her safe shadow

silent as my skin bleeds

into long bright flags

of fur.

dear fox

it is not my habit

to squat in the hungry desert

fingering stones, begging them

to heal, not me but the dry mornings

and bitter nights.

it is not your habit

to watch. none of this

is ours, sister fox.

tell yourself that anytime now

we will rise and walk away

from somebody else’s life.

any time.

leaving fox

so many fuckless days and nights.

only the solitary fox

watching my window light

barks her compassion.

i move away from her eyes,

from the pitying brush

of her tail

to a new place and check

for signs. so far

i am the only animal.

i will keep the door unlocked

until something human comes.

a dream of foxes

in the dream of foxes

there is a field

and a procession of women

clean as good children

no hollow in the world

surrounded by dogs

no fur clumped bloody

on the ground

only a lovely line

of honest women stepping

without fear or guilt or shame

safe through the generous fields

amazons

when the rookery of women

warriors all

each cupping one hand around

her remaining breast

daughters of dahomey

their name fierce on the planet

when they came to ask

who knows what you might have

to sacrifice poet amazon

there is no choice

then when they each

with one nipple lifted

beckoned to me

five generations removed

i rose

and ran to the telephone

to hear

cancer early detection no

mastectomy not yet

there was nothing to say

my sisters swooped in a circle dance

audre was with them and i

had already written this poem

lumpectomy eve

all night i dream of lips

that nursed and nursed

and the lonely nipple

lost in loss and the need

to feed that turns at last

on itself that will kill

its body for its hunger’s sake

all night i hear the whispering

the soft

love calls you to this knife

for love for love

all night it is the one breast

comforting the other

1994

i was leaving my fifty-eighth year

when a thumb of ice

stamped itself hard near my heart

you have your own story

you know about the fear the tears

the scar of disbelief

you know that the saddest lies

are the ones we tell ourselves

you know how dangerous it is

to be born with breasts

you know how dangerous it is

to wear dark skin

i was leaving my fifty-eighth year

when i woke into the winter

of a cold and mortal body

thin icicles hanging off

the one mad nipple weeping

have we not been good children

did we not inherit the earth

but you must know all about this

from your own shivering life

hag riding

why

is what i ask myself

maybe it is the afrikan in me

still trying to get home

after all these years

but when i wake to the heat of the morning

galloping down the highway of my life

something hopeful rises in me

rises and runs me out into the road

and i lob my fierce thigh high

over the rump of the day and honey

i ride i ride

rust

we don’t like rust,

it reminds us that we are dying.

—Brett Singer

are you saying that iron understands

time is another name for God?

that the rain-licked pot is holy?

that the pan abandoned in the house

is holy? are you saying that they

are sanctified now, our girlhood skillets

tarnishing in the kitchen?

are you saying we only want to remember

the heft of our mothers’ handles,

their ebony patience, their shine?

shadows

in the latter days

you will come to a place

called memphis

there you will wait for a while

by the river mississippi

until you can feel the shadow

of another memphis and another

river. nile

wake up girl.

you dreaming.

the sign may be water or fire

or it may be the black earth

or the black blood under the earth

or it may be the syllables themselves

coded to you from your southern kin.

wake up girl.

i swear you dreaming.

memphis.

capital of the old kingdom

of ancient egypt at the apex

of the river across from

the great pyramids.

nile. born in the mountains

of the moon.

wake up girl,

this don’t connect.

wait there.

in the shadow of your room

you may see another dusky woman

weakened by too much loss.

she will be dreaming a small boat

through centuries of water

into the white new world.

she will be weaving garments

of neglect.

wake up girl.

this don’t mean nothing.

meaning is the river

of voices. meaning

is the patience of the moon.

meaning is the thread

running forever in shadow.

girl girl wake up.

somebody calling you.

entering the south

i have put on my mother’s coat.

it is warm and familiar

as old fur

and i can hear hushed voices

through it. too many

animals have died

to make this. the sleeves

coil down toward my hands

like rope. i will wear it

because she loved it

but the blood from it pools

on my shoulders

heavy and dark and alive.

the mississippi river empties into the gulf

and the gulf enters the sea and so forth,

none of them emptying anything,

all of them carrying yesterday

forever on their white tipped backs,

all of them dragging forward tomorrow.

it is the great circulation

of the earth’s body, like the blood

of the gods, this river in which the past

is always flowing. every water

is the same water coming round.

everyday someone is standing on the edge

of this river, staring into time,

whispering mistakenly:

only here. only now.

old man river

everything elegant

but this water

tables set with crystal

at the tea shop

miss lady patting her lips

with linen

horses pure stock

negras pure stock

everything clear

but this big muddy

water

don’t say nothin’

must know somethin’

auction street

for angela mcdonald

consider the drum.

consider auction street

and the beat

throbbing up through our shoes,

through the trolley

so that it rides as if propelled

by hundreds, by thousands

of fathers and mothers

led in a coffle

to the block.

consider the block,

topside smooth as skin

almost translucent like a drum

that has been beaten

for the last time

and waits now to be honored

for the music it has had to bear.

then consider brother moses,

who heard from the mountaintop:

take off your shoes,

the ground you walk is holy.

memphis

… at the river i stand,

guide my feet, hold my hand

i was raised

on the shore

of lake erie

e is for escape

there are more s’es

in mississippi

than my mother had

sons

this river never knew

the kingdom of dahomey

the first s

begins in slavery

and ends in y

on the bluffs

of memphis

why are you here

the river wonders

northern born

looking across from buffalo

you look into canada toronto

is the name of the lights

burning at night

the bottom of memphis

drops into the nightmare

of a little girl’s fear

in fifteen minutes

they could be here

i could be there

mississippi

not the river the state

schwerner

and chaney

and goodman

medgar

schwerner

and chaney

and goodman

and medgar

my mother had one son

he died gently near lake erie

some rivers flow back

toward the beginning

i never learned to swim

will i float or drown

in this memphis

on the mississippi river

what is this southland

what has this to do with egypt

or dahomey

or with me

so many questions

northern born

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