Canto general. Mexico City: Talleres Gráficos de la Nación, 1950. (Jack Schmitt, University of California Press, 1993 [with an introduction by Roberto González Echevarría].)
Los versos del capitán [The Captain’s Verses]. Naples, Italy: L’Arte Tipografica, 1952. (Donald Walsh, New Directions, 1972.)
Las uvas y el viento [The Grapes and the Wind]. Santiago: Nascimento, 1954.
Odas elementales [Elemental Odes]. Buenos Aires: Losada, 1954. (None of the books of odes has been translated individually in English [Margaret Sayers Peden’s translation of Elemental Odes was published in 1991 by Libris, but it remains out of print and very hard to find]. Among other collections, there are the Selected Odes of Pablo Neruda, translated by Peden [University of California Press, 1990], and the anthology All the Odes, edited by Ilan Stavans [Farrar, Straus & Giroux, 2013]. Little, Brown published two slender volumes ideally illustrated by Ferris Cook, with translations by Ken Krabbenhoft: Odes to Common Things [1994] and Odes to Opposites [1995].)
Viajes [Voyages]. Santiago: Nascimento, 1955. (Prose essays.)
Nuevas odas elementales [New Elemental Odes]. Buenos Aires: Losada, 1956.
Tercer libro de las odas [The Third Book of Odes]. Buenos Aires: Losada, 1957.
Estravagario [Extravagaria]. Buenos Aires: Losada, 1958. (Alastair Reid, Jonathan Cape, 1972; Farrar, Straus & Giroux, 1974.)
Navegaciones y regresos [Navigations and Returns]. Buenos Aires: Losada, 1959.
Cien sonetos de amor [One Hundred Love Sonnets]. Santiago: Editorial Universitaria, 1959. (Stephen Tapscott, University of Texas Press, 2015.)
Canción de gesta [Chanson de Geste]. Havana: Casa de las Américas, 1960.
Las piedras de Chile [The Stones of Chile]. Buenos Aires: Losada, 1961. (Dennis Maloney, White Pine Press, 1986.)
Cantos ceremoniales [Ceremonial Songs]. Buenos Aires: Losada, 1961. (Maria Jacketti, Latin American Literary Review Press, 1996.)
Plenos poderes [Fully Empowered]. Buenos Aires: Losada, 1962. (Alastair Reid, Farrar, Straus & Giroux, 1975.)
Memorial de Isla Negra. Buenos Aires: Losada, 1964. (Alastair Reid, Isla Negra: A Notebook, Farrar, Straus & Giroux, 1981 [with an afterword by Enrico Mario Santí].)
Arte de pájaros [The Art of Birds]. Santiago: Sociedad de Amigos del Arte Contemporáneo, 1966. (Jack Schmitt, University of Texas Press, 1985 [currently out of print].)
Una casa en la arena [A House in the Sand]. Barcelona: Lumen, 1966. (Poetry and prose.) (Dennis Maloney and Clark Zlotchew, Milkweed Editions, 1990; White Pine Press, 2004.)
Fulgor y muerte de Joaquín Murieta [The Splendor and Death of Joaquín Murieta]. Santiago: Zig-Zag, 1967.
La barcarola [The Barcarole]. Buenos Aires: Losada, 1967.
Las manos del día [The Hands of the Day]. Buenos Aires: Losada, 1968. (William O’Daly, Copper Canyon Press, 2008.)
Comiendo en Hungría [Eating in Hungary], with Miguel Ángel Asturias. Barcelona: Lumen, 1969.
Fin de mundo [World’s End]. Santiago: Sociedad de Arte Contemporáneo, 1969. (William O’Daly, Copper Canyon Press, 2009.)
Aún [Still]. Santiago: Nascimento, 1969. (William O’Daly, Still Another Day, Copper Canyon Press, 1983.)
Maremoto [Seaquake]. Santiago: Sociedad de Arte Contemporáneo, 1970. (Maria Jacketti and Dennis Maloney, White Pine Press, 1993.)
La espada encendida [The Flaming Sword]. Buenos Aires: Losada, 1970.
