He was hard and nasty and arrogant but politically he was a

pacifist. He looked like a bum but he was rich. He ordered

everyone around and wrote poems. He was an anarchist. M y

old room had to stay empty for him, even though he had his

own apartment, or studio as he called it, and never told her

when he was showing up. A friend o f hers gave me a room for

a few months in a brownstone on West 14th Street— pretty

place, civilized, Italian neighborhood, old, with Greenwich

Village charm. The room belonged to some man in a mental

institution in Massachusetts. It was a nutty room all right.

T w o rooms really. The first w asn’t wider than both your arms

outstretched. There was a cot, a hot plate, a tiny toilet, a teeny

tiny table that tipped over i f you put too much on it. The

second was bigger and had windows but he filled it up so there

wasn’t any room left at all: a baby grand piano and

humongous plants taller than me, as tall as some trees, with

great wide thick leaves stretched out in the air. It was pure

menace, especially how the plants seemed to stretch out over

everything at night. They got bigger and they seemed to

move. Y ou could believe they were coming toward you and

sometimes you had to check. The difference between people

who have something and me is in how long a night is. I have

listened to every beat o f m y heart waiting for a night to end; I

have heard every second tick on by; I’ve heard the long pauses

between the seconds, enough time to die in, and I’ve waited,

barely able to breathe, for them to end. D aylight’s safer. The

big brown bugs disappear; they only come out at night and at

night yo u ’re always afraid they’ll be there so you can’t help but

see them, you don’t really always know whether they’re real

or not, you see them in your mind or out o f the corner o f your

eye, yo u ’re always afraid they’ll be there so if you see one slip

past the corner o f your eye in the dark you will start waiting in

fear for morning, for the light, because it chases them away

and you can’t; nothing you can do will. Same for burglars;

same for the ones who come in to get you; daylight; you wait

for daylight; you sit in the night, you light up the room with

phony light, it’s fake and dim and there’s never enough, the

glare only underlines the menace, you can see you’re beseiged

but there’s not enough light to vaporize the danger, make it

dissolve, the way sunlight does when finally it comes. Y ou can

sleep for a minute or two, or maybe twenty. Y ou don’t want

to be out any longer than that. You don’t get undressed. Y ou

stay dressed always, all the time, your boots on and a knife

right near you or in your hand. Y ou get boots with metal

reinforced tips, no matter what. Y ou don’t get under the

covers. Y ou don’t do all those silly things— milk and cookies,

Johnny Carson, now I lay me down to sleep. Y ou sit

Вы читаете Mercy
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