debating points, as though he wanted to get a discussion going. It was part of the new lyc?character he was working on, and he was practising, treating me almost as a language teacher. But I was interested. I began to get some idea of what was talked about at the lyc?-and I wanted to know about that. He said to me one day, 'Salim, what do you think of the future of Africa?' I didn't say; I wanted to know what he thought. I wondered whether, in spite of his mixed ancestry and his travels, he really had an idea of Africa; or whether the idea of Africa had come to him, and his friends at school, from the atlas. Wasn't Ferdinand still--like Metty, during his journey from the coast--the kind of man who, among strange tribes, would starve rather than eat their strange food? Did Ferdinand have a much larger idea of Africa than Zabeth, who moved with assurance from her village to the town only because she knew she was especially protected? Ferdinand could only tell me that the world outside Africa was going down and Africa was rising. When I asked in what way the world outside was going down, he couldn't say. And when I pushed him past the stage where he could repeat bits of what he had heard at the lyc? I found that the ideas of the school discussion had in his mind become jumbled and simplified. Ideas of the past were confused with ideas of the present. In his lyc?blazer, Ferdinand saw himself as evolved and important, as in the colonial days. At the same time he saw himself as a new man of Africa, and important for that reason. Out of this staggering idea of his own importance, he had reduced Africa to himself; and the future of Africa was nothing more than the job he might do later on. The conversations that Ferdinand, in this character, attempted with me had a serial quality, because he wasn't always well briefed. He took a discussion up to a certain point and then dropped it without embarrassment, as though it had been a language exercise in which he would do better next time. Then, returning to old ways, he would look for Metty and leave me. Though I was learning more of what went on in the lyc?(so quickly colonial-snobbish again), and what went on in the mind of Ferdinand, I didn't feel I was getting closer to him. When I had considered him a mystery, distant and mocking behind his mask-like face, I had seen him as a solid person. Now I felt that his affectations were more than affectations, that his personality had become fluid. I began to feel that there was nothing there, and the thought of a lyc?full of Ferdinands made me nervous. Yet there was the idea of his importance. It unsettled me--there wasn't going to be security for anyone in the country--and it unsettled Metty. When you get away from the chiefs and the politicians there is a simple democracy about Africa: everyone is a villager. Metty was a shop assistant and a kind of servant; Ferdinand was a lyc?boy with a future; yet the friendship between the two men was like the friendship between equals. That friendship continued. But Metty, as a servant in our family house, had seen playmates grow into masters; and he must have felt himself--with his new idea of his worth--being left behind again. I was in the flat one day when I heard them come in. Metty was explaining his connection with me and the shop, explaining his journey from the coast. Metty said: 'My family used to know his family. They used to call me Billy. I was studying bookkeeping, I'm not staying here, you know. I am going to Canada. I've got my papers and everything. I'm just waiting for my medical.' Billy! Well, it was close to Ali. Canada--that was where one of my brothers-in-law had gone; in a letter I received shortly after Metty joined me I had heard about the anxiety of the family about that brother-in-law's 'medical.' That was no doubt where Metty had picked up the talk about Canada. I made a noise to let them know I was in the flat, and when they came into the sitting room I pretended I had heard nothing. Not long after this, on an afternoon of settled rain, Ferdinand came to the shop and abruptly, wet and dripping as he was, said, 'Salim, you must send me away to America to study.' He spoke like a desperate man. The idea had burst inside him; and he clearly had felt that if he didn't act right away, he might never act. He had come through the heavy rain and the flooded streets; his clothes were soaked. I was surprised by the abruptness and the desperation, and by the bigness of his request. To me, going abroad to study was something rare and expensive, something beyond the means of my own family. I said, 'Why should I send you to America? Why should I spend money on you?' He had nothing to say. After the desperation and the trip through the rain, the whole thing might just have been another attempt at conversation. Was it only his simplicity? I felt my temper rising--the rain and the lightning and the unnatural darkness of the afternoon had something to do with that. I said, 'Why do you think I have obligations to you? What have you done for me?' And that was true. His attitude, since he had begun to feel towards a character, was that I owed him something, simply because I seemed willing to help. He went blank. He stood still in the darkness of the shop and looked at me without resentment, as though he had expected me to behave in the way I was behaving, and had to see it through. For a while his eyes held mine. Then his gaze shifted, and I knew he was going to change the subject. He pulled the wet white shirt--with