that time, the residence of two women and nineteen men. Devlin was to teach each one of them to fear their Maker, and to instil in their wayward hearts a proper respect for the iron cladding of the law—or so the gaoler phrased it. (Devlin would soon discover that he and Shepard differed very radically in their pedagogic sensibilities.) Having taken a brief tour of the Police Camp and praised the style of its management, Devlin inquired whether he might take his lodging in the gaol-house each night, so as to sleep among the felons, and share their bread. The gaoler received this proposition with distaste. He did not exactly reject Devlin’s inquiry, but he paused, licked his lip with a pale, dry tongue, and then suggested that Devlin might do better to take up residence in one of Hokitika’s many hotels. Shepard went on to warn the chaplain that his Irish accent might invite demonstrations of partisanship from Englishmen, and the expectation of a Catholic sensibility from his fellow Irish; he advised him, finally, to be discerning when choosing his company, and still more discerning when choosing his words—and with this pronouncement, he welcomed Devlin to Hokitika, and promptly bid him good morning.
But Cowell Devlin did not have funds enough to support several months’ lodging in a hotel, and it was not his habit, furthermore, to indulge another man’s pessimism about partisan displays. He did not take Shepard’s advice, and he did not heed his warning. He purchased a standard-issue miner’s tent, strung it up some fifty yards from the Hokitika beachfront, and weighted the calico pockets with stones. Then he made his way back to Revell- street, bought a mug of small beer at the most crowded hotel he could find, and began to introduce himself, to Englishmen and Irishmen alike.
Cowell Devlin was, to all intents and purposes, a self-made man—but because this epithet is rarely used to describe members of the holy orders, we ought to clarify its usage here. The cleric spent the present moment in a state of constant visualisation, conjuring in his mind the untroubled future self he had determined that he would one day become. His theology, too, followed this pattern: he was a hopeful believer, and to his many disciples he spoke of a utopian future, a world without want. When he spoke, he freely interchanged the language of auspice with the language of dreams: there was no conflict, in Cowell Devlin’s mind, between reality as he wished to perceive it, and reality as it was otherwise perceived. Such an inclination might, in the context of another man’s temperament, be called ambition, but Devlin’s self-image was impregnable, even mythic, and he had long ago determined that he was not an ambitious man. As might be expected, he was given to bouts of very purposeful ignorance, and tended to pass over the harsher truths of human nature in favour of those that could be romanticised by whimsy and imagination. With respect to these latter articles, Devlin was an adept. He was an excellent storyteller, and therefore, an effective clergyman. His faith, like his self-image, was complete, equable, and almost clairvoyant in its expression—attributes that, as Balfour had already observed, occasionally made him seem rather smug.
At eleven o’clock on the night of the 14th of January—the night that Alistair Lauderback arrived in Hokitika —Cowell Devlin was sitting cross-legged on the floor of the Hokitika gaol-house, speaking with the inmates about Paul. Sometime around sundown it had begun to rain, and the chaplain had decided to stay late, in the hope that the downpour was only a temporary one—for he was new to Hokitika, and did not yet understand the dogged persistence of the weather on the Coast. The governor was at work in his private study, and his wife abed. The prisoners were mostly awake. They had listened to Devlin’s sermon at first politely and then with real interest; they were now, at the chaplain’s encouragement, offering testimonies and philosophies of their own.
Devlin was wondering whether he ought to retire for the night and venture out into the rain when there came a shout from the courtyard, and a thump against the door. This roused the gaoler, who emerged from his study with a linen cap upon his head and a rifle in his hand, a combination that ought to have been amusing, but was not. Devlin rose also, and followed Shepard to the door. They peered into the rain—and saw, just past the circle of light that was thrown by the gaoler’s lantern, the duty sergeant Ellis Drake. He had a woman in his arms.