Las piedras del cielo [The Stones of the Sky]. Buenos Aires: Losada, 1970. (James Nolan, Copper Canyon Press, 1987.)
Geografía infructuosa [Fruitless Geography]. Buenos Aires: Losada, 1972.
La rosa separada [The Separate Rose]. Paris: Éditions du Dragon, 1972; Buenos Aires: Losada, 1973. (William O’Daly, Copper Canyon Press, 1985.)
Incitación al Nixonicidio y alabanza de la revolución chilena [Incitement of Nixoncide and Praise of the Chilean Revolution]. Buenos Aires: Losada, 1973. (Teresa Anderson, West End Press, 1980.)
POSTHUMOUS PUBLICATIONS
El mar y las campanas [The Sea and the Bells]. Buenos Aires: Losada, 1973. (William O’Daly, Copper Canyon Press, 1988.)
Jardín de invierno [Winter’s Garden]. Buenos Aires: Losada, 1974. (William O’Daly, Copper Canyon Press, 1986.)
El corazón amarillo [The Yellow Heart]. Buenos Aires: Losada, 1974. (William O’Daly, Copper Canyon Press, 1990.)
Libro de las preguntas [The Book of Questions]. Buenos Aires: Losada, 1974. (William O’Daly, Copper Canyon Press, 1991.)
2000. Buenos Aires: Losada, 1974.
Elegía [Elegy]. Buenos Aires: Losada, 1974. (Jack Hirschman, David Books, 1983.)
Defectos escogidos [Selected Defects]. Buenos Aires: Losada, 1974.
Confieso que he vivido [I Confess That I Have Lived], edited by Matilde Urrutia and Miguel Otero Silva. Barcelona: Seix Barral, 1974. (Memoir.) (Hardie St. Martin, Memoirs, Farrar, Straus & Giroux, 1977. In 2017, an expanded edition was published with newly discovered texts from Neruda’s archives, some that Neruda had destined for his memoirs, which he didn’t complete before he died [edited by Darío Oses, Seix Barral].)
Para nacer he nacido [I Was Born to Be Born], edited by Miguel Otero Silva and Matilde Urrutia. Barcelona: Seix Barral, 1978. (Collected prose texts.) (Margaret Sayers Peden, Passions and Impressions, Farrar, Straus & Giroux, 1983.)
El río invisible [The Invisible River]. Barcelona: Seix Barral, 1980. (Poetry of his youth.)
Cuadernos de Temuco [Temuco Notebooks]. Buenos Aires: Seix Barral, 1996. (His earliest poetry.)
Obras completas [Complete Works], edited by Hernán Loyola. 5 vols. Barcelona: Galaxia Gutenberg:
Obras completas I: De Crepusculario a Las uvas y el viento, 1923–1954 (1999).
Obras completas II: De Odas elementales a Memorial de Isla Negra, 1954–1964 (1999).
Obras completas III: De Arte de pájaros a El mar y las campanas, 1966–1973 (2000).
Obras completas IV: Nerudiana dispersa I, 1915–1964 (2001). (Contains the unpublished poems of his youth, various interviews, and texts and speeches up to 1964.)
Obras completas V: Nerudiana dispersa II, 1922–1973 (2002). (Contains his memoir, translations of other writers’ works, correspondence, and various texts from 1964 to 1973.)
There are quite a few collections of selected works in English translation, including The Essential Neruda: Selected Poems, edited by Mark Eisner, foreword by Lawrence Ferlinghetti, with translations by Eisner, John Felstiner, Forrest Gander, Robert Hass, Jack Hirschman, Stephen Kessler, Stephen Mitchell, and Alastair Reid (City Lights Books, 2004).
Stephen Mitchell’s collection Full Woman, Fleshly Apple, Hot Moon: Selected Poems of Pablo Neruda (Harper, 1997) provides wonderful translations of a selection of Neruda’s lighter poems.
The Poetry of Pablo Neruda, edited and with an introduction by Ilan Stavans (Farrar, Straus & Giroux, 2003) is the most extensive anthology.
Then Come Back: The Lost Poems, translated by Forrest Gander, introduction by Darío Oses (Copper Canyon Press, 2016),
