of finding out, an acquaintance of his works there, a man called Victor. If the news is reassuring, if Ricardo Reis is above suspicion, happiness will be restored, Salvador will simply have to caution him, with tact and diplomacy, to apply the utmost discretion in his dealings with Lydia, For the sake of the hotel's reputation, Doctor, at least to protect our good name, that is what he will tell him. We would take an even more favorable view of Salvador's magnanimity if we considered how much more advantageous it would be to have room two hundred and one vacated, because it is large enough to accommodate an entire family from Seville, a Spanish nobleman, for example, the Duke of Alba, the very thought makes me tremble with excitement. Finishing his lunch, Ricardo Reis nodded to the immigrants still savoring cheeses from the Serra, waved to Salvador, leaving him racked with expectation, with the moist eye of a dog begging for a bone, and went up to his room. He was anxious to write a quick note to Marcenda, poste restante, Coimbra.

It is raining out there with such a deafening noise that it seems that the rain is falling throughout the world, that as the globe turns, its waters hum in space as if on a spinning top. The dense roar of the rain fills my mind, my soul is an invisible curve drawn by the sound of the wind that blows relentless, an unbridled horse rejoicing in its freedom, hooves clattering through these doors and windows while the voile curtains, inside, sway ever so gently. A man surrounded by tall pieces of furniture is writing a letter, composing his text so that the absurd appears logical and the incoherent clear, so that weakness becomes strength, mortification dignity, and fear boldness, because what we would like to have been is as valuable as what we have been. Ah if only we had shown courage when called to account. To know this is to be halfway there, knowing this we will find the courage at the right moment to travel the other half. Ricardo Reis vacillated, debated which form of address to use. A letter is a most hazardous business, the written word allows no indecision, either distance or familiarity will emphasize the tone the letter establishes, and you end up with a relationship that is a fiction. Many an ill-fated attachment has started precisely in this way. Ricardo Reis did not even consider the possibility of addressing Marcenda as Most excellent Lady or Esteemed Madam, his concern about propriety did not go that far, but once he ruled out these conventional and therefore impersonal forms of address, he was left with a vocabulary that verged on the intimate. My dear Marcenda, for example. Why his, why dear. True, he could write Senhorita Marcenda, but Senhorita was ridiculous. After tearing up several sheets of paper, he found himself addressing her simply by her name, the way we should address everyone, that is why we were given names. Marcenda, I am writing as promised to give you my news. He stopped to think, then continued, composing the phrases, drawing them together, filling in gaps, if he did not tell the truth, or not all of it, he told one truth, the important thing is that the letter make the writer and the one who receives it happy, that both discover in it an ideal image of themselves. There had been no formal interrogation at police headquarters, nothing that could be used against him in the courts, he had simply been summoned for a little chat, as the deputy chief had been kind enough to point out. It is true that Victor witnessed everything, but he no longer remembers the details and tomorrow will remember even less, Victor has other, more important, matters on his mind. And there are no other witnesses, there is only the letter written by Ricardo Reis, and it may soon go astray, that is altogether likely, because certain documents should not be kept. Other sources may come to light, but they will be suspect, apocryphal if feasible, and in the absence of any firm evidence we will find ourselves obliged to invent a truth, a dialogue, a Victor, a deputy chief, a wet, windy morning, a nature that sympathizes, all false and at the same time all true. Ricardo Reis finished his letter with respectful greetings, wished her good health, a forgivable commonplace, and after some hesitation told her, in a postscript, that she might not find him here on her next visit to Lisbon, because he was beginning to find life in the hotel irksome, monotonous. He must find a place of his own, open an office, The time has come to see how deep these new roots of mine can go, all of them. He was about to underline the last three words but decided to leave them as they stood, their ambiguity transparent. When I finally get around to leaving the hotel, I shall write to you at this same address in Coimbra. He reread the letter, folded the sheet of paper, sealed the envelope, then concealed it among his books. Tomorrow he will post it, today, blessed are those, with this storm, who have a roof over their heads, even if it is only that of the Hotel Branganca. Ricardo Reis went up to the window and drew back the curtains, but the rain was pouring down in one vast sheet of water and he could see little, then not even that, his breath clouded the windowpane. Under the protection of the shutters he opened the window. The Cais do Sodre was already flooding, the kiosk that sold tobacco and spirits was transformed into an island, the world had broken free of its wharf, had drifted away. Sheltered in the doorway of a tavern on the other side of the street, two men stood smoking. They had been drinking and now were rolling their cigarettes slowly, deliberately, while they discussed some metaphysical problem or other, perhaps even the rain that was keeping them from getting on with their lives. They soon disappeared into the darkness of the tavern, if they had to wait, they might as well use the opportunity and have another drink. A man dressed in black and bareheaded came to the door to contemplate the sky, then disappeared as well. Closing the window, Ricardo Reis switched off the light, stretched out wearily on the sofa, and spread a blanket over his knees. Like a silkworm in its cocoon he listened to the mournful noise of the rain. Unable to sleep, he lay with his eyes wide open, You are alone, no one knows you, be silent and pretend,, he murmured, words written in other times, despising them because they did not express loneliness, merely voiced it. And silence and pretense, these words too were not what they spoke, to be alone, my friend, is much more than a word or a voice saying it.