Shepard opened the door wider and invited the sergeant to step inside. Drake was a greasy, nasal fellow of limited intelligence; hearing his name, one was put in mind not of the naval hero but of the common duck, a species he closely resembled. He conveyed his captive into the gaol-house by the vulgar method of the fireman’s hold, and deposited her with little ceremony upon the floor. He then reported, nasally, that the whore had either committed a crime against society or a crime against God; she had been found in a posture of such abject insentience that a distinction between gross intoxication and wilful harm could not be made, but he hoped (tipping his hat) that some hours in the gaol-house might serve to clarify the matter. He nudged her senseless body with the tip of his boot, as if to reiterate his point, and added that the instrument of her crime was likely opium. The whore was enslaved to the drug, and had often been seen in public while under its effects.
Governor Shepard gazed down at Anna Wetherell, and watched her hands curl and clasp at nothing. Devlin, not wanting to act out of turn, awaited the gaoler’s decision, though he wanted very much to kneel and touch the woman, and check her body for signs of harm: he was greatly saddened by the notion of suicide, and considered it the most dreadful assault upon the soul that any body could possibly make. The three men looked down at the whore, and for a moment no one spoke. Then Drake confided that if he had to make a definitive indictment, he was of the belief that she had attempted the more atrocious crime; the gaoler had better wait for her to come around, however, so as to ask the girl himself.
Shepard collected Miss Wetherell’s body as he was bid, propped her up against the wall, and shackled her. He ensured that she could breathe and was performing that function tolerably; he then looked at his pocket watch, and commented upon the lateness of the hour. Devlin took his cue, and donned his hat and coat—though as he left the gaol he cast a yearning look over his shoulder. He wished that the girl had been arranged more comfortably. But the gaoler was bidding him good night, and in the next moment the door had been shut and locked behind him.
When Devlin returned to the Police Camp early the next morning Anna Wetherell was still unconscious; her head had lolled sideways, and her mouth was slightly agape. There was a bluish-purple bruise upon her temple, and her cheekbone was painfully swollen: had she fallen, or had she been struck? Devlin had no time to investigate, however, or to press the gaoler for more information on the circumstances of the girl’s arrest: it transpired that a man had died during the night, and Devlin was requested to accompany the physician to the Arahura Valley to assist in the collection of the dead man’s remains—and perhaps also to say a prayer or two over his body. The dead man’s name, Shepard informed him, was Crosbie Wells. On Shepard’s information he had died peacefully, of age, infirmity, and drink; there was no reason, at this stage, to suspect homicide. In life, Shepard went on, Wells had been a hermit. He would be remembered neither as a good nor as a wicked man, for his acquaintances had been few, and no family had survived him.
The chaplain and the physician drove northward up the beach, and turned inland once they reached the mouth of the Arahura River. Crosbie Wells’s cottage, situated some three or four miles upriver, was of simple construction—a timber box beneath a sloping roof of sheet iron—though Crosbie Wells had afforded himself the handsome luxury of a glass window, set into the north side of the house. The cottage was plainly visible from the Christchurch road, for it was elevated some twenty feet above the riverbank, and was surrounded by a cleared plot of land.
All in all, the dwelling made for a very lonely picture—and all the more so, after the man’s corpse had been wrapped in blankets and carried from the room. Every surface was tacky and furred with dust. The bolster was stained yellow, the pillow sprayed with mould. A side of bacon, hanging from a rafter, was cracked and greasy- dry. Empty demijohns of liquor were ranged around the room’s perimeter. The bottle on the dead man’s table was likewise empty, signifying that the hermit’s last action had been to drain his vessel, rest his head on his hands, and sleep. The place had an animal smell—the smell of loneliness, Devlin thought, with sympathy. He knelt before the range and pulled out the ash drawer—intending to build a fire in the stove, in order to burn off the dead-seeming odour of the room—and saw a piece of paper, trapped between the grating and the bottom of the drawer.
It appeared as if someone (Wells, presumably) had attempted to burn the document, but had closed the door of the range before the paper caught; the document had only caught fire along one edge before it dropped between the slats of the firebox to the drawer below, and was only very slightly charred. Devlin plucked it out and brushed it clean of ash. It was still legible.
