Lone Wolf. He doesn’t receive many letters, no, but bales of catalogues and advertising pamphlets. You’d be surprised the number of people send away for that stuff—just to get some mail, must be. How old? I’d say sixty. Dresses Western—cowboy boots and a big ten-gallon hat. He told me he used to be with the rodeo. I’ve talked to him quite a bit. He’s been in here almost every day the last few years. Once in a while he’d disappear, stay away a month or so—always claimed he’d been off prospecting. One day last August a young man came here to the window. He said he was looking for his father, Tex John Smith, and did I know where he could find him. He didn’t look much like his dad; the Wolf is so thin-lipped and Irish, and this boy looked almost pure Indian—hair black as boot polish, with eyes to match. But next morning in walks the Wolf and confirms it; he told me his son had just got out of the Army and that they were going to Alaska. He’s an old Alaska hand. I think he once owned a hotel there, or some kind of hunting lodge. He said he expected to be gone about two years. Nope, never seen him since, him or his boy.”
The Johnson family were recent arrivals in their San Francisco community—a middle-class, middle-income real-estate development high in the hills north of the city. On the afternoon of December 18, 1959, young Mrs. Johnson was expecting guests; three women of the neighborhood were coming by for coffee and cake and perhaps a game of cards. The hostess was tense; it would be the first time she had entertained in her new home. Now, while she was listening for the doorbell, she made a final tour, pausing to dispose of a speck of lint or alter an arrangement of Christmas poinsettias. The house, like the others on the slanting hillside street, was a conventional suburban ranch house, pleasant and common place. Mrs. Johnson loved it; she was in love with the redwood paneling, the wall-to-wall carpeting, the picture windows fore and aft, the view that the rear window provided— hills, a valley, then sky and ocean. And she was proud of the small back garden; her husband—by profession an insurance salesman, by inclination a carpenter—had built around it a white picket fence, and inside it a house for the family dog, and a sand-box and swings for the children. At the moment, all four—dog, two little boys, and a girl—were playing there under a mild sky; she hoped they would be happy in the garden until the guests had gone. When the doorbell sounded and Mrs. Johnson went to the door, she was wearing what she considered her most becoming dress, a yellow knit that hugged her figure and heightened the pale-tea shine of her Cherokee coloring and the blackness of her feather-bobbed hair. She opened the door, prepared to admit three neighbors; instead, she discovered two strangers—men who tipped their hats and flipped open badge-studded billfolds. “Mrs. Johnson?” one of them said. “My name is Nye. This is Inspector Guthrie. We’re attached to the San Francisco police, and we’ve just received an inquiry from Kansas concerning your brother, Perry Edward Smith. It seems he hasn’t been reporting to his parole officer, and we wondered if you could tell us anything of his present whereabouts.”
Mrs. Johnson was not distressed—and definitely not surprised to learn that the police were once more interested in her brother’s activities. What did upset her was the prospect of having guests arrive to find her being questioned by detectives. She said, “No. Nothing. I haven’t seen Perry in four years.”
“This is a serious matter, Mrs. Johnson,” Nye said. “We’d like to talk it over.”
Having surrendered, having asked them in and offered them coffee (which was accepted), Mrs. Johnson said, “I haven’t seen Perry in four years. Or heard from him since he was paroled. Last summer, when he came out of prison, he visited my father in Reno. In a letter, my father told me he was returning to Atlanta and taking Perry with him. Then he wrote again, I think in September, and he was very angry. He and Perry had quarreled and separated before they reached the border. Perry turned back, my father went on to Alaska alone.”
“And he hasn’t written you since?”
“No.”
“Then it’s possible your brother may have joined him recently, within the last month.”
“I don’t know. I don’t care.”
“On bad terms?”
“With Perry? Yes. I’m afraid of him.”
“But while he was in Lansing you wrote him frequently. Or so the Kansas authorities tell us,” Nye said. The second man, Inspector Guthrie seemed content to occupy the sidelines.
