How to Carry Water

Selected Poems of Lucille Clifton

How to Carry Water

Selected Poems of Lucille Clifton

Edited by Aracelis Girmay

american poets continuum series, no. 180

BOA Editions, Ltd. ■ Rochester, NY ■ 2020

Copyright © 2020 by The Estate of Lucille T. Clifton.

Foreword copyright © 2020 by Aracelis Girmay.

All rights reserved

Manufactured in the United States of America

First Edition

20  21  22  23  7  6  5  4  3  2  1

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Library of Congress Cataloging-in-Publication Data

Names: Clifton, Lucille, 1936-2010, author. | Girmay, Aracelis, editor.

Title: How to carry water : selected poems of Lucille Clifton / edited by Aracelis Girmay.

Description: First edition. | Rochester, NY : BOA Editions, Ltd., 2020. | Series: American poets continuum series ; no. 180 | Includes index. | Summary: “A series of poems drawn from various collections published throughout the 40-year career of American poet Lucille Clifton”— Provided by publisher.

Identifiers: LCCN 2020019710 (print) | LCCN 2020019711 (ebook) | ISBN 9781950774142 (hardcover) | ISBN 9781950774159 (paperback) | ISBN 9781950774166 (ebook)

Subjects: LCGFT: Poetry.

Classification: LCC PS3553.L45 H69 2020 (print) | LCC PS3553.L45 (ebook) | DDC 811/.54—dc23

LC record available at https://lccn.loc.gov/2020019710

LC ebook record available at https://lccn.loc.gov/2020019711

BOA Editions, Ltd.

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Contents

foreword

■  from Early Uncollected Poems (1965–1969)

5/23/67 R.I.P.

SPRING THOUGHT FOR THELMA

Everytime i talk about

a poem written for many moynihans

the poet is thirty two

take somebody like me

■  from good times (1969)

my mama moved among the days

miss rosie

the 1st

running across to the lot

if i stand in my window

for deLawd

ca’line’s prayer

generations

flowers

■  from good news about the earth (1972)

after kent state

being property once myself

the lost baby poem

apology

lately

listen children

the news

the bodies broken on

song

africa

earth

God send easter

so close

poem for my sisters

■  from Uncollected Poems (1973–1974)

Phillis Wheatley Poetry Festival

■  from an ordinary woman (1974)

in salem

salt

new bones

harriet

roots

to ms. ann

last note to my girls

a visit to gettysburg

this morning

the lesson of the falling leaves

i am running into a new year

turning

my poem

lucy one-eye

if mama

i was born in a hotel

light

cutting greens

i went to the valley

at last we killed the roaches

in the evenings

breaklight

some dreams hang in the air

the thirty eighth year

■  from Uncollected Poems (ca. 1975)

Anniversary 5/10/74

November 1, 1975

“We Do Not Know Very Much About Lucille’s Inner Life”

■  from two-headed woman (1980)

lucy and her girls

i was born with twelve fingers

what the mirror said

there is a girl inside

to merle

august the 12th

speaking of loss

februrary 13, 1980

new year

sonora desert poem

my friends

i once knew a man

the mystery that surely is present

the astrologer predicts at mary’s birth

a song of mary

island mary

mary  mary astonished by God

the light that came to lucille clifton

testament

mother, i am mad

to joan

in populated air

■  from Next (1987)

there

this belief

why some people be mad at me sometimes

sorrow song

atlantic is a sea of bones

cruelty. don’t talk to me about cruelty

the lost women

my dream about the cows

my dream about the second coming

the death of thelma sayles

the message of thelma sayles

the death of joanne c.

enter my mother

leukemia as white rabbit

chemotherapy

the message of jo

the death of fred clifton

“i’m going back to my true identity”

in white america

shapeshifter poems

■  from quilting (1991)

i am accused of tending to the past

note to myself

poem beginning in no and ending in yes

slave cabin, sotterly plantation, maryland, 1989

whose side are you on?

shooting star

this is for the mice that live

man and wife

poem in praise of menstruation

the killing of the trees

wild blessings

somewhere

when i stand around among poets

water sign woman

photograph

december 7, 1989

to my friend, jerina

poem to my uterus

to my last period

the mother’s story

as he was dying

blessing the boats

■  from The Book of Light (1992)

LIGHT

june 20

daughters

sam

thel

11/10 again

she lived

won’t you celebrate with me

it was a dream

each morning i pull myself

here yet be dragons

the earth is a living thing

move

samson predicts from gaza the philadelphia fire

if i should

further note to clark

begin here

night vision

fury

cigarettes

leda 1

leda 2

leda 3

brothers

■  from Uncollected Poems (1993)

hometown 1993

ones like us

■  from The Terrible Stories (1996)

telling our stories

the coming of fox

dear fox

leaving fox

a dream of foxes

amazons

lumpectomy eve

1994

hag riding

rust

shadows

entering the south

the mississippi river empties into the gulf

old man river

auction street

memphis

what comes after this

blake

evening and my dead once husband

in the same week

heaven

lorena

in the meantime

■  from Blessing the Boats (2000)

the times

dialysis

libation

jasper texas 1998

alabama 9/15/63

praise song

august

study the masters

birthday 1999

grief

■  from Mercy (2004)

the gift

out of body

oh antic God

april

children

surely i am able to write poems

mulberry fields

cancer

in the mirror

blood

walking the blind dog

hands

wind on the st. marys river

the tale the shepherds tell the sheep

stop

■  from Voices (2008)

aunt jemima

cream of wheat

sorrows

this is what i know

6/27/06

■  from Uncollected Poems (2006–2010)

birth-day

mother-tongue: the land of nod

mother-tongue: we are dying

■  from Last Poems & Drafts (2006–2010)

some points along some of the meridians

new orleans

after the children died she started bathing

In the middle of the Eye

■  Previously Uncollected Poems

All Praises

bouquet

sam, jr.

MOTHER HERE IS MY CHILD

Poem To My Yellow Coat

Poem With Rhyme

Rounding the curve near Ellicot City

entering earth

to black poets

quartz lake, Alaska

Index of Poems

Acknowledgments

About the Author

About the Editor

Colophon

foreword

1

No one writes like Lucille Clifton, and yet, if it were possible to open a voice, like a suitcase, to see what it carries inside it, I believe that inside the voices of many contemporary U.S. American poets are the poems of Lucille Clifton. There is the ferocity of her clear sight. There is the constellatory thinking where every thing is

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