Later that afternoon he went down to the first floor, to give Salvador the opportunity he so craved, sooner or later he would be forced to broach the subject, so better that he choose the time and place, No, Senhor Salvador, it went extremely well, they were most courteous. The question, when it came, was phrased with great delicacy, Now then, Doctor, tell me, how did you get on this morning, did they give you a difficult time. No, Senhor Salvador, it went extremely well, they were most courteous, all they wanted was some information regarding the Portuguese Consulate in Rio de Janeiro, where I should have been given a signed document, pure bureaucracy and nothing more. Salvador appeared to be satisfied, but he remained suspicious, as one might expect of a man who has seen so much of life, especially working in a hotel. Tomorrow he will get to the bottom of this matter, ask his acquaintance, Victor, I should know the people I have staying in my hotel, and Victor will warn him, Salvador, my friend, keep an eye on that fellow, right after the interrogation the deputy chief said, This Doctor Reis is not what he appears to be, he must be watched, no, we have no definite suspicions for the moment, only an impression, keep an eye on him, tell us if he receives any mail, So far, not a single letter, That too is strange, we must pay a visit to the post office, to see if anything is being held for him, and contacts, does he have any, Here in the hotel, none whatsoever, Well, if you see anything suspicious, just let me know. After this private conversation, the atmosphere in the hotel will once again grow tense, every member of the staff will adjust his or her sights to conform to the aim of Salvador's rifle, a constant vigilance that might well be called surveillance. Even the good- natured Ramon has become cool, Felipe mutters, there is of course one exception, as everybody knows, Lydia, poor thing. She goes around looking worried, and with good reason, today Pimenta burst out laughing, malicious fellow that ho is, We haven't seen the end of this story yet. Tell me what is going on, please, she said, I won't breathe a word to a soul. There is nothing going on, Ricardo Reis told her, it is just a pile of nonsense invented by people who have nothing better to do than meddle in the affairs of others. It might be a pile of nonsense, but it can turn a person's life into a nightmare. Don't you worry, once I leave the hotel, the talk will stop. Are you going away, you didn't tell me. Sooner or later I will go, I never intended to spend the rest of my life here. Then I will never see you again, and Lydia, who was resting her head on his shoulder, shed a tear, which he felt. Now then, you mustn't cry, that's life, people meet, they part, one of these days you will marry. Bah, marry, I'm already too old, but what about you, where will you go. I will look for a place, I will find something suitable. If you want, If I want what, I could come and spend my days off with you, I have nothing else in life. Lydia, why do you like me. I don't know, perhaps because of what I said, that I have nothing else in life. You have your mother, your brother, you must have had affairs with men before this, and no doubt there will be others, you are pretty, you'll marry one day, start a family. Perhaps, but for now you are all I have. You are a likable girl, You haven't answered my question, What was that, Do you want me to come and spend my days with you when you have a place of your own, Would you like that, Of course I would, Then you must come until such time as. Until you find someone of your own station. That was not what I was going to say. When that happens, you need only say to me, Lydia, I don't want you to come anymore. Sometimes I feel I don't really know you. I'm a hotel chambermaid. But your name is Lydia, and you have a curious way of saying things. When people start talking their hearts, as I'm doing now with my head on your shoulder, the words aren't the same. I hope you find yourself a good husband someday. It would be nice, but when I listen to other women, those who say they have good husbands, it makes me wonder. You think they're not good husbands, Not for me, What is a good husband, in your opinion, I don't know, You're hard to please. Not really, lying here without any future, I'm happy with what I have now. I will always be your friend. We don't know what tomorrow

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