over to Tower Block.
It didn’t occur to Barbara that Sir David Hillier’s request for the detective superintendent might have to do with her and her machinations on the Mitchell Corsico front. She’d been ringing Corsico practically hourly since their meeting at Postman’s Park, and as far as she’d been able to gather, “working on it” was the extent to which he’d gone.
She was at the point of gnashing her teeth with impatience to see something happen. She had heard only single words from Azhar since he’d left with Angelina and her lover. But it was always the same word, “Nothing,” and the sound of his voice was like a lump of ice in her throat, freezing off words of comfort that she might have said to him.
That something was about to happen became clear the moment Isabelle Ardery returned from Tower Block. She barked, “
Barbara shot Lynley a what’s-going-on look. He shook his head in an I-don’t-know. He led the way to Ardery’s office and stepped aside to let Barbara enter first. He did the honours with the door at Ardery’s request.
The superintendent had thrown something on her desk. That something was a tabloid. That tabloid was
Mitch had done a fine job, from what Barbara could see.
She gathered up the tabloid, threw it at Barbara, and told her to regale herself, Inspector Lynley, and Ardery as well with an oral reading of what she’d “clearly been determined to see publicised.”
Barbara said, “Guv, I didn’t—”
“Your jelly-covered fingers are all over this, Sergeant,” Ardery said. “Do
“Guv,” Lynley said, and his tone spoke of an attempt at appeasement.
She said sharply to him, “I want you to hear this as well. You need to be entirely up-to-date and
Barbara felt her first niggle of discomfort at this. It presaged something she didn’t want to consider. She cooperated with Ardery’s command to read the story aloud. When she reached each significant point—and there were many—Ardery had her stop and repeat it.
So what they all came to learn and hear repeated was that no British police were involved in the search for a missing English child snatched from a market in Lucca, Italy; that no British police had been sent to Tuscany to be of assistance to the Italian coppers; that no British police had been assigned to liaise with the desperate family of the kidnap victim here in the UK or in Italy either. There were hints aplenty as to why this state of affairs
Corsico had included every possible detail that might juice up the story and produce follow-ups via the sorts of hush-hush phone calls that had long been every tabloid’s bread and butter in London: the father’s position as a professor of microbiology at University College; the maternal grandparents’ upper-middle-class status as denizens of Dulwich; the maternal aunt’s career as an award-winning designer of furniture; the mother’s late-autumn disappearance with the now-missing child into regions heretofore unknown but now suspected to have been Tuscany all along; the unwillingness of all parties to comment upon anything that had occurred. All of this begged for someone with inside information on any person whose name appeared in the story to ring
Assistant Commissioner Hillier had, it seemed, called Isabelle onto his Wilton carpet for a proper caning, and she was bound and determined to pass the joy on to Barbara. The AC had done his homework in advance as well. So what he’d known when Ardery had entered his office was that the story was true from start to finish, with the possible embellishment of the women in chadors. No police from the UK were involved, not even the coppers in north London where the girl’s father apparently lived. Had she, Isabelle, heard from the Camden police at all in this matter? No, of course not. Well, get on it, then. Because the press office wants something to report in the morning and it had better be of the nature of someone’s being assigned to this.
What Barbara knew was that Isabelle Ardery could not prove that Barbara herself was behind the story. Every person in the department despised Mitchell Corsico from the time he’d been embedded with them during an investigation of serial killings. No one wanted to touch him with a barge pole, which was what made him so useful to Barbara.
She laid the paper carefully back on Ardery’s desk. She said just as carefully, “Seems to me it was bound to come out, guv.”
“Oh, is that how you see it?” Ardery was standing at the bank of windows with her arms crossed beneath her breasts, and it came to Barbara how tall she was—more than six feet when she had her shoes on—and how she used her height to intimidate. Her posture was a straight edge and, as she was dressed in a pencil skirt and a fine silk blouse, it was no large problem for Barbara to see the shape she was in. This shape was also meant to intimidate, so Barbara decided not to be intimidated. The woman had, after all, a fatal flaw and he was standing there in the office with them.
She glanced at Lynley. He was looking sombre. He said, “It’s not a good situation any way you look at it, guv.”
“It’s not a ‘good situation’ because the sergeant here has made it so.”
“Guv, how can you possibly say—”
Barbara’s protest was cut off abruptly when Ardery said, “You’re assigned to it. You’re leaving for Italy tomorrow. You’re given leave to make your preparations.” She wasn’t, however, looking at Barbara when she made the declaration.
Barbara said, “But I know the family, guv! And the inspector’s already dealing with an investigation. You can’t send him—”
“Are you questioning me?” Ardery snapped. “Are you actually