The Savage Garden

    'You don't have to say.'

    'No, you might as well hear it from me.'

    She spoke in a flat, detached monotone, which clashed with the sheer bloody drama of her story. She told him how the Germans had occupied the villa, installing their command post on the top floor because of the views it afforded them over the surrounding countryside. She and her husband, Benedetto, were obliged to move in with Emilio and his young wife, lsabella, who lived in the big house on the slope beyond the farm buildings.

    Relations with the new tenants were strained at times, but generally civil. The Germans were respectful right from the first, giving them fair warning to vacate the villa, suggesting that all works of art be stored out of harm's way, and even assisting in this exercise. At no point were the stores stripped, the cattle slaughtered, the wine cellar pillaged. The estate was allowed to function as normal, just so long as it provided the occupiers with what little they required for themselves.

    On the day in question—an unbearably hot July day—the inexorable Allied advance rolling up from the south finally reached San Casciano, and the Germans began moving out of the villa. All day, trucks came and went to the sounds of the fierce battle raging just up the road. Her younger son, Maurizio, arrived from Florence to be with his family for yet another awkward handover to yet another occupying force. At nightfall, though, San Casciano was still firmly under German control. That's why the family was surprised when, just as they were finishing dinner, they heard the sound of gunfire coming from up at the villa.

    It was Emilio who insisted on going to investigate, more out of curiosity than anything, because the gunfire was accompanied by the unmistakable sounds of music and laughter. Maurizio agreed to go with him, along with a third man, Gaetano the gardener, who had also heard the ruckus.

    Approaching the villa from the rear, they saw furniture being tossed from the top floor windows, splintering on the terrace below. Incensed, Emilio stormed inside and upstairs, Maurizio and Gaetano hot on his heels. Most of the Germans were gone. Only two remained, left behind to burn documents and destroy equipment so that it wouldn't fall into Allied hands. Fueled by drink, they had overstepped their orders, using the frescoes for target practice and hurling furniture out of the windows—pathetic acts of destruction that enraged Emilio.

    A fierce argument ensued. If Emilio hadn't pulled out his pistol and fired a warning shot, it might have ended there, with heated words. But it didn't. The Germans opened fire, killing Emilio before fleeing.

    'That's terrible.'

    'Yes, it was. Just a few more hours and we would have come through the war untouched.'

    There were questions Adam wanted to ask, but Signora Docci steered the conversation back to Professor Leonard, saying that he had shown himself to be a very good friend in the aftermath of the tragedy.

    'How did you meet him?'

    'Through my father. They worked together on an archaeological excavation. Well, not together exactly. It was an Etruscan site near Siena. My father was in charge; Crispin was one of the young people who did all the work—a student, like you, in Italy for the summer. It was the year your Queen Victoria died. In 1901. We were very aware of it here. She often came to Florence. Papa even had the honor of meeting her once.' She paused. 'Anyway, he brought Crispin home one day, out of pity, I think, as you would a stray dog. He was so poor and so thin and so very intelligent. He stayed with us for a month that first summer.'

    She smiled, remembering.

    'My sisters were very excited about him being here. Not me, though. I was very distant with him, very . . . haughty. And he completely ignored me. As you can imagine, this was very annoying. I thought he was just like my father, lost in his books and his artifacts, blind to the living world. Later I discovered he knew exactly what he was doing.'

    'What was he doing?'

    'Playing. The dance, he called it.'

    'The dance?'

    'Courting, of course.'

    'Really? I always thought—' He broke off.

    'What?'

    He hesitated. 'I don't know, that he was, you know . ..'

    'Yes . . . ?'

    'Well, a homosexual.'

    An incredulous expulsion of air gave way to helpless laughter. The application of the flannel to her mouth muffled the sound.

    When she eventually collected herself, Adam said, 'I'll take that as a 'no.''

    'No,' she said emphatically. 'No.'

    'He was never married, though, was he?'

    'There were lots of opportunities. He was very handsome.'

    Adam couldn't picture it, but that didn't mean anything.

    'He has high praise for you,' said Signora Docci.

    'Me?'

    'You sound surprised.'

    'I am.'

    'You're here, aren't you? Doesn't that tell you something?'