This is what the girl said: She was staying at a hotel in Shibuya. That morning she went out for a walk and she happened upon a protest march. It was a few days before the US began their invasion of Iraq. The protest was against the war. She joined in and marched with them. She was surprised at how narrow the column of the marchers was in Japan compared to the protests she had seen elsewhere, and how orderly the police were, escorting the marchers. She heard music that was probably from a portable CD player somewhere in the march, and then somebody handed her a tambourine. That was the end of her story, and the girl sat down. This time there was only a short pause. Then the girl who spoke first stepped up and said something very brief. The immediate Japanese translation told us that the mic was open to all of us. Then another silence. Another long one.
I wondered what I would say if I went to the mic, tried to picture myself doing it. After a little while a man stood up, but at first I didn’t notice him. It wasn’t until he got right up to the mic that I did. He was middle-aged, with greying hair and rimless glasses, and he had a mellow vibe. We watched to see what he would do. I asked myself if I would get up too, all six of us did, I mean only vaguely, but we did. He said that he found out about this event online. He got on a plane from Kyushu to Tokyo to come see it. I have grave apprehensions about the war that’s about to begin, he said. When I was young it was the war in Vietnam. Back then, there were bands like Peter, Paul and Mary, and we all sang their songs together. But now there are no songs like that. That was when he lost my interest. Is this old guy going to keep talking? I wondered, but that was all he had to say. While he shared his thoughts, the interpreter spoke in a low voice to the performers, telling them in English what the guy said. One of them nodded repeatedly. The man at the mic stood there for another minute even though he had stopped talking, like it took him some time to realize that he was done. When he finally came back to himself, he stepped out of the light into the shadows and went back to his seat. Then he raised his glass from the table to his lips and steadied himself. None of us paid any more attention to him. No one else made any moves towards the mic and the room got silent again. The air was still; you could hear the bubbles in the beer. This went on for a while, the echoes or maybe more like the reverberations of what we’d just heard hanging over the room like smoke. But it wasn’t exactly a vibe relating to what the man had said, if anything it was resistance, annoyance even, except that’s probably not quite right, it was both, a feel in the room that was kind of obviously a combination of resistance and agreement, and I was glad, because that was how I felt too. I wanted to try to put a name to the feel at that moment, like if it existed independently from all the bodies in the room—I mean if someone was observing, from a distance, what would they call that feeling. I considered really thinking about it, but I didn’t do it. I wanted another beer, but I couldn’t get up in the middle of this and go to the bar. I turned to look at the bar anyway, see how far away it was. My eyes swept over the audience, and that was when I spotted a girl, who looked back at me. She wasn’t the girl from the movie theatre. After the performance ended, she and I stood by the bar talking. Then we took a