approaching sound of 1917. For in the
Among the scattered emigres who fled Soviet Russia was a group of intellectuals known as
Among the scattered emigres who fled Soviet Russia was a group of intellectuals known as
Among the scattered emigres who fled Soviet Russia was a group of intellectuals known as
The founding manifesto of the movement was Exodus to the East, a collection of ten essay
The founding manifesto of the movement was Exodus to the East, a collection of ten essay
The founding manifesto of the movement was Exodus to the East, a collection of ten essay
civilization led by Russia or Eurasia. At root, argued Trubetskoi, the author the most impo
civilization led by Russia or Eurasia. At root, argued Trubetskoi, the author the most impo
civilization led by Russia or Eurasia. At root, argued Trubetskoi, the author the most impo
had shaped the Russian state and its high culture, barely penetrated to the lower strata
had shaped the Russian state and its high culture, barely penetrated to the lower strata
had shaped the Russian state and its high culture, barely penetrated to the lower strata
Trubetskoi drew on Russian geography, where the Eurasianist idea had a long pedigree. In th
Trubetskoi drew on Russian geography, where the Eurasianist idea had a long pedigree. In th
Trubetskoi drew on Russian geography, where the Eurasianist idea had a long pedigree. In th
In his essay ‘On the Higher and Lower Strata of Russian Culture’ (1921), Trubetskoi set ou
In his essay ‘On the Higher and Lower Strata of Russian Culture’ (1921), Trubetskoi set ou
In his essay ‘On the Higher and Lower Strata of Russian Culture’ (1921), Trubetskoi set ou
importance placed on keeping the head still and on subtle doll-like movements by the rest of
importance placed on keeping the head still and on subtle doll-like movements by the rest of
importance placed on keeping the head still and on subtle doll-like movements by the rest of
Such ideas had little in the way of ethnographic evidence to support them. They were all po
Such ideas had little in the way of ethnographic evidence to support them. They were all po
Such ideas had little in the way of ethnographic evidence to support them. They were all po
pattern, with variations on the melody, rather than by contrasts of musical ideas, as in th
pattern, with variations on the melody, rather than by contrasts of musical ideas, as in th
pattern, with variations on the melody, rather than by contrasts of musical ideas, as in th
’In their primitive habitat I found something truly wonderful for the first time in my l
’In their primitive habitat I found something truly wonderful for the first time in my l
’In their primitive habitat I found something truly wonderful for the first time in my l
The link between the ‘primitive’ and modern abstract art is not unique to the Russian avan
The link between the ‘primitive’ and modern abstract art is not unique to the Russian avan
The link between the ‘primitive’ and modern abstract art is not unique to the Russian avan
The Russian Primitivists (Malevich and Kandinsky, Chagall, Gon-charova, Larionov and Bu
The Russian Primitivists (Malevich and Kandinsky, Chagall, Gon-charova, Larionov and Bu
The Russian Primitivists (Malevich and Kandinsky, Chagall, Gon-charova, Larionov and Bu
is a profoundly national phenomenon’, wrote the painter Shevchenko. ‘Russia and the Eas
is a profoundly national phenomenon’, wrote the painter Shevchenko. ‘Russia and the Eas
is a profoundly national phenomenon’, wrote the painter Shevchenko. ‘Russia and the Eas
Kandinsky himself was a great admirer of Persian art and equated its ideals of simplicity
Kandinsky himself was a great admirer of Persian art and equated its ideals of simplicity
Kandinsky himself was a great admirer of Persian art and equated its ideals of simplicity
1917). This search for synthesis was the key theme in Kandinsky’s early (so-called ‘Russian’)
1917). This search for synthesis was the key theme in Kandinsky’s early (so-called ‘Russian’)
1917). This search for synthesis was the key theme in Kandinsky’s early (so-called ‘Russian’)
small log structure in the upper right-hand corner of the canvas, just below the hilltop mon
small log structure in the upper right-hand corner of the canvas, just below the hilltop mon
small log structure in the upper right-hand corner of the canvas, just below the hilltop mon
Life, underneath the surface there is a collision of diverse beliefs. The red squirre
Life, underneath the surface there is a collision of diverse beliefs. The red squirre
Life, underneath the surface there is a collision of diverse beliefs. The red squirre
echoing the golden dome of the chapel to the right, is an emblem of the forest spirits, to who
echoing the golden dome of the chapel to the right, is an emblem of the forest spirits, to who
echoing the golden dome of the chapel to the right, is an emblem of the forest spirits, to who
sacrifice. The old man in the foreground may have the appearance of
sacrifice. The old man in the foreground may have the appearance of
