The Luminaries

‘How am I?’ Mannering spread his hands. ‘I’m curious, Charlie. Do you know that? I’m a very curious man, these days. About a whole raft of things. You know Staines hasn’t shown up—not anywhere. We even tried Holly in the gorge, though she’s not much of a bloodhound. Gave her a handkerchief to sniff at, and off she went—but then back again, with nothing. Yes, I’m a very curious man. I do hope you’ve brought a bit of news—or a bit of scandal, if news cannot be had. My word—what a fortnight it’s been! Take off your coat—yes—oh, don’t worry about the rain. It’s only water—and heaven knows we ought to be used to the stuff by now.’

Despite this encouragement Frost was careful to hang up his coat so that it did not touch Mannering’s, and to ensure that it would not drip upon Mannering’s overshoes, which were laid out beneath the coat-rack, each fitted with a shoe tree, and shined a handsome black. Then he plucked off his hat, somewhat gingerly.

‘It’s a pig of a day,’ he said.

‘Sit down, sit down,’ said Mannering. ‘You’ll have a brandy?’

‘I will, if you will,’ said Frost, this being his policy in all expressions of appetite and thirst. He sat down, placing the palms of his hands upon his knees, and looked about him.

Mannering’s office was located above the foyer of the Prince of Wales Opera House, and boasted a handsome view out over the theatre’s striped awning to Revell-street, and beyond it to the open ocean, visible between the fronts of the facing houses as a band of bluish-grey, occasionally of green, and today, through the rain, as a whitish yellow—the water having taken on the colour of the sky.

The room had been designed as a testament to the wealth of its owner; for Mannering, in addition to managing the opera house, received income as a whoremonger, a card sharp, a shareholder, and a goldfields magnate. In all these professions he possessed a wonderful knack for profit, most especially the kind that can be made off the back of the trespasses of other men: this the room’s furnishings made abundantly clear. The walls of his office were papered, and the cabinets oiled; there was a thick Turkish rug upon the floor; a ceramic bust, fashioned in the Roman style, served as a scowling bookend; under the window a specimen box displayed three black butterflies, each the size of a child’s outspread hand. Behind Mannering’s desk hung a sublime watercolour landscape, framed in gold: it showed a high cliff, slanting beams of sunlight, silhouetted foliage of a purplish hue, and, in the hazy distance, the pale wash of a rainbow, curving out of a cloud. Charlie Frost thought it a very fine piece of art, and one that commended Mannering’s taste most favourably. He was always pleased when he thought up a reason to pay a call upon the older man, so that he might sit in this very chair, and gaze up at it, and imagine that he was somewhere very grand and far away.

‘Yes: what a fortnight it’s been,’ Mannering was saying. ‘And now my best whore has gone off and declared herself in mourning! Bloody pain in the neck, I’m telling you. Beginning to think she might be cracked. That’s a blow. When it’s your best whore. That’s a blow. You know she was there with Emery, the night he disappeared.’

‘Miss Wetherell—and Mr. Staines?’ Frost had curled his hands around the scrolled arms of his chair, and was tracing the groove of the carving with the tips of his fingers.

Beauty, for Charlie Frost, was more or less synonymous with refinement. The ideal woman, in his mind, was one devoted to the project of her own enhancement, who was accomplished in the female arts of embroidery, piano-playing, pressing leaves, and the like; who sang sweetly, read quietly, and demurred to all opinion; who was a charming and priceless collectible; who loved, above all things, to be loved. Anna Wetherell had none of these qualities, but to admit that Anna did not at all resemble the fantastic shape of Frost’s phantasmic ideal is not at all to say that the banker did not care for her, or that he did not take his satisfaction like the rest. Imagining Anna and Staines together now, he felt a twinge of discomfort—almost of distaste.

‘Oh, yes,’ said Mannering, plucking the crystal plug from the neck of the decanter, and swirling the liquid about. ‘He bought her for the whole night, and b—er the constable, or whoever might come knocking! At his own house, too! No slag hotels for him! He was most particular: it had to be her, he said, not Kate, not Lizzie; it had to be Anna. And then the next morning she’s half dead and he’s nowhere to be found. It’s done my head in, Charlie. Of course she’s no help. She says she can’t remember a d—n thing before the moment she woke up in gaol—and by the stupid look on her face I’m inclined to believe her. She’s my best whore, Charlie—but devil take that drug of hers; devil take it for his own. You’ll have a cigar?’

