theBlytheAcademy as a janitor, thus qualifying him to lead the Torture Squid, but in general they lack refinement. After Squidy Slakes punches Squidy Macken several times, Squidy Barck decides Squidy Macken is right. But how to become better educated? After some thought, Squidy Barck suggests that they attend a retrospective of the New Art down at the Gallery of Hidden Fascinations. So the Torture Squid don their best clothes, sharpen their knives, slick back their hair, and head off for the gallery exhibit. Once there, however, they are sorely disappointed. Most of the canvases seem unfinished — one is just a blotch of blue with some white blobs on it. Squidy Barck, embarrassed, decides maybe he should try to finish a few of the paintings— show the other Torture Squid some true culture.
Alas, the museum guards try to stop them and the room erupts into a prolonged tussle, accompanied by the sound of knives tearing canvas. When the museum guards are finally disposed of, the Torture Squid turn their back on the gallery — and all “refinements”—although they read in the Ambergris Broadsheet the next day that spectators found their resulting performance art piece “oddly appealing.”) Rogers, Vivian Price,
(One ofRogers ’ simplest books, this title delivers exactly what it promises — the Torture Squid torch an underground passage. They spend 50 pages planning the torching. They spend 50 pages torching the passage. They spend 50 pages escaping from the Cappan’s men as a result. Many critics believe this book was ghost-written forRogers.)
Rogers, Vivian Price,
(For once, the Torture Squid do not instigate the nastiness. Squidy Barck and Squidy Johnson sit in the River Moth Restaurant minding their own business when they are recognized by members of a rival gang, the Moth Heads, who happen to be walking by. A fight ensues, during which Squidy Barck holds off the Moth Heads by throwing chairs and dishes at them while Squidy Johnson goes around the corner for reinforcements. When Squidy Slakes, Squidy Johnson and Squidy Taintmoor join the fracas, the Moth Heads soon find themselves on the receiving end of too many blows to count and wind up being chased down the street by the Torture Squid. Not content with the evening’s activities, the Torture Squid then proceed to blow up a bakery and set a motored vehicle on fire. As Squidy Johnson says, “Them Moth Heads provocatated us.”)
Rogers, Vivian Price,
(PerhapsRogers ’ masterpiece, this book relates, in six chapters, the childhood experiences of Squidy Johnson, Squidy Macken, Squidy Slakes, Squidy Taintmoor, and Squidy Barck — while, in the story’s present-day, all five occupy the same prison cell. Surprise, surprise: only Squidy Barck had a genuinely bad childhood, his mother a prostitute, his father unknown, and out on the street by the age of 10. The rest were the sons of privileged members of society who simply preferred thuggery to honest work. In chapter six, the Torture Squid break out of prison after beating the guards half to death and the previously nostalgic feel of the book gives way to the usual merry mayhem.) Rogers, Vivian Price,
(Enraged by the Torture Squid’s criminal activities, the Cappan raises a small army dedicated to their eradication. In the climactic final scene, the Torture Squid, cornered in a barn outside of the city, escape by setting themselves on fire and running through the shocked encircling troops to the freedom of the River Moth. Finally released into their natural element, they never return to the city, “although even today mothers tell the story of Torture Squid’s exploits to their aspiring young thugs.”) Rook, Alan B.,
Rook, Alan B.,
(There is no bliss in all the world as complete as listening to the Requiem for the White Ghost Squid
[based on Spacklenest’s classic novel]. It is especially sublime if listened to on phonograph while relaxing in a small wading pool.)
Roper, Frederick,
Roper, Frederick, The Significance of Bookshelves in Domestic
(In the library, through a trick of light in some cases, the books sat in their rows, steeped in red. Red were the bindings. Red was the floor.)
Roundtree, Jessica,
Rowan, Iain, “Tentaculon: An Approach to Human-Squid Communication,”
Rowan, Iain, “The Squid As Other: Transgressive Approaches to Hegemonic Dualities,”
Ruch, Alan,
Savant, Charles,
Savant, Charles,
Savant, Charles,
(He must have known I would find her there. Every summer, returning fromBlytheAcademy or from my expeditions, I would go there first, although they had been long abandoned — wooden husks where once the squiders swished to and fro on their squilts. Her head rocked gently against the rotted pontoons, gold-gray hair fanning out. Her gaze seemed peaceful although I could read nothing in her eyes. The echo of her words now as gentle as her caress. She had been in the water for more than a week. I almost did not recognize her.)
Shannon, Harold,
Shannon, Harold,
Shannon, Harold,
Shriek, Duncan,
Shriek, Janice,
Sidlewhile, Henry,
Simpkin, A.L., Gladesmen, Squidlers, Moonshine, and Sni f-
(A rollicking adventure that properly immortalizes the tough, solitary life of the squidlers and the gladesmen who insure them.) Sirin, Vlodya,
Skinder, Blas,
Slab, Thomas,
Slab, Thomas,
Slay, Jack,
Sleeter, M. J.,