the lyc?monogram embroidered on the pocket^away from his skin, and he said, 'My shirt is wet.' When I didn't reply, he pulled the shirt away in one or two other places and said, 'I walked through the rain.' Still I didn't reply. He let the shirt go and looked away to the flooded street. It was his way of recovering from a false start: his attempts at conversation could end with these short sentences, irritating observations about what he or I was doing. So now he looked out at the rain and spoke scattered sentences about what he saw. He was pleading to be released. I said, 'Metty is in the storeroom. He will give you a towel. And ask him to make some tea.' That was not the end of the business, though. With Ferdinand now, things seldom ended neatly. Twice a week I had lunch with my friends Shoba and Mahesh in their flat. Their flat was gaudy and in some ways like themselves. They were a beautiful couple, certainly the most beautiful people in our town. They had no competition, yet they were always slightly overdressed. So, in their flat, to the true beauty of old Persian and Kashmiri carpets and old brassware they had added many flimsy, glittery things--crudely worked modern Moradabad brass, machine-turned wall plaques of Hindu gods, shiny three-pronged wall lights. There was also a heavy carving in glass of a naked woman. This was a touch of art, but it was also a reminder of the beauty of women, the beauty of Shoba--personal beauty being the obsession and theme of that couple, like money for rich people. At lunch one day Mahesh said, 'What's got into that boy of yours? He's getting _malin__ like the others.' 'Metty?' 'He came to see me the other day. He pretended he had known me a long time. He was showing off to the African boy he had with him. He said he was bringing me a customer. He said the African boy was Zabeth's son and a good friend of yours.' 'I don't know about good friend. What did he want?' 'Metty ran away just when I was beginning to get angry, and left the boy with me. The boy said he wanted a camera, but I don't think he wanted anything at all. He just wanted to talk.' I said, 'I hope he showed you his money.' 'I didn't have any cameras to show him. That was a bad business, Salim. Commission, commission all the way. You hardly get your money back in the end.' The cameras were one of Mahesh's ideas that had gone wrong. Mahesh was like that, always looking for the good business idea, and full of little ideas he quickly gave up. He had thought that the tourist trade was about to start again, with our town being the base for the game parks in the east. But the tourist trade existed only in the posters printed in Europe for the government in the capital. The game parks had gone back to nature, in a way never meant. The roads and rest houses, always rudimentary, had gone; the tourists (foreigners who might be interested in cut-price photographic equipment) hadn't come. Mahesh had had to send his cameras east, using the staging posts that were still maintained by people like ourselves for the transport (legal or otherwise) of goods in any direction. Mahesh said, 'The boy said you were sending him to America or Canada to do his studies.' 'What am I sending him to study?' 'Business administration. So he can take over his mother's business. Build it up.' 'Build it up! Buying a gross of razor blades and selling them one by one to fishermen.' 'I knew he was only trying to compromise you with your friends.' Simple magic: if you say something about a man to his friends, you might get the man to do what you say he is going to do. I said, 'Ferdinand's an African.' When I next saw Ferdinand I said, 'My friend Mahesh has been telling me that you are going to America to study business administration. Have you told your mother?' He didn't understand irony. This version of the story caught him unprepared, and he had nothing to say. I said, 'Ferdinand, you mustn't go around telling people things that aren't true. What do you mean by business administration?' He said, 'Bookkeeping, typing, shorthand. What you do.' 'I don't do shorthand. And that's not business administration. That's a secretarial course. You don't have to go to America or Canada to do that. You can do that right here. I am sure there are places in the capital. And when the time comes you'll find you want to do more than that.' He didn't like what I said. His eyes began to go bright with humiliation and anger. But I didn't stay for that. It was with Metty, and not me, that he had to settle accounts, if there were accounts to be settled. He had found me as I was leaving to play squash at the Hellenic Club. Canvas shoes, shorts, racket, towel around my neck--it was like old times on the coast. I left the sitting room and stood in the passage, to give him the chance to leave, so that I could lock up. But he stayed in the sitting room, doubtless waiting for Metty. I went out to the staircase landing. It was one of our days without electricity. The smoke from charcoal braziers and other open fires rose blue among the imported ornamental trees--cassia, breadfruit, frangipani, flamboyant--and gave a touch of the forest village to a residential area where, as I had heard, in the old days neither Africans nor Asians were permitted to live. I knew the trees from the coast. I suppose they had been imported there as well; but I associated them with the coast and home, another life. The same trees here looked artificial to me, like the town itself. They were familiar, but they reminded me where I was.
