A People's Tragedy: The Russian Revolution, 1891-1924

From the beginning, Alexandra gave the impression of resenting the public role which her position obliged her to play. She appeared only rarely at court and social functions and, being naturally shy, adopted a pose of reserve in her first appearances, which made her seem awkward and unsympathetic. She gained a reputation for coldness and hauteur, two very un-Russian vices. 'No one liked the Tsarina,' wrote the literary hostess Zinaida Gippius. 'Her sharp face, beautiful, but ill-tempered and depressed, with thin, tightly pressed lips,

did not please; her German, angular height did not please.' Learning of her granddaughter's unpopularity, Queen Victoria wrote to her with some advice:

There is no harder craft than our craft of ruling. I have ruled for more than fifty years in my own country, which I have known since childhood, and, nevertheless, every day I think about what I need to do to retain and strengthen the love of my subjects. How much harder is your situation. You find yourself in a foreign country, a country which you do not know at all, where the customs, the way of thinking and the people themselves are completely alien to you, and nevertheless it is your first duty to win their love and respect.

Alexandra replied with an arrogance suggesting her reputation was deserved:

You are mistaken, my dear grandmama; Russia is not England. Here we do not need to earn the love of the people. The Russian people revere their Tsars as divine beings, from whom all charity and fortune derive. As far as St Petersburg society is concerned, that is something which one may wholly disregard. The opinions of those who make up this society and their mocking have no significance whatsoever.

The contents of this correspondence soon became known in St Petersburg circles, resulting in the complete breakdown of relations between the leaders of high society and the Empress. She steadily reduced her public appearances and limited her circle of friends to those from whom she could expect a slavish devotion. Here lay the roots of her paranoic insistence on dividing court and society into 'friends' and 'enemies', which was to bring the monarchy to the brink of catastrophe.²⁶

The unpopularity of the Empress would not have mattered so much had she not taken it upon herself to play an active political role. From her letter to Queen Victoria it was clear that the mystical attractions of Byzantine despotism had taken early possession of her. Even more than her mild-mannered husband, Alexandra believed that Russia could still be ruled — and indeed had to be — as it had been ruled by the medieval tsars. She saw the country as the private fiefdom of the crown: Russia existed for the benefit of the dynasty rather than the other way round. Government ministers were the private servants of the Tsar, not public servants of the state. In her bossy way she set out to organize the state as if it was part of her personal household. She constantly urged her husband to be more forceful and to assert his autocratic will. 'Be more autocratic than Peter the Great', she would tell her husband, 'and sterner than Ivan the Terrible.' She wanted him to rule, like the medieval tsars, on the

basis of his own religious convictions and without regard for the constraints of the law. 'You and Russia are one and the same,' she would tell him as she pushed him this way and that according to her own ambitions, vanities, fears and jealousies. It was the Tsarina and Rasputin who — at least so the public thought — became the real rulers of tsarist Russia during the final catastrophic years. Alexandra liked to compare herself with Catherine the Great. But in fact her role was much more reminiscent of Marie Antoinette, the last queen of ancien-regime France, whose portrait hung over her writing desk in the Alexander Palace.²⁷

Alexandra made it her mission to give the Romanov dynasty a healthy son and heir. But she gave birth to four daughters in succession. In desperation she turned to Dr Philippe, a practitioner of 'astral medicine', who had been introduced to the imperial family in 1901 during their visit to France. He convinced her she was pregnant with a son, and she duly expanded until a medical examination revealed that it was no more than a sympathetic pregnancy. Philippe was a charlatan (he had been fined three times in France for posing as a regular practitioner) and left Russia in disgrace. But the episode had revealed the Empress's susceptibility to bogus forms of mysticism. One could have predicted this from the emotional nature of her conversion to Orthodoxy. After the cold and spartan spiritual world of north German Protestantism, she was ravished by the solemn rituals, the chanted prayers and the soulful singing of the Russian Church. With all the fervour of the newly converted, she came to believe in the power of prayer and of divine miracles. And when, in 1904, she finally gave birth to a son, she was convinced it had been due to the intercession of St Seraphim, a pious old man of the Russian countryside, who in 1903 had been somewhat irregularly canonized on the Tsar's insistence.

The Tsarevich Alexis grew up into a playful little boy. But it was soon discovered that he suffered from haemophilia, at that time incurable and in most cases fatal. The disease was hereditary in the House of Hesse (one of Alexandra's uncles, one of her brothers and three of her nephews died from it) and there was no doubt that the Empress had transmitted it. Had the Romanovs been more prudent they might have stopped Nicholas from marrying her; but then haemophilia was so common in the royal houses of Europe that it had become something of an occupational hazard. Alexandra looked upon the illness as a punishment from God and, to atone for her sin, devoted herself to religion and the duties of motherhood. Had the nature of her son's illness not been kept a secret, she might have won as a mother that measure of sympathy from the public which she so utterly failed to attract from it as an Empress. Alexandra constantly watched over the boy lest he should fall and bring on the deadly internal bleeding from which the victims of haemophilia can suffer. There was no way he could lead the life of a normal child, since the slightest accident

could start the bleeding. A sailor by the name of Derevenko was appointed to go with him wherever he went and to carry him when, as was often the case, he could not walk. Alexandra consulted numerous doctors, but a cure was beyond their science. She became convinced that only a miracle could save her son, and strove to make herself worthy of God's favour by donating money to churches, performing good works and spending endless hours in prayer. 'Every time the Tsarina saw him with red cheeks, or heard his merry laugh, or watched his frolics,' recalled Pierre Gilliard, the Tsarevich's tutor, 'her heart would fill with an immense hope, and she would say: 'God has heard me. He has pitied my sorrow at last.' Then the disease would suddenly swoop down on the boy, stretch him once more on his bed of pain and take him to the gates of death.'²⁸

It was her desperate need to find a miracle cure that brought Rasputin into her life and into the life of Russia. Grigorii Rasputin was born into a relatively wealthy peasant family in the village of Pokrovskoe in western Siberia. Until recently it was thought that he had been born in the early 1860s; but it is now known that he was younger than people assumed — he was in fact born in 1869. Little more is known about Rasputin's early years. A commission set up by the Provisional Government in 1917 interviewed a number of his fellow villagers, who remembered him as a dirty and unruly boy. Later he became known as a drunkard, a lecher and a horse thief, which was almost certainly how he acquired his surname, from the word rasputnyi, meaning 'dissolute'.* At some point he repented and joined a group of pilgrims on their way to the nearby monastery of Verkhoturye, where he stayed for three months before returning to Pokrovskoe, a much changed man. He had renounced alcohol and meat, learned to read and write a little, and become religious and reclusive. The main cause of his conversion seems to have been the 'holy man' or starets Makarii, a monk at the Verkhoturye Monastery, whose spiritual powers, like those of the starets Zosima in Dostoevsky's Brothers Karamazov, had attracted disciples from all over the region. Makarii had been received by the Tsar and the Tsarina, who were always on the lookout for Men of God among the simple folk, and it was Makarii's example that Rasputin later claimed had inspired him. There is no question of Rasputin ever having been Makarii's disciple: he had never received the formal education needed to become a monk, and indeed seemed quite incapable of it. When the post of the Tsar's confessor fell vacant in 1910, Alexandra insisted on Rasputin being trained for ordination so that he could take up the job. But it soon became clear that he was unable to read anything but the most basic parts of the Scriptures. The capacity for learning by heart, which was essential for the priesthood, proved quite beyond him (Rasputin's