Ben H. Winters

GOLDEN STATE

For Irwin Hyman

who built the world he wanted to live in

Disclaimer

Digital Galley Edition

This is uncorrected advance content collected for your reviewing convenience. Please check with publisher or refer to the finished product whenever you are excerpting or quoting in a review.

Part One

Future (n.), usually the future: the set of possible events which are neither happening nor have happened but which may happen, including those possible events which will happen, but which are not yet distinguishable from the far greater group which will not. [nota bene: avoid where possible].

—The Everyday Citizen’s Dictionary, 43rd edition, the Golden State Publishing Arm

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Attestation:

This is a novel.

All of the words of it are true.

The extraordinary events detailed herein were either experienced firsthand by the author or, when relayed second- or thirdhand, have been double-checked (triple-, where possible), verified, and certified by the relevant departments, and substantiated through the reading of testimony, examination of material evidence, and review of relevant reality. All of the supporting documents and extant evidence are available upon request in the appropriate offices; physical addresses are included as an appendix.

This is a novel. All of these events occurred as described. It’s all on the Record.

Stipulation:

Though the author is a character in the events that follow, he claims no part of the glory it reflects. All glory belongs to the heroic Speculator, Mr. Ratesic, whose perseverance and heroism are on display throughout.

This author is loath to resort to set phrases like “He made the ultimate sacrifice in service to the State,” conscious as he is of the care we all must take not to fumble by cliché into accidental lies. But in this case, there can be no other conclusion. In service to the State, Mr. Ratesic made the ultimate sacrifice.

Willingly, and conscious of mounting dangers to his person, and despite numerous opportunities to save himself, he continued unflinching in his brave pursuit of the wickedness he had discovered, and ultimately was successful in foiling a grave assault upon the State—all at the hazard of his own health and safety.

And so, though the primary purpose of this novel is the same as that of all other novels, to entertain the mind and excite the spirit, in this case there is a deeper truth, one level down: this work is meant to serve as a legacy to Mr. Ratesic, the hero of its pages. It is a testament to him, and I hope it can serve as an inspiration not only to his fellows in Service, but to all our citizenry. Let this novel stand like a statue of Mr. Ratesic, a tribute to as well as a reminder of the lengths that are sometimes necessary to hold up the several bulwarks of the State, and a reminder of what is at stake if they should fall.

1.

Somebody’s telling lies in here, and it’s making it hard to eat.

In a perfect world, a man should be able to sit down at a favorite spot and eat his breakfast without the weight of professional obligation coming down on him, ruining his morning, pulling him right into the thick of it before he can so much as get a good hot sip of coffee.

But the world has never been accused of being perfect, has it, and so here we are and here is what actually happens—here is reality. No sooner has Honey the waitress slid my steaming breakfast plate down in front of me, right next to a piping hot cup of mountain-grown, than I catch a small dissonance in the air—the barest ripple, the softest whisper—but it can’t be ignored. My body won’t let me ignore it. The burble catches in my throat, my eyes prick with tears, and I put down my fork and say “Shit.”

The dissonance is close but not that close. It’s not at the booth directly behind me, where an old man and his old wife are discussing in their old slow voices the quality of their oatmeal: she thinks it’s worse than it used to be, he thinks it’s better, but both are speaking honestly.

They are both talking true, but someone in here is not.

I’m definitely too conscious of it, too aware to just carry on eating my chicken and waffles, which is a real shame, because this is Terry’s we’re talking about, this is fried chicken and waffles, and although there are three chicken-and-waffle chains in the city, Terry’s is in my veteran estimation by far the best, and the Pico-Robertson Terry’s is the best of all the Terry’s locations.

I get up. I push away my plate, lay down today’s copy of Trusted Authority, and heave my weight up out of the banquette and just stand still, very still, in the middle of the restaurant, rummaging for a source. Lot of people talking in here so it’s gonna take me a minute. Terry’s is crowded all the time, but most especially at breakfast time, and it’s breakfast time now, peak of the a.m. rush, every booth and table jammed, maybe forty or forty-five boisterous conversations overlapping, blending in with the tinny tingtang of the silverware, the sizzle of the griddle, a radio playing boisterous piano jazz, even the slow whoosh of the overhead fans, their wide beveled blades slowly pushing the July air around in circles.

I close my eyes, concentrate, try to find the sound among the sounds. Tease through the conversations for the one I’m after: Did you hear what Louis said about Albert… and I am so sick of all this… and You’re kidding me, you are fucking kidding me, you have got to try this. Somewhere in

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