edge?

the question for you is

what have you ever traveled toward

more than your own safety?

begin here

in the dark

where the girl is

sleeping

begin with a shadow

rising on the wall

no

begin with a spear

of salt like a tongue

no

begin with a swollen

horn or finger

no

no begin here

something in the girl

is wakening some

thing in the girl

is falling

deeper and deeper

asleep

night vision

the girl fits her body in

to the space between the bed

and the wall. she is a stalk,

exhausted. she will do some

thing with this. she will

surround these bones with flesh.

she will cultivate night vision.

she will train her tongue

to lie still in her mouth and listen.

the girl slips into sleep.

her dream is red and raging.

she will remember

to build something human with it.

fury

for mama

remember this.

she is standing by

the furnace.

the coals

glisten like rubies.

her hand is crying.

her hand is clutching

a sheaf of papers.

poems.

she gives them up.

they burn

jewels into jewels.

her eyes are animals.

each hank of her hair

is a serpent’s obedient

wife.

she will never recover.

remember. there is nothing

you will not bear

for this woman’s sake.

cigarettes

my father burned us all. ash

fell from his hand onto our beds,

onto our tables and chairs.

ours was the roof the sirens

rushed to at night

mistaking the glow of his pain

for flame. nothing is burning here,

my father would laugh, ignoring

my charred pillow, ignoring his own

smoldering halls.

leda 1

there is nothing luminous

about this.

they took my children.

i live alone in the backside

of the village.

my mother moved

to another town. my father

follows me around the well,

his thick lips slavering,

and at night my dreams are full

of the cursing of me

fucking god fucking me.

leda 2

a note on visitations

sometimes another star chooses.

the ones coming in from the east

are dagger-fingered men,

princes of no known kingdom.

the animals are raised up in their stalls

battering the stable door.

sometimes it all goes badly;

the inn is strewn with feathers,

the old husband suspicious,

and the fur between her thighs

is the only shining thing.

leda 3

a personal note (re: visitations)

always pyrotechnics;

stars spinning into phalluses

of light, serpents promising

sweetness, their forked tongues

thick and erect, patriarchs of bird

exposing themselves in the air.

this skin is sick with loneliness.

You want what a man wants,

next time come as a man

or don’t come.

brothers

(being a conversation in eight poems between an aged Lucifer and God, though only Lucifer is heard. The time is long after.)

1

invitation

come coil with me

here in creation’s bed

among the twigs and ribbons

of the past. i have grown old

remembering this garden,

the hum of the great cats

moving into language, the sweet

fume of man’s rib

as it rose up and began to walk.

it was all glory then,

the winged creatures leaping

like angels, the oceans claiming

their own. let us rest here a time

like two old brothers

who watched it happen and wondered

what it meant.

2

how great Thou art

listen, You are beyond

even Your own understanding.

that rib and rain and clay

in all its pride,

its unsteady dominion,

is not what You believed

You were,

but it is what You are;

in Your own image as some

lexicographer supposed.

the face, both he and she,

the odd ambition, the desire

to reach beyond the stars

is You. all You, all You

the loneliness, the perfect

imperfection.

3

as for myself

less snake than angel

less angel than man

how come i to this

serpent’s understanding?

watching creation from

a hood of leaves

i have foreseen the evening

of the world.

as sure as she,

the breast of Yourself

separated out and made to bear,

as sure as her returning,

i too am blessed with

the one gift you cherish;

to feel the living move in me

and to be unafraid.

4

in my own defense

what could i choose

but to slide along beside them,

they whose only sin

was being their father’s children?

as they stood with their backs

to the garden,

a new and terrible luster

burning their eyes,

only You could have called

their ineffable names,

only in their fever

could they have failed to hear.

5

the road led from delight

into delight. into the sharp

edge of seasons, into the sweet

puff of bread baking, the warm

vale of sheet and sweat after love,

the tinny newborn cry of calf

and cormorant and humankind.

and pain, of course,

always there was some bleeding,

but forbid me not

my meditation on the outer world

before the rest of it, before

the bruising of his heel, my head,

and so forth.

6

“the silence of God is God.”

—Carolyn Forché

tell me, tell us why

in the confusion of a mountain

of babies stacked like cordwood,

of limbs walking away from each other,

of tongues bitten through

by the language of assault,

tell me, tell us why

You neither raised Your hand

nor turned away, tell us why

You watched the excommunication of

that world and You said nothing.

7

still there is mercy, there is grace

how otherwise

could i have come to this

marble spinning in space

propelled by the great

thumb of the universe?

how otherwise

could the two roads

of this tongue

converge into a single

certitude?

how otherwise

could i, a sleek old

traveler,

curl one day safe and still

beside You

at Your feet, perhaps,

but, amen, Yours.

8

“…………is God.”

so.

having no need to speak

You sent Your tongue

splintered into angels.

even i,

with my little piece of it

have said too much.

to ask You to explain

is to deny You.

before the word

You were.

You kiss my brother mouth.

the rest is silence.

hometown 1993

think of it; the landscape

potted as if by war, think of

the weeds, the boarded buildings,

the slivers of window abandoned

in the streets, and behind one

glass, my little brother, dying.

think of how he must have

bounded into our mothers arms,

held hard to our fathers swollen hand,

never looking back, glad to be gone

from the contempt, the terrible night

of buffalo.

ones like us

enter a blurry world,

fetish tight around our

smallest finger, mezuzah

gripped in our good child hand.

we feel for our luck

but everywhere is menace menace

until we settle ourselves

against the bark of trees, against

the hide of fierce protection

and there, in the shadow,

words call us. words call us

and we go.

for wayne karlin

5/28/93

telling our stories

the fox came every evening to my door

asking for nothing. my fear

trapped me inside, hoping to dismiss her

but she sat till morning, waiting.

at dawn we would, each of us,

rise from our haunches, look through the glass

then walk away.

did she gather her village around her

and sing of the hairless moon face,

the trembling snout, the ignorant eyes?

child, i tell you now it was not

the animal blood i was hiding from,

it was the poet in her, the poet and

the terrible stories she could tell.

the coming of fox

one evening i return

to a red fox

haunched by my door.

i am afraid

although she knows

no enemy comes here.

next night again

then next then next

she sits in

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