grow silent as I hear myself begin to pray:

My Dear Friend,

Five years with the length of five years. I do not know exactly where this letter finds you. I suppose you have thought often of me. You were always my favorite male orphan. Oh, much more than that, much more, but I do not choose, for this last written communication, to expend myself in easy affection.

If my lawyers have performed according to my instructions, you are now in possession of my worldly estate, my soap collection, my factory, my Masonic aprons, my treehouse. I imagine you have already appropriated my style. I wonder where my style has led you. As I stand on this last springy diving board I wonder where my style has led me.

I am writing this last letter in the Occupational Therapy Room. I have let women lead me anywhere, and I am not sorry. Convents, kitchens, perfumed telephone booths, poetry courses – I followed women anywhere. I followed women into Parliament because I know how they love power. I followed women into the beds of men so that I could learn what they found there. The air is streaked with the smoke of their perfume. The world is clawed with their amorous laughter. I followed women into the world, because I loved the world. Breasts, buttocks, everywhere I followed the soft balloons. When women hissed at me from brothel windows, when they softly hissed at me over the shoulders of their dancing husbands, I followed them and I sank down with them, and sometimes when I listened to their hissing I knew it was nothing but the sound of the withering and collapse of their soft balloons.

This is the sound, this hissing, which hovers over every woman. There is one exception. I knew one woman who surrounded herself with a very different noise, maybe it was music, maybe it was silence. I am speaking, of course, about our Edith. It is five years now that I have been buried. Surely you know by now that Edith could not belong to you alone.

I followed the young nurses to Occupational Therapy. They have covered the soft balloons with starched linen, a pleasant tantalizing cover which my old lust breaks as easily as an eggshell. I have followed their dusty white legs.

Men also give off a sound. Do you know what our sound is, dear frayed friend? It is the sound you hear in male sea shells. Guess what it is. I will give you three guesses. You must fill in the lines. The nurses like to see me use my ruler.

1. _____________________________________

2. _____________________________________

3. _____________________________________

The nurses like to lean over my shoulder and watch me use my red plastic ruler. They hiss through my hair and their hisses have the aroma of alcohol and sandalwood, and their starched clothes crackle like the white tissue paper and artificial straw which creamy chocolate Easter eggs come in.

Oh, I am happy today. I know that these pages will be filled with happiness. Surely you did not think that I would leave you with a melancholy gift.

Well, what are your answers? Isn’t it remarkable that I have extended your training over this wide gulf?

It is the very opposite of a hiss, the sound men make. It is Shhh, the sound made around the index finger raised to the lips. Shhh, and the roofs are raised against the storm. Shhh, the forests are cleared so the wind will not rattle the trees. Shhh, the hydrogen rockets go off to silence dissent and variety. It is not an unpleasant noise. It is indeed a perky tune, like the bubbles above a clam. Shhh, will everybody listen, please. Will the animals stop howling, please. Will the belly stop rumbling, please. Will Time call off its ultrasonic dogs, please.

It is the sound my ball pen makes on the hospital paper as I run it down the edge of the red ruler. Shhh, it says to the billion unlines of whiteness. Shhh, it whispers to the white chaos, lie down in dormitory rows. Shhh, it implores the dancing molecules, I love dances but I do not love foreign dances, I love dances that have rules, my rules.

Did you fill in the lines, old friend? Are you sitting in a restaurant or a monastery as I lie underground? Did you fill in the lines? You didn’t have to, you know. Did I trick you again?

Now what about this silence we are so desperate to clear in the wilderness? Have we labored, plowed, muzzled, fenced so that we might hear a Voice? Fat chance. The Voice comes out of the whirlwind, and long ago we hushed the whirlwind. I wish that you would remember that the Voice comes out of the whirlwind. Some men, some of the time, have remembered. Was I one?

I will tell you why we nailed up the cork. I am a born teacher and it is not my nature to keep things to myself. Surely five years have tortured and tickled you into that understanding. I always intended to tell you everything, the complete gift. How is your constipation, darling?

I imagine they are about twenty-four years old, these soft balloons that are floating beside me this very second, these Easter candies swaddled in official laundry. Twenty-four years of journey, almost a quarter of a century, but still youth for breasts. They have come a long way to graze shyly at my shoulder as I gaily wield my ruler to serve someone’s definition of sanity. They are still young, they are barely young, but they hiss fiercely, and they dispense a heady perfume of alcohol and sandalwood. Her face gives nothing away, it is a scrubbed nurse’s face, family lines mercifully washed away, a face prepared to be a screen for our blue home movies as we sink in disease. A compassionate sphinx’s face to drip our riddles on, and, like paws buried in the sand, her round

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