threshold, and then but to hurl at Fafhrd a small dagger, which he absentmindedly deflected upward with his copper goblet, so that it struck full in the mouth a wooden satyr on the wall, giving that deity the appearance of introspectively picking his teeth.

Fafhrd's sea-green eyes became likewise thoughtful as he wondered what magician had tampered with his love life. He slowly scanned the wine shop patrons, face by sly-eyed face, pausing doubtfully when he came to a tall, dark-haired girl beyond the water tank, finally returning to the Mouser. There he stopped, and a certain suspiciousness became apparent in his gaze.

The Mouser folded his arms, flared his snub nose, and returned the stare with all the sneering suavity of a Parthian ambassador. Abruptly he turned, embraced and kissed the cross-eyed Greek girl sitting beside him, grinned wordlessly at Fafhrd, dusted from his coarse-woven gray silk robe the antimony that had fallen from her eyelids, and folded his arms again.

Fafhrd began softly to beat the base of his goblet against the butt of his palm. His wide, tight-laced leather belt, wet with the sweat that stained his white linen tunic, creaked faintly.

Meanwhile murmured speculation as to the person responsible for casting a spell on Fafhrd's Galatian eddied around the tables and settled uncertainly on the tall, dark-haired girl, probably because she was sitting alone and therefore could not join in the suspicious whispering.

“She's an odd one,” Chloe, the cross-eyed Greek, confided to the Mouser. “Silent Salmacis they call her, but I happen to know that her real name is Ahura.'

“A Persian?” asked the Mouser.

Chloe shrugged. “She's been around for years, though no one knows exactly where she lives or what she does. She used to be a gay, gossipy little thing, though she never would go with men. Once she gave me an amulet, to protect me from someone, she said — I still wear it. But then she was away for a while,” Chloe continued garrulously, “and when she came back she was just like you see her now — shy, and tight-mouthed as a clam, with a look in her eyes of someone peering through a crack in a brothel wall.'

“Ah,” said the Mouser. He looked at the dark-haired girl, and continued to look, appreciatively, even when Chloe tugged at his sleeve. Chloe gave herself a mental bastinado for having been so foolish as to call a man's attention to another girl.

Fafhrd was not distracted by this byplay. He continued to stare at the Mouser with the stony intentness of a whole avenue of Egyptian colossi. The cauldron of his anger came to a boil.

“Scum of wit-weighted culture,” he said, “I consider it the nadir of base perfidy that you should try out on me your puking sorcery.'

“Softly, man of strange loves,” purred the Mouser. “This unfortunate mishap has befallen several others besides yourself, among them an ardent Assyrian warlord whose paramour was changed into a spider between the sheets, and an impetuous Ethiop who found himself hoisted several yards into the air and kissing a giraffe. Truly, to one who knows the literature, there is nothing new in the annals of magic and thaumaturgy.'

“Moreover,” continued Fafhrd, his low-pitched voice loud in the silence, “I regard it an additional treachery that you should practice your pig-trickery on me in an unsuspecting moment of pleasure.'

“And even if I should choose sorcerously to discommode your lechery,” hypothesized the Mouser, “I do not think it would be the woman that I would metamorphose.'

“Furthermore,” pursued Fafhrd, leaning forward and laying his hand on the large sheathed dirk beside him on the bench, “I judge it an intolerable and direct affront to myself that you should pick a Galatian girl, member of a race that is cousin to my own.'

“It would not be the first time,” observed the Mouser portentously, slipping his fingers inside his robe, “that I have had to fight you over a woman.'

“But it would be the first time,” asserted Fafhrd, with an even greater portentousness, “that you had to fight me over a pig!'

For a moment he maintained his belligerent posture, head lowered, jaw outthrust, eyes slitted. Then he began to laugh.

It was something, Fafhrd's laughter. It began with windy snickers through the nostrils, next spewed out between clenched teeth, then became a series of jolting chortles, swiftly grew into a roar against which the barbarian had to brace himself, legs spread wide, head thrown back, as if against a gale. It was a laughter of the storm-lashed forest or the sea, a laughter that conjured up wide visions, that seemed to blow from a more primeval, heartier, lusher time. It was the laugh of the Elder Gods observing their creature man and noting their omissions, miscalculations and mistakes.