“I wanted to help him. I hoped I might change a few of his ideas. Now I know better. The rights of other people mean nothing to Perry. He has no respect for anyone.”
“About friends. Do you know of any with whom he might be staying?”
“Joe James,” she said, and explained that James was a young Indian logger and fisherman who lived in the forest near Bellingham, Washington. No, she was not personally acquainted with him, but she understood that he and his family were generous people who had often been kind to Perry in the past. The only friend of Perry’s she had ever met was a young lady who had appeared on the Johnsons’ doorstep in June, 1955, bringing with her a letter from Perry in which he introduced her as his wife.
“He said he was in trouble, and asked if I would take care of his wife until he could send for her. The girl looked twenty; it turned out she was fourteen. And of course she wasn’t anyone’s wife. But at the time I was taken in. I felt sorry for her, and asked her to stay with us. She did, though not for long. Less than a week. And when she left, she took our suitcases and everything they could hold—most of my clothes and most of my husband’s, the silver, even the kitchen clock.”
“When this happened, where were you living?”
“Denver.”
“Have you ever lived in Fort Scott, Kansas?”
“Never. I’ve never been to Kansas.”
“Have you a sister who lives in Fort Scott?”
“My sister is dead. My only sister.”
Nye smiled. He said, “You understand, Mrs. Johnson, we’re working on the assumption that your brother will contact you. Write or call. Or come to see you.”
“I hope not. As a matter of fact, he doesn’t know we’ve moved. He thinks I’m still in Denver. Please, if you do find him, don’t give him my address. I’m afraid.”
“When you say that, is it because you think he might harm you? Hurt you physically?”
She considered, and unable to decide, said she didn’t know. “But I’m afraid of him. I always have been. He can seem so warm-hearted and sympathetic. Gentle. He cries so easily. Sometimes music sets him off, and when he was a little boy he used to cry because he thought a sunset was beautiful. Or the moon. Oh, he can fool you. He can make you feel so sorry for him—“
The doorbell rang. Mrs. Johnson’s reluctance to answer conveyed her dilemma, and Nye (who later wrote of her, “Through-out the interview she remained composed and most gracious. A person of exceptional character”) reached for his brown snap-brim. “Sorry to have troubled you, Mrs. Johnson. But if you hear from Perry, we hope you’ll have the good sense to call us. Ask for Inspector Guthrie.”
After the departure of the detectives, the composure that had impressed Nye faltered; a familiar despair impended. She fought it, delayed its full impact until the party was done and the guests had gone, until she’d fed the children and bathed them and heard their prayers. Then the mood, like the evening ocean fog now clouding the street lamps, closed round her. She had said she was afraid of Perry, and she was, but was it simply Perry she feared, or was it a configuration of which he was part—the terrible destinies that seemed promised the four children of Florence Buckskin and Tex John Smith? The eldest, the brother she loved, had shot himself; Fern had fallen out of a window, or jumped; and Perry was committed to violence, a criminal. So, in a sense, she was the only survivor; and what tormented her was the thought that in time she, too, would be overwhelmed: go mad, or contract an incurable illness, or in a fire lose all she valued—home, husband, children.
Her husband was away on a business trip, and when she was alone, she never thought of having a drink. But tonight she fixed a strong one, then lay down on the living-room couch, a picture album propped against her knees.
A photograph of her father dominated the first page—a studio portrait taken in 1922, the year of his marriage to the young Indian rodeo rider Miss Florence Buckskin. It was a photograph that invariably transfixed Mrs. Johnson. Because of it, she could understand why, when essentially they were so mismatched, her mother had married her father. The young man in the picture exuded virile allure. Everything—the cocky tilt of his ginger-haired head, the squint in his left eye (as though he were sighting a target), the tiny cowboy scarf knotted round his throat—was abundantly attractive. On the whole, Mrs. Johnson’s attitude toward her father was ambivalent, but one aspect of him she had always respected—his fortitude. She well knew how eccentric he seemed to others; he