Frost accepted a cigar from the box, and Mannering bent to hold a paper spill to the coals—but the spill was too short, and flared too quickly, and Mannering burned his fingers. He dropped the paper into the grate with an oath. He was obliged to fashion another spill out of a twist of blotting paper, and it was several moments before both their cigars were lit.

‘But that’s not to say a word of the troubles you’ve been going through,’ Mannering added, as he sat down.

Frost looked pained. ‘My troubles—as you call them—are under control,’ he said.

‘I should say they are not,’ said Mannering. ‘What with the widow arriving Thursday—and now the whole town’s talking! I’ll tell you what it looks like from where I’m standing. It looks an awful lot like you knew that gold was planted in the hermit’s cottage, and once he died, you made d—ned sure the sale went through just as fast as could be.’

‘That’s not the truth of it,’ said the banker.

‘It looks like you’re in it together, Charlie,’ Mannering went on. ‘You and Clinch: you look like partners, to the hilt. They’ll bring in a judge, you know. They’ll send someone from the High Court. This kind of thing doesn’t just blow over. We’ll all be drawn into it—where we were on the night of the fourteenth of January, all of that. We’d better get our stories straight before that happens. I’m not accusing you. I’m describing it from where I stand.’

There was often a touch of the sovereign address about Mannering’s speech, for his self-perception was an unshakeable one, authoritarian and absolute. He could not view the world but from the perspective of commanding it, and he loved to declaim. In this he was the radical opposite of his guest—a difference that, in Mannering’s case, caused him some irritation, for although he preferred deferential company, he was made peevish by those whom he considered unworthy of his attention. He was very generous to Charlie Frost, always sharing liquor and cigars with the young man, and gifting him gallery tickets to all the latest entertainment, but occasionally he found Frost’s quiet reserve grating. Mannering tended to cast his followers into roles, labelling them as one labels a man by his profession, terming him ‘the doctor’ or ‘the corporal’; his labels, internally made and never voiced aloud, described other men purely by way of their relation to him—which was how he saw everyone whom he encountered: as reflections of, or detractions from, his own authentic self.

Mannering, as has been already observed, was a very fat man. In his twenties he had been stout, and in his thirties, quite pot-bellied; by the time he reached his forties, his torso had acquired an almost spherical proportion, and he was obliged, to his private dismay, to request assistance in both mounting and dismounting his horse. Rather than admit that his girth had become an impediment to daily activity, Mannering blamed gout, a condition with which he had never been afflicted, but one that he felt had a soundly aristocratic ring. He very much liked to be mistaken for an aristocrat, an assumption that happened very often, for he had mutton-chop whiskers and a fair complexion, and he favoured expensive dress. That day his necktie was fastened with a gold stickpin, and his vest (the buttons of which were rather palpably strained) sported notched lapels.

‘We’re not in anything together,’ said Frost. ‘I’m sure I don’t know what you mean.’

Mannering shook his head. ‘I can see you’re in a bind, Charlie—I can see it! You and Clinch both. If it comes to trial—it may come to trial, you know—then you’ll have to explain why the sale of the cottage was put through so quickly. That will be the crucial point—the point on which you’ll have to agree. I’m not suggesting perjury. I’m just saying your stories will have to square. What are you after—help? Do you need an alibi?’

‘An alibi?’ said Frost. ‘Whatever for?’

‘Come,’ said Mannering, with a paternal wag of his finger. ‘Don’t tell me you weren’t up to something. Just look at how fast the sale went through!’

Frost sipped at his brandy. ‘We ought not to discuss it in such a casual manner. Not when there are other men involved.’

(This was another of his policies: always to appear reluctant to divulge.)

‘Hang other men,’ Mannering exclaimed. ‘Hang “ought” and “ought not”! What’s the story? Give it up!’

‘I’ll tell you; but there was nothing criminal about it,’ Frost said—not without enjoyment, for he rather liked declaring that he was not at all to blame. ‘The transaction was perfectly legal, and perfectly sound.’

‘How do you explain it, then?’