The Mouser's lips began to twitch. He grimaced wryly, seeking to avoid the infection. Then he joined in.

Fafhrd paused, panted, snatched up the wine pitcher, drained it.

“Pig-trickery!” he bellowed, and began to laugh all over again.

The Tyrian riffraff gawked at them in wonder — astounded, awestruck, their imaginations cloudily stirred.

Among them, however, was one whose response was noteworthy. The dark-haired girl was staring at Fafhrd avidly, drinking in the sound, the oddest sort of hunger and baffled curiosity — and calculation — in her eyes.

The Mouser noticed her and stopped his laughter to watch.

Mentally Chloe gave herself an especially heavy swipe on the soles of her bound, naked feet. Fafhrd's laughter trailed off. He blew out the last of it soundlessly, sucked in a normal breath, hooked his thumbs in his belt.

“The dawn stars are peeping,” he commented to the Mouser, ducking his head for a look through the skylight. “It's time we were about the business.'

And without more ado he and Mouser left the shop, pushing out of their way a newly arrived and very drunken merchant of Pergamum, who looked after them bewilderedly, as if he were trying to decide whether they were a tall god and his dwarfish servitor, or a small sorcerer and the great-thewed automaton who did his bidding.

Had it ended there, two weeks would have seen Fafhrd claiming that the incident of the wine shop was merely a drunken dream that had been dreamed by more than one — a kind of coincidence with which he was by no means unfamiliar. But it did not. After “the business” (which turned out to be much more complicated than had been anticipated, evolving from a fairly simple affair of Sidonian smugglers into a glittering intrigue studded with Cilician pirates, a kidnapped Cappadocian princess, a forged letter of credit on a Syracusian financier, a bargain with a female Cyprian slave-dealer, a rendezvous that turned into an ambush, some priceless tomb-filched Egyptian jewels that no one ever saw, and a band of Idumean brigands who came galloping out of the desert to upset everyone's calculations) and after Fafhrd and the Gray Mouser had returned to the soft embraces and sweet polyglot of the seaport ladies, pig-trickery befell Fafhrd once more, this time ending in a dagger brawl with some men who thought they were rescuing a pretty Bithynian girl from death by salty and odorous drowning at the hands of a murderous red-haired giant — Fafhrd had insisted on dipping the girl, while still metamorphosed, into a hogshead of brine remaining from pickled pork. This incident suggested to the Mouser a scheme he never told Fafhrd: namely, to engage an amiable girl, have Fafhrd turn her into a pig, immediately sell her to a butcher, next sell her to an amorous merchant when she had escaped the bewildered butcher as a furious girl, have Fafhrd sneak after the merchant and turn her back into a pig (by this time he ought to be able to do it merely by making eyes at her), then sell her to another butcher and begin all over again. Low prices, quick profits.

For a while Fafhrd stubbornly continued to suspect the Mouser, who was forever dabbling in black magic and carried a gray leather case of bizarre instruments picked from the pockets of wizards and recondite books looted from Chaldean libraries — even though long experience had taught Fafhrd that the Mouser seldom read systematically beyond the prefaces in the majority of his books (though he often unrolled the later portions to the accompaniment of penetrating glances and trenchant criticisms) and that he was never able to evoke the same results two times running with his enchantments. That he could manage to transform two of Fafhrd's lights of love was barely possible; that he should get a sow each time was unthinkable. Besides, the thing happened more than twice; in fact, there never was a time when it did not happen. Moreover, Fafhrd did not really believe in magic, least of all the Mouser's. And if there was any doubt left in his mind, it was dispelled when a dark and satiny-skinned Egyptian beauty in the Mouser's close embrace was transformed into a giant snail. The Gray One's disgust at the slimy tracks on his silken garments was not to be mistaken, and was not lessened when two witnesses, traveling horse doctors, claimed that they had seen no snail, giant or ordinary, and agreed that the Mouser was suffering

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