meadow,

Rode over a hill.

And finally reached a hollow,

And by a forest path

Came upon animal footprints

And a watering place.

And deaf to any warning,

And heedless of his sense,

He led his steed down the bankside

To water him at the stream.

            ———

By the stream—a cave,

Before the cave—a ford.

What seemed like flaming brimstone

Lighted the cave mouth.

And from that crimson screen,

Which hid all from view,

A distant call resounded,

Coming through the pines.

Then straight across the gully

The startled rider sent

His horse stepping surely

Towards the summoning cry.

And what the rider saw there

Made him clutch his lance:

The head of a dragon,

A long tail all in scales.

Its maw was spewing fire,

Spattering light about,

In three rings round a maiden

Its twisting length was wound.

The body of the serpent,

Like a whip’s lash,

Swayed about, just grazing

The shoulder of the girl.

The custom of that country

Was to bestow the prize

Of a captive beauty

On the monster in the woods.

The local population

Had agreed to pay this tax

Each year to the serpent

In ransom for their huts.

The serpent wound and bound her

And tightened on her neck,

Having received this tribute

To torture as it liked.

With a plea the horseman

Looked to the lofty sky

And prepared for battle,

His lance set at the tilt.

            ———

Tightly shut eyelids.

Lofty heights. Clouds.

Waters. Fords. Rivers.

Years and centuries.

The rider, without helmet,

Knocked down in the fight,

The faithful steed tramples

The serpent with his hoof.

Steed and dragon body

There upon the sand.

The rider is unconscious,

And the maiden stunned.

The heavenly vault at noonday

Shines with a tender blue.

Who is she? A royal princess?

A daughter of the earth? A queen?

First in a flood of happiness

Her tears pour out in streams,

Then her soul is mastered

By sleep and oblivion.

He first feels health returning,

But then his veins go still,

For his strength is failing

From loss of so much blood.

Yet their hearts keep beating.

And now she, and now he

Tries to awaken fully,

And then falls back to sleep.

Tightly shut eyelids.

Lofty heights. Clouds.

Waters. Fords. Rivers.

Years and centuries.

14

August

This morning, faithful to its promise,

The early sun seeped through the room

In an oblique strip of saffron

From the curtains to the couch.

It covered with its burning ochre

The nearby woods, the village homes,

My bedstead and my still moist pillow,

The edge of wall behind the books.

Then I remembered the reason why

My pillowcase was slightly damp.

I had dreamed you were walking through the woods

One after another to see me off.

You walked in a crowd, singly, in pairs,

Then someone remembered that today

Was the sixth of August, old style,

The Transfiguration of Our Lord.

Ordinarily a flameless light

Issues on this day from Tabor,

And autumn, clear as a sign held up,

Rivets all gazes to itself.

And you walked through little, beggarly,

Naked, trembling alder scrub

To the spicy red woods of the graveyard

Burning like stamped gingerbread.

The sky superbly played the neighbor

To the hushed crowns of its trees,

And distances called to each other

In the drawn-out voices of the cocks.

Death, like a government surveyor,

Stood in the woods among the graves,

Scrutinizing my dead face,

So as to dig the right-sized hole.

You had the physical sensation

Of someone’s quiet voice beside you.

It was my old prophetic voice

Sounding, untouched by decay:

“Farewell, azure of Transfiguration,

Farewell, the Second Savior’s gold.

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