you want their

eyes on the ball, always on the ball, you want them playing

ball; so you get small and quiet walking by, you don’t let

nothing rattle or shake, you just blend, into the sidewalk, into

the air, get gray like the fence, it’s wire, shaky, partly walling

the place in, you walk quiet and soft and hope your heart don’t

beat too loud; and there’s a parking lot for cops right next to

the basketball, not the official vehicles but the cars they come

to work in, the banged up C hevys and Fords they drive in

from the suburbs because most o f them don’t live here no

more but still, even though they got more money than they

make you don’t see nothing smart and sleek, there’s just this

old metal, bulky, heavy, discolored. The young cops are tight

and you don’t want to see them spring loose, their muscles are

all screwed together real tight and their lips are tight, sewed

tight, and they stand straight and tight and they look ahead,

not around, their pupils are tight in the dead center o f their

eyes staring straight ahead; and the older ones wear cheap

sports jackets too big for them, gray, brown, sort o f plaid,

nearly tweed, wrinkled, and their shoulders sag, and they are

morose men, and their cars can barely hold them, their legs fall

out loose and disorganized and then they move their bodies

around to be in the same direction as the legs that fell down,

they m ove the trunks o f their bodies from behind the steering

wheels against gravity and disregarding common sense and

the air moves out o f the way, sluggish and slow, displaced by

their hanging bellies, and they are tired men, and they see

everything, they have eyes that circle the globe, insect eyes

and third eyes, they see in front and behind and on each side,

their eyes spin without m oving, and they see you no matter

how blank and quiet you are, they see you sneaking by, and

they wonder w hy you are sneaking and what you have to hide,

they note that you are trash, they have the view that anything

female on this street is a piece o f gash, an open wound inviting

you in for a few pennies, and that you especially who are

walking by them now have committed innumerable evils for

which you must pay and you want to argue except for the fact

that they are not far from wrong, it is not an argument you can

win, and that makes you angrier against them and fearful, and

you try to disappear but they see you, they always see you; and

you learn not to think they are fools; they will get around to

you; today, tom orrow, someday soon; and they see the boys

playing basketball and they want to smash them, smash their

fucking heads in, but they’re too old to smash them and they

can’t use their guns, not yet, not now; even the young cops

couldn’t smash them fair, they’re too rigid, too slow up

against the driving rage o f the boys with the ball; so you see

them noting it, noting that they got a grudge, and the cars are

Вы читаете Mercy
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